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Luciano Cabral American Literature I https://uerjundergradslit.wordpress/

PhilLis Wheatley (1753-1784). Luciano Cabral American Literature I https://uerjundergradslit.wordpress.com/. Phillis Wheatley ( 1753-1784). t he first one?.

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Luciano Cabral American Literature I https://uerjundergradslit.wordpress/

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  1. PhilLis Wheatley (1753-1784) Luciano Cabral American Literature I https://uerjundergradslit.wordpress.com/

  2. Phillis Wheatley (1753-1784) the first one? “Although records show that Lucy Terry had written a poem as early as 1746, Briton Hammondhad written a short slave pamphlet by 1760 and Jupiter Hammonhad written some poetry by 1761, Phillis Wheatleywas the first Black American to succeed in getting a book of poems published. Her book, Poems on Various Subjects, Religious and Moral, was published in England in 1773”.

  3. PhilLis Wheatley (1753-1784) • The first black woman poet of note in the United States. • Bornc. 1753, present-day Senegal/Gambia(?), West Africa, and forcefully brought to Boston in 1761. • Phillis was named after the vessel that brought her to the US, by her masters John and Susannah Wheatley. • Remarkably intelligent from the start, Phillis was taught to read and write. • She also learned Latin and even translated a tale by Ovid. • Literarily, influenced by John Milton, Alexander Pope, and Thomas Gray. • Became famous for her poem on the death of Reverend George Whitefield. • Published her book Poems on Various Subjects, Religious and Moral, in London, in 1773. • Died December 5, 1784, Boston, Massachusetts, U.S.),

  4. PhilLis Wheatley (1753-1784) • Themes: Christian piety, elegy, morality, virtue, death, American revolution. • White-Oriented Poetry: But there are very few poems on her experiences as black, on freedom and slavery • Form: heroic couplets, neoclassical style “Wheatley launched two traditions at once – the black American literary tradition and the black woman’s literary tradition. It is extraordinary that not just one but both of these traditions were founded simultaneously by a black woman – certainly an event unique in the history of literature – it is also ironic that this important fact of common, coterminous literary origin seems to have escaped most scholars” [Henry Louis Gates Jr.]

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