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LOUIS LE PRINCE SEMINARS 2004 Are cuts good for anything more than editing awards? - towards a definition and language of editing in the age of the Steadicam. THELMA SCHOONMAKER Best Film Editing Academy Award 1980 RAGING BULL (Martin Scorsese) DOES EDITING REALLY EXIST?
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Are cuts good for anything more than editing awards?
- towards a definition and language of editing in the age of the Steadicam.
Best Film Editing
If so, WHAT IS EDITING?
If a piece editing can be judged ‘best’ or ‘good’, then how should ‘bad editing’ be judged or defined?
(3000 words by next Thursday please, Thelma.)
E.S. Porter :
D.W. Griffiths :
V.I. Pudovkin :
Lev. Kuleshov :
Experiments in Juxtaposition
Sergei Eisenstein :
Post nouvelle-vague, who are the
heirs to the pioneers of editing?
What places should any of these names
have in the history of the art of editing...
…Scorsese-Schoonmaker …or the cinema of Almodovar, Altman, Coens, Figgis, Kar-Wai,Kieslowski, Kubrick, Luhrmann, Lynch, Marker, Roeg, Tarantino, Von Trier, Woo… …Sokurov…?
ACADEMY AWARDS ‘Oscars’
EUROPEAN FILM AWARDS
NEW YORK FILM CRITICS
UK / USA:
FRANCE / RUSSIA: ‘montage’
purpose, aims, impact…
maintain narrative coherence
orientate viewer in space (disorientate?)
orientate viewer in time (disorientate?)
maintain action continuity
effect scene transitions
support acting performance
place dramatic impact
support rhythm, pace, mood, atmosphere
connect or separate images
motion picture editing
2. Rough Cut
3. Fine Cut
The editing process might be usefully regarded
as consisting of TWO key concepts :
1. Assembling the main narrative structure.
2. Shaping the precise dramatic relationships
between pictures and sound; people,
objects, places, time.
…and negative cuts
& Picture Editing
William Chang, Kit-Wai Kai,
Chi Leung Kwong
creative AV elements in motion picture
production, where is EDITING to be placed?
…in relation to Script, Mise-en-scene,
Production Design, etc…
What should editing
awards be given for?
really hand her statuette over
to Martin Scorsese?!?