Playwriting. A guide for teachers. Spark their imaginations. Use Trigger Photos. Getting Started. Pre-Writing Ideas:. Improvisations. Worksheets. Remember: Who? What? Where? Why? How?. Character-Building Activities.
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A guide for teachers
- Plot - Scenes
- Characters - Conflict
- Setting - Dialogue
- Stage Directions
But it doesn’t stop there…After they start writing…
Narration –Narrators that speak to the audience should be avoided. The story is best told by revealing information through dialogue and action.
Too little/Too much information – The audience doesn’t get the whole story or details that aren’t important to the story are presented.
Recycled lines – dialogue consists of recycled lines from movies, etc.
Too little dialogue – Try having students create a scene with no action; where we must learn about a character only through what he or the other characters say.Revising
Characters are not unique – They do not have an individual way of speaking–every character sounds the same, uses the same slang, dialect, etc. Normally the characters’ voices are identical to the playwright’s manner of speaking.
Believability – The characters do or say unbelievable things, behaving contrary to their nature without causation.
Too many characters – There are characters present who are unnecessary to the story being told, which can confuse or muddle the story and burden the playwright as well.
Characters not fully developed – Characters are incomplete or not “whole,” which prevents people from connecting with them and caring what happens to them.Revising
No Conflict –There are no obstacles to characters’ wants or existing obstacles are easily overcome. The problems are minor and the resulting conflict lacks consequence.
Conflict resolved too quickly – The change the characters present is not believable because it occurs too soon or too easily. The conflict does not sufficiently challenge the characters.
Unfocused conflict – It is unclear what the conflict is about and/or why the characters are involved in it. Perhaps there are too many characters or not enough dialogue.
Conflict does not progress – The central conflict or dramatic action does not effect change in the scene. Change occurs independent of the main conflict of the play.Revising
More scenes needed – More scenes are needed to understand how the conflict/plot developed to this point, what happens in the scene, or what happens next.
Unnecessary information – Information provided in the scene does not help us learn about the characters in a meaningful way.
Settings change too fast – Excessive mini-scenes may be more effective if combined into a few larger scenes.
Setting is not specific enough – More details are needed to let the audience know the location
Special effects – The scenes are more feasible for film or television (i.e. they contain car chases, jumping from one elaborate location to another, large scale explosions).Revising
Is the play focused on the main characters and conflict? How can I focus it?
Does the audience get to know the characters well enough to care about them?
Have I avoided resolving the conflict too soon?
Have I expressed as much as possible through the dialogue, avoiding narration?
Are my characters different from each other? Do they speak in characteristic ways?
Do the characters change? How can I put the characters through a believable change?
Is the central conflict or struggle of my play an interesting one?
Is the audience always curious to know what happens next?Questions to Ask When Revising
Good playwriting may come from very humble beginnings.
This spring we will be proud to present the 20th anniversary of CENTERSTAGE’s Young Playwrights Festival. Information and applications can be foundhere.Other Information
Please contact Sarah Curnoles at firstname.lastname@example.org with any questions you may have.