1 / 54

Digital Documentary Film Making

Digital Documentary Film Making. Guy Mullins, Ken Fagan Arizona State University. Objectives. Define Documentary Film Styles of Documentaries Video Production Process Film Making Jobs & Duties Discuss Orme Dam Research. Communicating with Video. Drama Instructional Video

adamdaniel
Download Presentation

Digital Documentary Film Making

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Digital Documentary Film Making Guy Mullins, Ken Fagan Arizona State University

  2. Objectives • Define Documentary Film • Styles of Documentaries • Video Production Process • Film Making Jobs & Duties • Discuss Orme Dam Research

  3. Communicating with Video • Drama • Instructional Video • News/Magazine format • News • Documentary • Research and Data Collection • Surveillance MORE SCRIPT LESS SCRIPT

  4. Documentary Film & Video • “Creative treatment of actuality” - John Grierson • Every Documentary falls somewhere between the most pure form of “telling a found story” and the less pure “contrived fiction” Surveillance Camera Hollywood Film

  5. Video Documentary • Types of Documentary Film • Expository • Addresses Viewers Directly • Impressionistic • Poetic, Lyrical • Observational • “On the Fly” Capture of Events • Reflexive • Interactive, Autobiographical, Reality TV (?) Robert Flaherty's "Nanook of the North” 1922

  6. Reality TV? • An American Family, 1972 • MTV - The Real World • PBS - The 1900 House, The Farmer’s Wife • CBS - Survivor , Big Brother, Amazing Race • www.weliveinpublic.com

  7. Observational or Nature Video • Moving from Public Space to Private Space • Social Orientation • Photographer as Participant Observer • Photography and Rapport

  8. The Video Interview • “Talking Head” • Three Point Lighting • Adequate Microphone • Boom • Lavalier • Question and Answer • Simple to Edit • Restricts Quality of Content • Open Ended Questions • Difficult to Edit • Content May be Unrestricted / Unexpected Head Room Nose Room Rule of Thirds Background

  9. Using Photographs in the Video Interview • Photo Elicitation • Still Photographs may be used as subject matter to elicit responses from informants • Rough Cuts may be used to direct further research based on community/informant responses

  10. Using Photographs in the Video Interview • Photo Elicitation

  11. Questions?

  12. Video Text Resources • Cross-Cultural Filmmaking, Ilisa Barbash and Lucien Taylor • Visual Anthropology, John Collier, Jr., and Malcolm Collier • The Corporate Scriptwriting Book, Donna Matrazzo • Camcorder in the Classroom, Adrienne Herrell, and Joel Fowler, Jr.

  13. Additional Text Resources • The Little Digital Video Book by Michael Rubin • In The Blink of An Eye by Walter Murch • Setting Up Your Shots. Great Camera Moves Every Filmmaker Should Know by Jeremy Vineyard • Film Directing: Cinematic Motion by Steven Katz • Film Directing: Shot by Shot by Steven Katz • Digital Moviemaking by Scott Billups • Digital Guerrilla Video: A Grassroots Guide to the Revolution by Avi Hoffer • Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events by Barry Hampe • Creating Motion Graphics with After Effects (With CD-ROM) by Trish Meyer, Chris Meyer

  14. Digital Documentary Film Making • Part 1 - Objectives • Fundamental Technical Knowledge of Digital Video and Digital Photography • Traditional Skills of Video Production • (i.e.., shot composition, audio basics, lighting principles) • Digital Video Editing Techniques

  15. Recent History of Video Technology • Analog = Expensive and Complicated • Digital = Relatively Inexpensive and Simple • Non-Linear Editing (NLE) • miniDV Videotape, Firewire (iLink, IEEE1394)

  16. Traditional “A/B Roll” Analog Editing System

  17. Modern Digital VideoReplaces Big Hardware with Big Software

  18. Modern Tools of Video Production • Digital Camcorder • miniDV, Digital 8, D-9, Digital-Betacam • Non-Linear Video Editing System • iMovie, Premiere, FinalCut, Media100, Avid • NLE does for Video today what the Laser Printer did for Print in the late 1980s • Digital Still Camera • 2-Megapixel, 3-Megapixel, or better… • Graphics and Animation Software • Photoshop, After Effects, even PowerPoint

