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Rendering and RasterizationPowerPoint Presentation

Rendering and Rasterization

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Rendering and Rasterization. Lars M. Bishop ([email protected]). Rendering Overview . Owing to time pressures, we will only cover the basic concepts of rendering Designed to be a high-level overview to help you understand other references

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### Rendering and Rasterization

Lars M. Bishop ([email protected])

Rendering Overview

- Owing to time pressures, we will only cover the basic concepts of rendering
- Designed to be a high-level overview to help you understand other references
- Details of each stage may be found in the references at the end of the section
- No OpenGL/D3D specifics will be given

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Rendering: The Last Step

- The final goal is drawing to the screen
- Drawing involves creating a digital image of the projected scene
- Involves assigning colors to every pixel on the screen
- This may be done by:
- Dedicated hardware (console, modern PC)
- Hand-optimized software (cell phone, old PC)

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Destination: The Framebuffer

- We store the rendered image in the framebuffer
- 2D digital image (grid of pixels)
- Generally RGB(A)

- The graphics hardware reads these color values out to the screen and displays them to the user

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Top-level Steps

We have a few steps remaining

- Tessellation: How do we represent the surfaces of objects?
- Shading: How do we assign colors to points on these surfaces?
- Rasterization: How do we color pixels based on the shaded geometry?

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Representing Surfaces: Points

- The geometry pipeline leaves us with:
- Points in 2D screen (pixel) space (xs, ys)
- Per-point depth value (zndc)

- We could render these points directly by coloring the pixel containing each point
- If we draw enough of these points, maybe we could represent objects with them
- But that could take millions of points (or more)

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Representing Surfaces: Line Segments

- Could connect pairs of points with line segments
- Draw lines in the framebuffer, just like a 2D drafting program

- This is called wireframe rendering
- Useful in engineering and app debugging
- Not very realistic

- But the idea is good – use sets of vertices to define higher-level primitives

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Representing Surfaces: Triangles

- We saw earlier that three points define a triangle
- Triangles are planar surfaces, bounded by three edges
- In real-time 3D, we use triangles to join together discrete points into surfaces

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A Simple Cube

Cube represented by 8 points

(trust us)

Cube represented by triangles

(defined by 8 points)

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The Power of Triangles

- Flexible
- We can approximate a wide range of surfaces using sets of triangles

- Tunable
- A smooth surface can be approximated by more or fewer triangles
- Allows us to trade off speed and accuracy

- Simple but Effective
- We already know how to transform and project the three vertices that define a triangle

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Vertices – “Heavy” Points

- As we will see, we often need to store additional data at each distinct point that define our triangles
- We call these data structures vertices
- Vertices provide a way of storing the added values we need to compute the color of the surface while rendering

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Common Per-vertex Values

- Position
- The “points” we’ve been transforming

- Color
- The color of the surface at/near the point

- Normal vector
- A vector perpendicular to the surface at/near the point

- Texture coordinates
- A value used to apply a digital image (akin to a decal on a plastic model) to the surface

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Efficient Rendering ofTriangle Sets

- Indexed geometry allows vertices to be shared by several triangles
- Uses an array of indices into the array of vertices
- Each set of three indices determine a triangle
- Uses much fewer verts than (3 x Tris)

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Indexed Geometry Example

2

1

3

6

0

4

5

Configuration

18 Individual vertices

(exploded view)

7 shared vertices

Index list for shared vertices (0,1,2),(0,2,3),(0,3,4),(0,4,5),(0,5,6),(0,6,1)

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Even More Efficient

- Triangle Strips (tristrips)
- Every vertex after the first two defines a triangle: (i-2, i-1, i)

- Tristrips use much shorter index lists
- (2 + Tris) versus (3 x Tris)

- You may not quite get this stated efficiency
- You may have to include degenerate triangles to fit some topologies
- For example, try to build our earlier 6-tri fan…

