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Is it wrong to design a baby?

Is it wrong to design a baby?. GATTACA.

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Is it wrong to design a baby?

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  1. Is it wrong to design a baby?

  2. GATTACA In Gattaca’s dystopian society, “physical perfectibility has, ironically, led to an obsession with flaws. Vincent's [heroic] struggle to realize his dream strikes a blow against the status quo on behalf of the human spirit – for which, as is observed in the film, there is no gene.” John A. Woodcock, NYU School of Medical Humanities Database http://endeavor.med.nyu.edu/lit-med/lit-med-db/webdocs/webfilms/gattaca96-film-.html

  3. The most unremarkable of events.

  4. The most unremarkable of events.

  5. The most unremarkable of events. The most unremarkable of events. • O:This highly prestigious assignment was guaranteed Jerome at birth. He has all the gifts required. A genetic quotient second to none. There’s nothing remarkable about the progress of Jerome Morrow. • What is the irony of this VO introduction? • How does it establish the film’s central theme of the human spirit’s victory over genetic determinism?

  6. Intertextuality • Several of GATTACA’s Sci Fi and film noir elements are borrowed from earlier films.

  7. Intertextuality • Several of GATTACA’s Sci Fi and film noir elements are borrowed from earlier films: 2001 – A Space Oddyssey

  8. Intertextuality • Several of GATTACA’s Sci Fi and film noir elements are borrowed from earlier films: Blade Runner

  9. INTRICATE VISUAL SYMBOLISM

  10. Film Noir • Film noir is a movie genre marked by cynical characters and a mood of menace and fatalism. • The term [black film] was applied by French critics to describe American thriller or detective movies in the 1940’s, which used B&W film stock (because it was cheaper than colour) and whose themes reflected a social pessimism, largely as a result of WW2. • What are its double meanings?

  11. GATTACA Noir • What features does GATTACA borrow from the genre of film noir ?

  12. Intertextuality • What does Niccol’s reference to Alfred Hitchcock’s 1951 Noir classic Strangers on a Train lend to his film?

  13. Intertextuality What does Niccol’s reference to Alfred Hitchcock’s 1951 Noir classic Strangers on a Train lend to his film?

  14. CHAPTER 11 • LOVE IN PARALLEL: • WHAT DO EUGENE AND IRENE HAVE IN COMMON?

  15. LOVE IN PARALLEL: WHAT DO EUGENE AND IRENE HAVE IN COMMON? (APART FROM ‘HOMOSOCIAL DESIRE’) CHAPTER 11

  16. “MIND FORG’D MANACLES”

  17. CHAPTER 20

  18. DOPPLEGANGERS & SIBLING RIVALRY “I got the better end of the deal. I only lent you my body; you lent me your dream”

  19. DOPPLEGANGERS & SIBLING RIVALRY

  20. DOPPLEGANGERS & SIBLING RIVALRY

  21. DOPPLEGANGERS & SIBLING RIVALRY

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