7 Legendary Interior Designers Everyone Should Know

1. 7 Legendary Interior Designers Everyone Should Know Of course, you could choose a piece designed by Kelly Wearstler from a home decor line and you could tell your friends if Estee Stanley, Miles Redd or Mary McDonald would be your dream designer. But do you know the people who inspired them? These seven interior icons are the most influential masters of the 20th century, the true founders of today's profession, and these are the names every design lover should know. Elsie De Wolfe Known as "America's First Decorator," De Wolfe boasted of a lifestyle as glamorous as her decor. Born in New York City in 1865, her story reads not only like a crazy romance and adventure novel, but like several different novels. In her youth she was educated in Scotland and was introduced in court to Queen Victoria, but soon after she returned to the United States and became a professional actress. Around 1887 he shared a "Boston marriage" (a term for two single women living together, attributed to Henry James' The Bostonians) with

2. successful literary agent Elisabeth "Bessie" Marbury. And later in life, she even won the title of Lady when she married British diplomat Sir Charles Mendl at the age of 61. But early in De Wolfe's life, it was his onstage style and wardrobe - Parisian haute couture ensembles - that caught people's attention more than his acting skills. He successfully redesigned the house on Irving Place he shared with Marbury, eschewing the stifling Victorian decorating style of his day by ordering, simplifying and warming his drab and overly busy interiors. This led to a commission to decorate the Colony Club, the city's first elite social club exclusively for women, which could include members with last names like Whitney, Morgan, Harriman and Astor. De Wolfe broke new ground by becoming the most popular decorator of her time, Modular Kitchen In Gurgaon handing out business cards adorned with her iconic wolf and bodice design. De Wolfe then decorated a house she and Marbury bought in Versailles for social gatherings, and undertook large decorating projects for clients like Conde Nast, the Fricks and the Hewitt. His pioneering anti-Victorian style of rooms brighter, more airy and more refined and refined than the dictated era is still celebrated today. Jean-Michel Franck Artists are inevitably inspired by the world around them, and it's hard to imagine a richer environment than that of Paris in the 1930s, when Jean-Michel Frank was the most famous decorator and designer of the time. His projects often involved decorating rooms with Picassos and Braques hanging on the walls, and his circles included everyone from Parisian artists to members of high society, from Man Ray to the Rockefellers. But Frank's style is hard to describe. He's known as a minimalist, but it's his layer of maximalism that makes his work so interesting and complex. He was sober and understated in the forms of the furniture he designed, but he often dressed it in opulent materials: ornate mica lampshade, brass doors, quartz lamps, as well as the dressing table covered with shagreen and the armchair. cubic sheepskin club he created for Hermès. . Frank's favorite color was white, which made him both understated and rich. And he's credited with designing one of the most iconic minimalist furniture of all time, the Parsons table, but he's often coated tables in the most luxurious finishes. Despite his keen eye for design and quality, Frank found the elements of everyday life to be the key to any space and believed “perfect taste” to be the recipe for a soulless room. A distant cousin of the famous chronicler Anne Frank, he fled France around 1940 to escape Nazi occupation, and worked and traveled in South America and the United States. Sadly, he committed suicide by jumping from a Manhattan apartment building in 1941, at the age of 46. But his work is still celebrated in museums today, and you can purchase reproductions of some of his most iconic furniture designed for Hermès.

3. Albert Hadley Combining glamor and functionality can be a difficult task for any designer, but it's a relationship that Albert Hadley has mastered. "The Dean of American Decorators", who died in 2012 at the age of 91, had high society names like Rockefeller, Astor, Getty and Mellon on his client list, but he always graced a democratic decorating spirit. : “Names are really not the main thing,” he told New York magazine in 2004. “It's what you can achieve for the simplest person. Glamor is part of it, but the glamor is not the essence. Design has to do with discipline and reality, not with fantasy beyond reality. " Hailing from Tennessee, Hadley became known for his modern style, skillfully incorporating a mix of design styles thanks to his seemingly innate sense of balance and what worked together. “Never less, never again” was his overall design philosophy. Hadley partnered with Sister Parish in 1962. Parish-Hadley Associates designed the homes of America's elite for decades, but is probably best known for redecorating the Kennedy White House, as well as the Kennedy family's own homes. . But Hadley didn't stop after Parish died or with age. In honor of her 85th birthday, The New York Times asked one of its clients, Diana Quasha, why she had just chosen him for her project. “It's still the most modern thing there is,” he said. “I don't want it to be modern and I don't want it to be traditional. I want it to look interesting. Who else would you ask? Sister Parish Well connected and wealthy, Dorothy May Kinnicutt (the childhood nickname "Sister" eventually replaced her first name) was born in 1910 to parents living in Manhattan, New Jersey, Maine and Paris. She attended Chapin School in Manhattan and married Henry Parish in 1930, in a wedding which the New York Times said featured "a representative gathering of old New York families." When the fortunes of Parish's father and stockbroker husband were hit by the Wall Street crash of 1929, she opened her own interior design store in Far Hills, New Jersey. His style was a counterpoint to the heavy, dark brown furniture of his antique collector father: he preferred stripes, glazed chintz, quilts, hooked rugs and upholstered chairs to formal antiques, and credits him with the popularization of this American country aesthetic in the 1960s. His designs for clients like Brooke Astor were romantic, warm, and elegant, but his tactics were precise and demanding - his relentless assessment of a client's space before starting any design project involved rolling a tea cart around it. part and modify any element. which did not have their approval. Parish's conception relationship with Albert Hadley lasted over 30 years, until his death in 1994 at the age of 84, and is considered one of the most successful partnerships in the world of the interior. .

