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MöBIUS HOUSE UN STUDIO 1993~1998

MöBIUS HOUSE UN STUDIO 1993~1998. Architect Ben van Berkel. • Born in 1957 • Born in Amsterdam, Netherland • Studied Architecture at the Rietveld Academy in Amsterdam • Started Architectural practice in 1988 • Establishment of UN Studio in 1998 with Caroline Bos.

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MöBIUS HOUSE UN STUDIO 1993~1998

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  1. MöBIUS HOUSE UN STUDIO 1993~1998

  2. Architect Ben van Berkel • Born in 1957 • Born in Amsterdam, Netherland • Studied Architecture at the Rietveld Academy in Amsterdam • Started Architectural practice in 1988 • Establishment of UN Studio in 1998 with Caroline Bos.

  3. DESIGN STYLE -Shifts, angles of rotation and articulations that expose tension -Aims to produce a smooth and fluid architecture that synthesize tensions and conflicts

  4. PROJECTS Het Valkhof Museum Nijmegen 1999 Pavillion Milan 1996 Aedes Gallery Berlin 1995 Scholb Berlin 1993 Möbius houseHet Gooi 1993 Wilbrink House Amersfoort 1992-1994 Compamy Centre Nijkerk 1992 Piet Hein-Tunnel Amsterdam 1990 Erasmus Bridge Rotterdam 1990 Betriebsgebaude Amersfoort 1990

  5. Möbius House

  6. For the Möbius Houses’s intrepid clients and their equally intrepid architects, the building represents a leap into the future. Whether it will be loved or held up as an exemplar in fifty years’s time is impossible to say, but for the present it provides its young occupants with a suitably fashionable lifestyle armature ---------CONNIE VAN CLEEF

  7. Architect is kind of a surfer, who, with his knowledge of the tides and the undercurrents, balances on the waves. --------REM KOOLHAS

  8. Van berkel are still looking for the big waves that allow one to have a moment of heroism—even if it might be the last.

  9. Generating Diagram

  10. Diagrams are best known and understood as reductive machines for the compression of information. When the informed reader consumes a specialist diagram, the effect is like that of self-inflating life jacket: a small package grows to full shape in the time it takes to exhale a breath of air --------Ben van berkel wrote for ‘ANY MAGAZINE’

  11. WHAT’S UN MEANS UN is short for United Network, which means the office of Van berkel’s is a new organization based on a computer network. All the parties involved in the building process such as the architect,the clients, the landscape designer, the structural engineers and the site foremen work together, making the final scheme the result of a process of confrontation and negotiation of all the different parties

  12. No longer a visual archive.but an abstract machine. No longer stay still, but coextensive with the whole social field. Generating diagrams hastens pleasant living.

  13. Make the building fit. Make the purpose gain. Make the theory break. Make the architecture free.

  14. Live it … love it !

  15. 资料来源 • 书籍 • A+U 1998 • Architecture Reviewing 1999 • Architecture Design 2000 • 网络 • http://www.unstudio.com • http://www.iit.edu/~krawczyk/jtbrdg03.pdf • http://www.nextroom.at/building_article.php?building_id=1972&article_id=4041 • http://fvh.architekturforum-ooe.at/berkel.html • http://www.andrew.clu.edu • http://www.floornature.com/worldaround/articolo.php/art70/3/en

  16. 指导老师:王韧 • 制作:史文 车玲玲 • MARCH 25.2004 THE END

  17. GENERAL DESCRIPTION Surface : 550 square meters Date of design : 1993 Completion : 1998 Location : north-east of Amsterdam Garden design : West 8, Landscape Architects Rotterdam

  18. INTEX CONCEPT SITE PLAN ROUTING SHAPE SPATIAL ORGANIZATION TIME APPEARANCE FUNCTION MATERIAL

  19. Always Möbius

  20. CONCEPT Inspiration : MöbiusTrip Clients :Husband and wife both work at home Demand :Work family social life and individual space are all allotted Principle : Double-locked torus conveys the organization of two interwining paths, which trace how two people can live together,yet apart,meeting at certain points,which become shared spaces.