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Tristrip Example

0

2

4

6

1

3

5

7

Index list for shared vertices

(0, 1, 2, 3, 4, 5, 6, 7)

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Triangle Set Implementation

- Most 3D hardware is optimized for tristrips
- However, transformed vertices are often “cached” in a limited-size cache
- Indexed geometry is not “perfect” – using a vertex in two triangles may not gain much performance if the vertex is kicked out of the cache between them

- Lots of papers available from the hardware vendors on how to optimize for their caches

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Geometry Representation Summary

- Generally, we draw triangles
- Triangles are defined by three screen-space vertices
- Vertices include additional information required to store or compute colors
- Indexed primitives allow us to represent triangles more efficiently

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Shading - Assigning Colors

- The next step is known as shading, and involves assigning colors to any and all points on the surface of each triangle
- There are several common shading techniques
- We’ll present them from least complex (and expensive) to most complex

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Triangle Shading Methods

- Per-triangle:
- Called “Flat” shading
- Looks faceted

- Per-vertex:
- Called “Smooth” or “Gouraud” shading
- Looks smooth, but still low-detail

- Per-pixel:
- Image-based texturing is one example
- Programmable shaders are more general

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Flat Shading

- Uses colors defined per-triangle directly as the color for the entire triangle

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Gouraud (Smooth) Shading

- Gouraud shading defines a smooth interpolation of the colors at the three vertices of a triangle
- The colors at the vertices (C0,C1,C2) define an affine mapping from barycentric coordinates (s,t) on a triangle to a color at that point:

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Gouraud Shading

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Generating Source Colors

- Both Flat and Gouraud shading require source colors to interpolate
- There are several common sources:
- Artist-supplied colors (modeling package)
- Dynamic lighting

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Dynamic Lighting

- Dynamic lighting assigns colors on a per-frame basis by computing an approximation of the light incident upon the point to be colored
- Uses the vertex position, normal, and some per-object material color information

- Dynamic lighting is detailed in most basic rendering texts, including ours

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Imaged-based Texturing

- Extremely powerful shading method
- Unlike Flat and Gouraud shading, texturing allows for sub-triangle, sub-vertex detail
- Per-vertex values specify how to map an image onto the surface
- Visual result is as if a digital image were “pasted” onto the surface

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Imaged-based Texturing

- Per-vertex texture coordinates (or UVs) define an affine mapping from barycentric coords to a point in R2.
- Resulting point (u,v) is a coordinate in a texture image:

(0,1)

(1,1)

V Axis

(0,0)

(1,0)

U Axis

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Texture Applied to Surface

- The vertices of this cylinder include UVs that wrap the texture around it:

V=1.0

V=0.0

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Rasterization:Coloring the Pixels

The final step in rendering is called rasterization, and involves

- Determining which parts of a triangle are visible (Visible Surface Determination)
- Determining which screen pixels are covered by each triangle
- Computing the color at each pixel
- Writing the pixel color to the framebuffer

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Computing Per-pixel Colors

- Even though rasterization is almost universally done in hardware today, it involves some interesting and instructive mathematical concepts
- As a result, we’ll cover this topic in greater detail
- Specifically, we’ll look at perspective projections and texturing

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Conceptual Rasterization Order

- Conceptually, we draw triangles to the framebuffer by rendering adjacent pixels in screen space one after the other
- Rasterization draws pixel (x,y), then (x+1,y), then (x+2,y) etc. across each horizontal span covered by a triangle
- Then, it draws the next horizontal span

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Stepping in Screen Space

- If we have a fast way to compute the color of a triangle at pixel (x+1,y) from the color of pixel (x,y), we can draw a triangle quite quickly
- The same is true for computing texture coordinates
- Affine mappings are perfect for this

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Affine Mappings on Triangles

- Gouraud shading defines an affine mapping from world-space points in a triangle to colors
- Texturing defines an affine mapping from world-space points on a triangle to texture coordinates (UVs)
- Note, however, these are mappings from world space to colors and UVs

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Affine in Screen Space

- For the moment, assume that we have an affine mapping from screen space (xs, ys) to color:
- Note that the depth value is ignored

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Forward Differences

- Note the difference in colors between a pixel and the pixel directly to the right:

Wow – that’s nice!

