1 / 15

Special Situations in CMN

Special Situations in CMN. Music 253/CS 275A Stanford University. Common Music Notation. Pitch 8va indicators Ossia readings (ed.) Ornaments Articulation marks Finger numbers Lyrics. Durations (monophonic) Tuplets Dots not WYSIWYG Durations (polyphonic). Large number of

Download Presentation

Special Situations in CMN

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Special Situations in CMN Music 253/CS 275A Stanford University

  2. Common Music Notation • Pitch • 8va indicators • Ossia readings (ed.) • Ornaments • Articulation marks • Finger numbers • Lyrics • Durations (monophonic) • Tuplets • Dots not WYSIWYG Durations (polyphonic) Large number of complex situations Simple within one program; often omitted in translation http://www.ccarh.org/publications/reprints/ieee/ 2013 Eleanor Selfridge-Field

  3. Duration and Alignment Poly-sub-meters: 2:3, 3:4 Beethoven: “Harp” Quartet 2013 Eleanor Selfridge-Field

  4. Duration and alignment 4:5:6 (vertical) Mahler: Das Lied von der Erde: “Die Abschied” 2013 Eleanor Selfridge-Field

  5. Duration and Alignment Szymanowski: Songs of the Infatuated Muezzin, No. 4 7:1, 6:1, 5:1 (horizontal) 2013 Eleanor Selfridge-Field

  6. Aleatoric contexts Irregular meters Irregular subdivisions Ad libitum passages 2013 Eleanor Selfridge-Field

  7. Text underlay: alignment 2013 Eleanor Selfridge-Field

  8. Lyrics (and text) in non-Roman scripts Shamisenneumes: Shape: presence/absence of pitch or vocal quality Direction of curvature: pitch variation Angle between neumes: pitch change Length of neume: duration Thickness: voice intensity, tone Masato Yako (1998): Shamisen intro for nagauta play 2013 Eleanor Selfridge-Field

  9. Grammar of parts Multi-bar rest Text extenders B. Marcello: cantata 2013 Eleanor Selfridge-Field

  10. Vertical spacing extras (basso continuo) Handel: Ottone, “Bel labbro formato Basso continuo figuration 2013 Eleanor Selfridge-Field

  11. Vertical spacing extras (ornamentation) 2013 Eleanor Selfridge-Field

  12. Stems and beams (non-coincident) 2013 Eleanor Selfridge-Field

  13. Slurs (collisions) 2013 Eleanor Selfridge-Field

  14. Slur extremes Left: very high slurs Below: very long slur 2013 Eleanor Selfridge-Field

  15. Slurs (multi-octave, inverted, et al.) Ravel: “Gaspard de la nuit” 2013 Eleanor Selfridge-Field

More Related