  21. SITE PLAN The Möbius house is at Het Gooi, a sparsely built-up area not far from Amsterdam with a series of detached houses rounded by woods, meadows and heath land

  22. SITE PLAN Transportation The spectacular surrounding scenery : a peninsula between two rivers encircled by beech trace and with a strip of grass in the middle

  23. SITE PLAN Foundation • Lies on the slope of a small valley

  24. ROUTING-----FUNCTION Children’s room Studio Studio Two individuals’ life patterns intertwining and working against each other At certain points,they enjoy family life Shared space

  25. ROUTING-----FUNCTION studio Children’s room kitchen Garage Living room Bed room Meeting room Guest flat Entrance hall Storage Studio

  26. ROUTING-----FUNCTION First floor groundfloor Lower groundfloor

  27. ROUTING-----FUNCTION Almost apart from the main building-- Möbius Loop Adjust the uneven foundation Guest room Convenient receiving guests, independent of the couple’s daily life Storage Make use of the wall and lead to the entrance Lower ground floor

  28. ROUTING-----FUNCTION Private space Away from interference Garage Opposite to the main road Shared space Open space Share spare time together with a view of Arcadian forest Ramp Connect the spaces &change the state of mind Ground floor

  29. ROUTING-----FUNCTION Roof garden Shared space Private space Away from interference Corridor Join the entrance hall ,close the circulation Children’s room Receive beautiful sunlight First floor

  30. ROUTING-----TIME A virtual Möbiustrip connects the different parts of the program in a 24----hour cycle

  31. ROUTING-----TIME

  32. ROUTING-----TIME The cycle of the sun

  33. SHAPE-----APPEARANCE The organizing principle of this unconventional dwelling is the endlessly repeating Möbius trip The conventional aesthetic sense of the unconventional dwelling:The whole building looks like the familiar figure-of-8 The angular jutting geometries bear little physical resemblance to the smooth Möbius curves

  34. SHAPE-----MATERIAL The concept of the Möbius trip also extends to the main materials The structure movement is transported to the organization of the two main materials used for the house.concrete&glass,which move in front of each other and switch places,concrete construction becoming furniture,and glass facades turning into inside partition walls Concrete furniture Glass wall

  35. SHAPE-----MATERIAL Concrete---stark yet crisp The concrete planes’ complex fragmented form has more in common with an inhabitable sculpture or expressionist film set and its stark materiality and spatial perversions do not conform to conventional notions of gentle informal domesticity

  36. SHAPE-----MATERIAL Interior glass Transparency makes the walls and open spaces often difficult to distinguish from each other

  37. SHAPE-----MATERIAL Exterior glass The glass along the route makes living in the house like walking in a Arcadian forest

  38. SHAPE-----MATERIAL Exterior glass The glass around the east end and on the roof of the corridor fetch a 3D view

  39. SHAPE-----MATERIAL Concrete & Glass The contract between substantial and unsubstantial From some angel the building looks like a concrete shell with a piece of glass inlayed in From some angel the building looks like a glass box with concrete planes embellished

  40. SHAPE-----MATERIAL Concrete & Glass Overlapping planes of concrete and glass creates a new material texture

  41. SHAPE-----MATERIAL Wood The wood plan is fixed on the roof and the surface of hanging box which is quite unusual

  42. SHAPE-----MATERIAL Wood From The using of the wood planes is also a mean to prescribe spaces

  43. SHAPE Spatial organization The arrangement of the blocks follows the function contact Garage Main block Guest room

  44. SHAPE Spatial organizationTechnique Hanging box Wrap round glazed partition

  45. SHAPE Spatial organizationTechnique Hanging box adds transformation to the administrative levels Wrap round glazed partition: --Stop the movement but let the sight line get through --The concrete stair in the glass staircase looks like a sculpture exhibited in a crystal case --The concrete boxes and the glass boxes show a contract between substantial and unsubstantial

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