4. Dorothée Clothier Boldly colorful, elegant, playful and full of life - these are the hallmarks of the "Draper touch". If you've ever been intimidated or overwhelmed by the interior design world, grab a page from his 1939 book, Decorating Is Fun! : “Almost everyone thinks there is something deep and mysterious about [interior design] or that you have to know all kinds of complicated details about the time before you can lift a finger. It's not like that. Decorating is pure pleasure: a pleasure of color, an awareness of balance, a sense of enlightenment, a sense of style, Modular Kitchen In Gurgaon a zest for life and a fun enjoyment of smart accessories from the moment. " Draper, a cousin of Sister Parish, opened what is arguably the first official interior design firm, Architectural Clearing House, in 1925. She extended her elegant "modern baroque" style to many public buildings, including the cafeteria of the Metropolitan Museum in London. art. , the Fairmont and Mark Hopkins hotels in San Francisco and, most importantly, a complete overhaul of the Greenbrier in West Virginia. Some of its rooms have a subdued color scheme of classic black and white, while others feature a wild Technicolor mix of pinks with greens, turquoises, and oranges. Draper's protege, Carleton Varney, perhaps said it best of decorating legend: “Dorothy Draper decorated everything Chanel was in fashion. David hick David Nightingale Hicks, born in Essex, England, in 1929, a graduate of the Central College of Art, was designing cereal boxes for the J. Walter Thompson advertising agency when he published a magazine article about the makeover that 'he made in his mother's house in London. launched his career as a decorator. Hicks rallied around the overpriced and stifling decorating treatment often given to old English homes, instead becoming a master at mixing colors, patterns and periods of furniture and decor to achieve a cohesive look with elements rather than d others would have found it shocking or contradictory. . (For example, her infamous living room designed for American cosmetician Helena Rubenstein paired purple tweed walls with Victorian furniture trimmed in magenta leather.) His cool style broke the English mold and made Hicks a darling of the design world in the 1960s. His impressive list of projects included bedrooms for young Prince Charles and Princess Anne (who, along with the Queen Mother and the Prince Philip, attended Hicks' wedding to Lady Pamela Mountbatten in 1960), as well as a nightclub on the ocean liner QE2 and a yacht for King Fahd of Saudi Arabia. In the 1970s, David Hicks Ltd. produced wallpaper, fabrics and bedding for its prolific offices and shops in eight countries.

5. Hicks retained his smart and eclectic style until his death in 1998, but lives through his daughters, model Edwina Brudenell and design and lifestyle guru India Hicks, as well as his London-based designer and architect son. , Ashley. Billy baldwin Don't refer to Billy Baldwin as an "interior designer". He hated the term. Which is strange, considering that his holistic approach to the house went far beyond his role as “decorator”, his favorite title. Comfort and quality were Baldwin's most important principles, but he considered the “good framing” of a space a higher priority: “I have always believed that architecture is more important than decoration. Scale and proportions provide an eternal satisfaction that cannot be achieved with the icing on the cake alone, ”he said. Baldwin was inducted into the International Best Dressed List in 1974, and his interiors were as immaculate and immaculate as his perfectly tailored suits and polished ensembles. And while many great decorators of his day insisted on throwing away everything the client owned and starting from scratch, Baldwin worked with pieces his clients already owned. He even took into account his wardrobes, adding that he had "a natural interest" in women's clothing "insofar as they had to be worn in the rooms where he worked". Whether Baldwin is reworking the interiors of Cole Porter's Waldorf Towers apartment, Jackie O's home on the Greek island of Skorpios, or renovating Diana Vreeland's living room on Park Avenue, scale and proportions remain his top priorities. . Furniture upholstered to the floor (he considered the appearance of the bare feet of a chair "restless"); bold dark wall colors; and the integrated and selected shelves are other basic elements of the Baldwin design that remain relevant today. His 1972 book, Billy Baldwin Decorates, is still considered a must-read for practical decorating tips. Are you looking for 5 RULES OF DECORATING FROM SCRATCH Get by Interior designers | Yourhomz