1 / 20

Baroque Period

Baroque Period. 1600-1750. 1600. 1.  Start of the Baroque Period 1600-1750 2.  Start of the Common Practice Period 1600-1900 3. End of the Renaissance Period 1450-1600 4.  First opera was in 1600.

scheffel
Download Presentation

Baroque Period

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Baroque Period • 1600-1750

  2. 1600 • 1.  Start of the Baroque Period 1600-1750 • 2.  Start of the Common Practice Period 1600-1900 • 3. End of the Renaissance Period 1450-1600 • 4.  First opera was in 1600

  3. Movement – a part of a work, sounds complete in itself with a beginning middle and end.  Think of it like a chapter in a book

  4. Concerto • Instrumental soloist with orchestra • Multi-movement (usually 3) FSF • First movement is in Ritornello Form

  5. Vivaldi Spring • Solo Concerto - multi-movement work for orchestra and a soloist – features cadenza • Usually 3 movements Fast Slow Fast • Cadenza - the part in a concerto where the orchestra stops playing and the soloist is featured.

  6. Vivaldi Spring (cont.) • Program music – music that has an extra-musical idea to go along with it.  It might be a story, an idea, a picture, or a text.

  7. Ritornello form • Main theme is called the Ritornello (means “return”). The main theme returns regularly. • Common practice period = key. • Each time the ritornello appears, it is in a new key

  8. Modulation • To change from one key to another • In “artfully” done music, it’s not noticeable that you’ve changed keys! • You’ll almost always come back to the home key that you hear in the beginning

  9. Ritornello Form • Movement begins with the ritornello stated in the home key and all the way through.

  10. Ritornello Form • Movement begins with the ritornello stated in the home key and all the way through. • Followed by a solo episode - a passage by the soloist. The solo episode changes key

  11. Ritornello Form • Followed by a solo episode - a passage by the soloist. The solo episode changes key • The ritornello is heard again, but in a shortened form, and in a new key

  12. Ritornello Form • The ritornello is heard again, but in a shortened form, and in a new key • Another solo passage is heard, changing the key again

  13. Ritornello Form • Another solo passage is heard, changing the key again • The ritornello is brought back, shortened again and in a new key • This alternation of soloist passages and ritornello fragments continues throughout the movement

  14. Ritornello Form • Another solo passage is heard, changing the key again • The ritornello is brought back, shortened again and in a new key • This alternation of soloist passages and ritornello fragments continues throughout the movement

  15. Ritornello Form • This alternation of soloist passages and ritornello fragments continues throughout the movement • There may be a cadenza (the part where the orchestra stops playing while the soloist “shows off”)

  16. Ritornello Form • This alternation of soloist passages and ritornello fragments continues throughout the movement • At the end of the movement, we will once again hear the ritornello all the way through and in the home key

  17. Suite • A collection of dances • Multi-movement work • Each movement is in binary form (AABB) • Each movement is based on a different dance rhythm

  18. Suite • Originally, the dance pieces were intended for dancing. • In the suite, it is more considered “absolute” music for listening, not dancing

  19. Suite • The movements alternate between fast and slow tempos • Usually begins with a prelude • All are in the same key (or related keys) • No applause until the end!

  20. J.S. Bach: Suite in E Minor, BWV 996 • Preludio (Passaggio / Presto) SF • Allemande S • Courante F • Sarabande S • Bourree F • Gigue F

More Related