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T OYO I TO

T OYO I TO. Honorary Fellowship of AIA Honorary Fellowship of RIBA Commissioner of Kumamoto Artpolis. SUBMITTED BY: VARUN KUMAR SINGHANIA B. ARCH IV 061026. LIST OF WORKS 1991 -  Yatsushiro Municipal Museum 1994 - Old People's Home in Yatsushiro

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T OYO I TO

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  1. TOYO ITO Honorary Fellowship of AIA Honorary Fellowship of RIBA Commissioner of Kumamoto Artpolis SUBMITTED BY: VARUN KUMAR SINGHANIA B. ARCH IV 061026

  2. LIST OF WORKS 1991 - Yatsushiro Municipal Museum 1994 - Old People's Home in Yatsushiro 2001 - Sendai Mediatheque (Actar, Barcelona) 2002 - Commissioned to design a temporary pavilion adjacent to the Serpentine Gallery, in Hyde Park, London 2002 - Bruges pavilion 2004 -Matsumoto Performing Art Center, Matsumoto 2004 -TOD's Omotesando Building, Tokyo 2006 -Taichung Opera International Competition in Taiwan 2006 -VivoCity Singapore at HarbourFront 2008 -World Games Stadium in Kaohsiung, Taiwan 2008 -Villa for Chilean architectural project Ochoalcubo. 2009 -Suites Avenue Building, Barcelona, Spain 2009 -Water Fountain in Pescara 2009 -Torre Fira BCN Building, Barcelona, Spain

  3. VISION Toyo Ito is inspired from philosophers such as Munesuke Mita and Gilles Deleuze. Ito has defined architecture as "clothing" for urban dwellers i.e. equilibrium between the private life and the metropolitan, "public" life of an individual. His work are very difficult to categorize. He believes in lightness and transparency. And follows organic design. Explores the potentials of new forms and shapes.

  4. TOD’s Omotesando Tokyo, Japan LOCATION : Omotesando, the tree-lined boulevard of Tokyo. CLIENT : Tod’s, the Italian leather-goods company. DESIGN CHALLENGE : Only 33 feet of street front space but has to create an identiy.

  5. Building is the Japanese Headquarters for the TOD’S – the Italian leather goods company. • Only the bottom two levels are open to the public. • The upper levels are for offices and meeting rooms.

  6. “Trees are organisms that stand by themselves, so their shape has an inherent, structural rationality” –Toyo Ito Design – Silhouettes of nine trees were overlapped to create the six walls of the L-shaped building

  7. The trees were designed of concrete, 12 inches thick and bear all the structures load. • The interior is seven stories of column free space. • As the building grows higher, the branches begin to split and thin out until they reach the top. • “We did not use any special algorithm to determine their size, but we tried to keep the elements from getting too small.” – TOYO ITO

  8. Pictures showing the shuttering work.

  9. The space in between all the branches turns into 270 unique openings. • The openings grow smaller closer to the roof. • Openings are filled with both glass and aluminum panels • “Instead of openings cut into a solid concrete volume, transparency and opacity are on an equal footing.” - Architectural Record

  10. The entrance is the largest opening, - A triple height. • Load is carried by excellent path that the concrete tree creates. • Also the floor slabs are 20 • inches deep and carry all the • interior loads to the exterior • walls.

  11. Whole of the interior is a column free space. • An advantage this is that, displays can be rearranged and put virtually anyway.

  12. Stairs are placed in the extreme ends of the retail space.

  13. On the roof is a glass encased meeting room as well as a mixture of grass patches and travertine paving.

  14. SENDAI MEDIATHEQUE

  15. THANK YOU

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