  19. Digital Video On-Location…

  20. Digital Video Composite Arizona’s Towns: Planning the Past, Saving the Future College of Architecture - Summer 2000

  21. Traditional Tools of “Good” Video Production • Wordprocessor • Microsoft Word, Pencil & Paper, 3M Post-It® • Tripod • Microphones • Handheld, Shotgun, Lavalier, PZM • Lighting Equipment • Lights, Reflectors, Umbrellas • A/C Extension Cords • Batteries • Gaffer’s Tape • Ballpoint Pen…

  22. Questions?

  23. Simple steps to making video Video Vocabulary Shot Composition Lighting & Audio Basics The Video Production Process

  24. Video Production Process • Pre-Production • Outline • Treatment • Script & Storyboard • Production • Shooting Video • Creating Graphics and Animation • Recording Narration, Music, Sound Effects • Post-Production • Editing • Distribution (VHS, www)

  25. Video Shot Vocabulary • Fundamental Shot Types • Establishing Shot • Medium Shot (MS), Medium Close-Up • Close-Up (CU), Extreme Close-Up • Over-the-Shoulder (OTS) • Two Shot

  26. Establishing Shot, Wide Shot

  27. Medium Shot,Medium Close-Up “Talking Head”

  28. Close-Up, Extreme Close-Up

  29. Over-the-Shoulder (OTS) Two Shot Other FundamentalShot Types

  30. Centered, too much headroom Off-center, better headroom Head Room & Nose Room

  31. “Rule of Thirds”

  32. Basic Principals of Lighting • Key Light • Fill Light • Back Light or Hair Light Three Point Lighting

  33. Three Point Lighting Hair Light Key Light Background Light Fill Light

  34. Three Point Lighting Hair Light Key Light Fill Light • http://ether.asu.edu/video/tips_lighting.html

  35. Audio Recording Basics • “Good” Video needs “Good” Audio • Different Types of Recording Require Different Types of Microphones • Handheld • Lavalier / Lapel • Shotgun • PZM (Pressure Zone Mic)

  36. Things to Keep in Mind when Shooting Video • Shot Composition Basics • Headroom, Noseroom • Lighting for Image Quality • Three Point Lighting • Audio Recording • Checklist • Batteries • Videotape • Microphone • Focus • Framing / Shot Composition

  37. Questions?

  38. DV on the PC? • Studio DVPinnacle Systems • www.pinnaclesys.com • Ulead Video Studio • www.ulead.com • Dazzle DV-Editor • www.dazzle.com • MovieDV Suite (screenshot) • www.aistinc.com • Microsoft Producer • www.microsoft.com Ulead Video Studio Dazzle DV-Editor & Firewire card

  39. AIST MovieDVSuite (www.aistinc.com)

  40. Digital Video: Graphics & Animation • Objectives • Introduction to Producing Graphics for Video • Advanced Video & Audio Editing Techniques • Digital Video Compression & Web Video • Internet Distribution

  41. Creating Graphics for Video • Illustrations • Special Effects • Title Screens • “Lower Third”

  42. Creating Graphics for Video • Illustrations • Special Effects • Title Screens • “Lower Third”

  43. Creating Graphics for Video • The “Darwin Movie” • http://ether.asu.edu/video/tips_bluescreen.html click movie to play

  44. Graphics Tools for Video • Adobe Photoshop for still images • Adobe After Effects for animated images • Digital Still Photography

  45. Creating Graphics for Video • Limitations of NTSC (Analog Television) • Color range of Television and Computers • Analog NTSC Video perhaps 5-7 million colors • Computer RGB more than 16 million colors • Interlaced Properties of NTSC • Causes flicker in fine details of images • Overscan and Underscan • Graphic Compositions may only utilize about 80% of the screen real estate

  46. Creating Graphics for Video • Limitations of NTSC (Analog Television) • Launch Photoshop DEMO

  47. Questions?

  48. Video and Audio Editing Techniques • Inserting Elements into a DV Program • Graphics • Audio • Narration from microphone & videotape • Music from CD • Sound Effects • Working with DV Video Clips • Adjusting Clips within the Program Timeline • Cropping Clips • Launch iMovie DEMO

  49. Video Compression • Producing Video for Computer Presentations • Powerpoint, CD-ROM, Kiosk • Compressing Video for Internet Broadcasting / Webcasting / Netcasting

  50. Video Compression • Nearly all Digital Video is Compressed NTSC Video plays at 30 frames / second 1 Frame of Uncompressed Digital Video is approximately 1 MB (30 MB / second)

More Related