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LOOKING THROUGH THE VIEW FINDER

LOOKING THROUGH THE VIEW FINDER. FRAMING THE SHOT Aspect Ratio Field of View Composition. PICTURE DEPTH Defining the z-axis Lenses and the z-axis. CONTROLLING CAMERA MOVEMENTS Use of a Tripod Zoom vs. Dolly. Framing The Shot: Aspect Ratio. STV (or full) 4:3. HDTV (or wide (16:9).

Gabriel
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LOOKING THROUGH THE VIEW FINDER

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  1. LOOKING THROUGH THE VIEW FINDER • FRAMING THE SHOT • Aspect Ratio • Field of View • Composition • PICTURE DEPTH • Defining the z-axis • Lenses and the z-axis • CONTROLLING CAMERA MOVEMENTS • Use of a Tripod • Zoom vs. Dolly

  2. Framing The Shot: Aspect Ratio STV (or full) 4:3 HDTV (or wide (16:9)

  3. Framing The Shot: Fields of View

  4. Framing The Shot: Composition Subject placement- Rule of thirds and Balance Headroom Noseroom Leadroom Horizon Line

  5. Framing The Shot: Subject PlacementRule of thirds and Balance Centered Balance Rule of Thirds

  6. Framing The Shot: Subject PlacementHeadroom Incorrect Correct

  7. Framing The Shot: Subject PlacementNoseroom Correct Incorrect

  8. Framing The Shot: Subject PlacementLeadroom(moving subject) Incorrect Correct

  9. Framing The Shot: The Z-AxisManipulating the Z-AxisForeground, Middle ground, and Background

  10. Framing The Shot: Controlling the CameraObject and Motion • Keep the camera still and let the object move • Use a tripod to maintain steadiness • Avoid zooming whenever possible • Zoom vs Dolly • The dolly moves with the camera • Zoom moves the event towards the viewer

  11. Framing The Shot: Key Points • Maintain field of view • Subject placement • Viewer Closure (let the viewer finish the picture) • Keep the camera steady • Do very little or no zooming • Consider depth of field • See what is in the field of viewfinder

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