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Reimagining Reality: Artistic References and Reconstruction in Photography

Explore the intersection of photography, film, literature, and staged scenes through works by Julia Margaret Cameron, Cindy Sherman, Jeff Wall, and Thomas Demand. Delve into the nuances of subject portrayal and storytelling in these intriguing images.

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Reimagining Reality: Artistic References and Reconstruction in Photography

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  1. Photography

  2. Sets, Stories, and Situations MoMA Photography Theme

  3. Questions Why might photographers reference film, literature, or other photographs in their work? Why might photographers stage, reenact, or reconstruct scenes for a photograph? MoMA Photography Theme

  4. What do you notice in these images? Julia Margaret Cameron. Venus Chiding Cupid and Removing His Wings. 1872. Julia Margaret Cameron. Madonna with Children. 1864. MoMA Photography Theme

  5. What do you notice about the subject of these photographs? Cindy Sherman. Untitled Film Still #3. 1977. Cindy Sherman. Untitled Film Still #21. 1978. MoMA Photography Theme

  6. What questions does this photograph raise? Jeff Wall. After “Invisible Man” by Ralph Ellison, the Prologue. 1999–2000, printed 2001 MoMA Photography Theme

  7. Let’s compare the approaches of Cindy Sherman and Jeff Wall… Cindy Sherman. Untitled Film Still #3. 1977. Jeff Wall. After “Invisible Man” by Ralph Ellison, the Prologue. 1999–2000, printed 2001 MoMA Photography Theme

  8. Do you notice anything amiss in this photograph by Thomas Demand? Thomas Demand. Room (Zimmer). 1996 MoMA Photography Theme

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