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藝術概論 Week 10 2007/11/14 Iris Tuan

Orientalism Medievalism Pre-Raphaelitism Realism Materialism Ch. 16 光線與色彩 威尼斯與義大利北部 十六世紀早期 Ch. 17 新學識的傳播 日耳曼與尼德蘭 十六世紀早期 Ch. 18 藝術的危機 歐洲 十六世紀 晚 期. 藝術概論 Week 10 2007/11/14 Iris Tuan. Orientalism. Portray the Near and middle East

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藝術概論 Week 10 2007/11/14 Iris Tuan

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  1. OrientalismMedievalismPre-RaphaelitismRealismMaterialismCh. 16 光線與色彩威尼斯與義大利北部十六世紀早期Ch. 17 新學識的傳播日耳曼與尼德蘭十六世紀早期Ch. 18 藝術的危機歐洲十六世紀晚期 藝術概論 Week 10 2007/11/14 Iris Tuan

  2. Orientalism • Portray the Near and middle East • Appealed to the assumptions, tastes, fantasies, politics, and prejudices of Western audiences • Presented the Orient as backward and primitive • The supposed opulence and extravagance of the Orient

  3. 〈巧思島的屠殺〉 ， 1824年，德拉克洛瓦

  4. 〈土耳其浴場〉 ， 1862年，安格爾

  5. Medievalism • Against both neo-Classicism and Industrialization • Look back to the art and culture of the period • Provide an escape route for artists’ imagination • A vehicle for exploring contemporary social and political issues

  6. 〈考費杜阿王與乞丐女〉 ， 1884年，伯恩—瓊斯

  7. 〈克勞迪歐與依莎貝拉〉 ， 1850年，漢特

  8. Pre-Raphaelitism • In the early 1850s • Paid attention to naturalistic detail • Used vivid color • Explored medieval and literary subject matter • Founded by William Holman Hunt, John Everett Millais and Dante Gabriel Rossetti

  9. Pre-Raphaelite • Rejected the Academic tradition • The 3 artists chose the name `Pre-Raphaelite’ because they wanted to return to what they considered to be the painterly and spiritual `purity’ of art prior to Raphael.

  10. Realism • Mid to late 19th century • Artist should represent the world as it is • Strongest in France • Gustave Courbet & Edouard Manet • Freeing art from social conventions • Exploring how society shapes people’s lives

  11. The Artist’s Studio, 1855, GUSTAVE COURBET

  12. Olympia, 1863, EDOUARD MANET

  13. The Floor Planers, 1875, GUSTAVE CAILLEBOTTE

  14. Large Peasant, 1897-1902, AIME-JULES DALOU

  15. The Charge, 1902-3, ANDRE DEVAMBEZ

  16. Materialism • Believe that a person’s moral, intellectual and emotional being is molded by his environment • Rejected Idealism and Romanticism • Claims that physical world shapes human identity, ideas and experiences • Neo-Conceptualists are part of the materialist tradition

  17. The Burial at Ornans, 1849-50, GUSTAVE COURBET

  18. Portrait of Mlle L. L., 1864, JAMES TISSOT

  19. Luncheon on the Grass, 1863, EDOUARD MANET

  20. Olympia, 1863, EDOUARD MANET

  21. Ch. 16 光線與色彩威尼斯與義大利北部十六世紀早期 • 威尼斯重要的建築師—桑索維諾 • 貝利尼的祭壇畫傳達溫暖氣氛 • 最出名的一位畫家提善仰賴色彩去重組被他故意解散的一致性 • 義北部的小鎮帕爾瑪訶瑞喬「聖誕夜」新生聖嬰光芒四散

  22. 貝利尼：聖母與聖人

  23. 提善：聖母、聖人與培撒家屬群像

  24. 訶瑞喬：聖誕夜

  25. Ch. 17 新學識的傳播日耳曼與尼德蘭十六世紀早期 • 義大利文藝復興的三項成就透視法、解剖學、古代建築知識 • 新建築式樣的傳播（阿爾卑斯山以北、法蘭西、英格蘭）文藝復興式與歌德式的結合 • 藝術家杜勒新約啟示錄大型木刻插畫強烈情感與想像力

  26. Ch. 17 新學識的傳播日耳曼與尼德蘭十六世紀早期 • 杜勒—亞當與夏娃 • 格魯奈瓦德(尼哈德) — 基督被釘十字架、基督復活 • 克拉那訶—基督家族逃往埃及途中稍作憩息 • 阿爾多弗—風景畫 • 馬布茲—聖路加描繪聖母與聖子 • 波希—天堂與地獄

  27. Ch. 18 藝術的危機歐洲十六世紀晚期 • 要畫出充滿意涵與智慧的圖不再只是模仿前人 • 朱卡羅—臉型窗子 • 帕拉迪—維森撒的圓形別墅 • 賽里尼—金質餐桌用鹽瓶創造比前代作品更有趣、不凡的狂想典型 • 帕米告阿尼諾—長頸的聖母像 • 波洛內—麥可里像

  28. Ch. 18 藝術的危機歐洲十六世紀晚期 • 汀托雷多—聖馬可遺體的發掘、聖喬治鬥龍 • 艾葛瑞柯—帕拉維希諾肖像、揭開第五封印的情景 • 霍爾班—聖母與巴賽爾市長家屬的群像摩爾爵士媳婦像紹斯威爾爵士肖像在倫敦的德國商人

  29. Ch. 18 藝術的危機歐洲十六世紀晚期 • 希爾亞德—青年貴族小畫像 • 布魯格耳—畫家與顧客鄉村婚宴圖 • 古庸—山林水澤女神，噴泉浮雕 • 卡洛—兩個義大利小丑

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