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You can see a lot just by looking. – Yogi Berra

You can see a lot just by looking. You can see a lot just by looking. – Yogi Berra. Other sayings from Yogi Berra: A nickel ain’t worth a dime anymore. Little league baseball is a very good thing because it keeps the parents off the streets.

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You can see a lot just by looking. – Yogi Berra

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  1. You can see a lot just by looking. You can see a lot just by looking. – Yogi Berra

  2. Other sayings from Yogi Berra: A nickel ain’t worth a dime anymore. Little league baseball is a very good thing because it keeps the parents off the streets. If you come to a fork in the road, take it. The future ain’t what it used to be. Nobody goes there anymore. It’s too crowded. Baseball is ninety percent mental and the other half physical.

  3. Memory Memory Symbol Symbol Pattern Pattern

  4. You can see a lot just by looking.

  5. Memory Memory This reminds me of… Why does this character seem familiar? Where have I seen this before? NEW TEXT Another Text (book, movie, play) Life Experience is connected to

  6. Symbol Symbol Objects in literature obviously exist as face-value, but also often represent something else. For example… Dr. Jekyll’s cheval-glass (full-length mirror) is a common item in many homes then and now, useful for checking one’s appearance. However, it is also a mute witness to Dr. Jekyll’s transformations. This is telling because the mirror gives Jekyll a chance to see his transmogrification (to change grotesquely) into Hyde, who is himself a reflection of Jekyll’s “id”, his inner selfish and unseemly desires. Jekyll is therefore well aware of Hyde’s hideous appearance, yet still chooses, and even for a time revels in his choice, to change identities.

  7. Pattern Pattern Stories tend to follow patterns that make sense. For example… Would “Once upon a time…” come at the beginning, middle, or end of a story? Why? Would “They lived happily ever after” come at the beginning, middle, or end of a story? Why?

  8. Pattern Pattern Most stories fit into a common plot map:

  9. Who are you reminded of? “A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him…If anyone had addressed him, he felt that he might have spat at him or bitten him” (Dostoevsky 105).

  10. What could Raskolnikov’s garret symbolize? It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it…there were three old chairs rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had long been untouched.

  11. What do we learn in this early exposition? On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. Bridge. He had successfully avoided meeting his landlady on the staircase…every time he went out he was obliged to pass her kitchen…and each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed.

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