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Forward Differencing

- This simple difference leads to a useful trick:
- Given the color for a base pixel in a triangle, the color of the other pixels are:
- To step from pixel to adjacent pixel (i=1 and/or j=1) is just an addition!
- This is called forward differencing

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Perspective

- Perspective projection is by far the most popular projection method in games
- It looks the most like reality to us
- Perspective rendering does involve some interesting math and surprising visual results

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Affine Mapping of Texture UVs

- Over the next few slides, we’ll apply a texture to a pair of triangles
- We’ll use screen-space affine mappings to compute the texture coordinates for each pixel
- First, let’s look at a special case: a pair of triangles parallel to the view plane

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Polygon Parallel to View:Affine Interpolation

Wire-frame view

Textured view

CORRECT

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Looking good so far…

- That worked correctly – maybe we can get away with using affine mappings (and thus forward differencing) for all of our texturing…
- Not so fast – next, we’ll tilt the top of the square away from the camera…

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Polygon Tilted in Depth: Affine Interpolation

Wire-frame view

Textured view

WRONG!

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What Happened?

- We were interpolating using an affine mapping in (2D) screen space.
- Perspective doesn’t preserve affine maps
- Let’s look at the inverse mapping: namely, we’ll derive the mapping from world space to screen space
- If this mapping isn’t affine, then the inverse (screen to triangle) can’t be affine, either

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Example – Projecting a Line

- We’ll project a 2D line segment (y,z) into 1D using perspective:

Projection of any point (not necessarily on line) to 1D:

Line in world space:

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Special Case – Parallel to View

Y-axis

View Plane

D=(DY,0)

Z-axis

P

Affine when projected -That’s why this case worked

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General Case

Y-axis

D

Z-axis

P

Not affine when projected – That’s why this case was wrong

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Correct Interpolation

- The perspective projection breaks our nice, simple affine mapping
- Affine in world space becomes projective in screen space
- Per-vertex depth matters

- The correct mapping from screen space to color or UVs is projective:

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Perspective-correct Stepping

- The per-pixel method for stepping our projective mapping in screen space is:
- Affine forward diff to step numerator
- Affine forward diff to step denominator
- Division to compute final value

- This requires an expensive per-pixel division, or even several divisions

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Polygon Tilted in Depth: Correct Perspective

Wire-frame view

Textured view

CORRECT!

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Colors versus Texture UVs

- Textures need to be perspective-correct because the detailed features in most textures make errors obvious
- This is why the example images that we have shown involve texturing

- Gouraud-shaded colors are more gradual and can often get by without perspective correction

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Cheating – Faster Perspective

- SW and HW systems have optimized perspective correction by approximation
- Subdivide tris or scanlines into smaller bits and use affine stepping (very popular)
- Use a quadratic function to approximate the projective interpolation
- Reorder pixel rendering to render pixels of constant depth together (very rare)

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Cheating - Artifacts

- Some tricks are better than others, and some break down in extreme cases
- Look at some early PS1 games, and you’ll see plenty of interesting and different perspective-correction artifacts
- As with most approximations, you tend to trade speed for accuracy

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References

- Eberly, David H., 3D Game Engine Design, Morgan Kaufmann Publishers, San Francisco, 2001
- Hecker, Chris, Behind the Screen: Perspective Texture Mapping (Series), Game Developer Magazine, Miller Freeman, 1995-1996

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References

- Van Verth, James, Bishop, Lars, Essential Mathematics for Games and Interactive Applications: A Programmer’s Guide, Morgan Kaufmann Publishers, San Francisco, 2004
- Woo, Mason, et al, OpenGL® Programming Guide: The Official Guide to Learning OpenGL, Addison-Wesley, 1999

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