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Américo Paredes, George Washington Gómez Lecture II. Ramon Saldivar Stanford University. Américo Paredes (1915-1999). With His Pistol in His Hand: A Border Ballad and its Hero (1958) “Problem of Identity in a Changing Culture” (1978). “Residual Cultural Order”.

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Américo Paredes, George Washington Gómez Lecture II


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am rico paredes 1915 1999
Américo Paredes (1915-1999)
  • With His Pistol in His Hand: A Border Ballad and its Hero (1958)
  • “Problem of Identity in a Changing Culture” (1978)

Paredes, George Washington Gómez

residual cultural order
“Residual Cultural Order”
  • Raymond Williams, Marxism and Literature(1977)
  • The Seditionists of 1915
  • The Plan of San Diego
    • Revolutionary Manifesto
    • Spanish-speaking Republic of the Southwest
    • Multicultural polity
  • Reprisals

Paredes, George Washington Gómez

war of maneuver and war of position antonio gramsci
War of Maneuver and War of Position-- Antonio Gramsci
  • War of Maneuver: Direct Action
  • Culture as Symbolic Action
    • Strategy of indirect cultural resistance
  • Music and other Oral Forms
  • Corridos/Ballads

Paredes, George Washington Gómez

what s in a name or identity naming and the symbolic cultural order of subjectification
What’s in a name? Or, Identity, Naming, and the Symbolic Cultural Order of Subjectification,
  • “And what shall we name him?” GWG, 15
  • “A great man who will help his people” GWG, 16

Paredes, George Washington Gómez

louis althusser interpellation
Louis Althusser:Interpellation
  • Process whereby an “individual” is
    • “appointed as a subject in and by the specific familial [political] ideological configuration in which it is ‘expected’ once it has been conceived”
      • “Ideological State Apparatuses” (1971)
  • Repressive & Ideological State Apparatuses

Paredes, George Washington Gómez

mikhail bakhtin
Mikhail Bakhtin
  • Speech Genres:
    • Forms of utterances
    • Permissable locutions
    • Normative restraints on intentions
    • Boundaries of what one can say and not say

Paredes, George Washington Gómez

identity and the instability of the name
Identity and the Instability of the Name
  • GWG II, 4, pp. 50-51 “Why am I, I”
  • GWG III, 1, p. 110 “Indian name”
  • GWG III, 7, p. 137 “hate his name”
  • GWG III, 9, pp. 147-8 “Anglo-american selves”
  • GWG III, 9, p. 150 “name of contradiction”

Paredes, George Washington Gómez

pablo picasso man with a clarinet 1911 1912
Pablo Picasso,Man with a Clarinet. 1911 - 1912

Paredes, George Washington Gómez

the function of folklore
The Function of Folklore
  • Language itself
  • Common sense
  • Popular belief
  • The entire system of daily life

Paredes, George Washington Gómez

schools and the process of americanization
Schools and the Process of Americanization
  • American Ideological system
  • Mexican folkloric cultural system

Paredes, George Washington Gómez

identity and the economic social and cultural forces
Identity and the Economic, Social, and Cultural Forces
  • GWG II, 1, p 36
  • Pre-capitalist subsistence agrarian life replaced by
  • Modern large-scale market-oriented agri-business
  • The last scene of Manifest Destiny

Paredes, George Washington Gómez

leader of his people
“Leader of His People”
  • Fantasy, Utopia and the Political Unconscious
  • The shock of the Ending

Paredes, George Washington Gómez