1 / 18

Sensitized Material

Sensitized Material. Refers to the film and photographic paper that basically composed of emulsion containing silver halides suspended in gelatin and coated on a trasparent or reflective support. Parts of Sensitized Material. Emulsion

marsha
Download Presentation

Sensitized Material

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Sensitized Material • Refers to the film and photographic paper that basically composed of emulsion containing silver halides suspended in gelatin and coated on a trasparent or reflective support

  2. Parts of Sensitized Material • Emulsion • Part of the film or photographic paper which contains the silver grains that is sensitive to light • Colored films contain 3 layers of emulsion (blue, green, red) with intervening filters • Anti-Halation Backing • Designed to hold back the light and prevents halation • Base • Support the emulsion

  3. Types of Film(According to Use) • Black and White Film • Usually represented by a prefix or a suffix “pan” or “ortho” and generally used in black and white photography • ex. ortholith, tri x-pan, pan x-plus • Colored Film • Negative Type • Reversal Type

  4. Types of Films(According to Spectral Sensitivity) • Blue Sensitive Film • Sensitive to UV light up to blue color • Orthochromatic Film • Sensitive to UV light up to green color • Panchromatic Film • Sensitive to UV light up to red color (visible light) • Infra-Red Film • Sensitive to all colors and infrared light

  5. Film Speed (Emulsion Speed) • ASA (American Standards Association) • Expressed in arithmetic value system • The higher the number, the more sensitive the film is • ASA 10, 20, 30, 40, 50, 100, 200, 400, 800, 1000 • DIN (Deutche Industre Normen) • Expressed in logarithmic value system • Used in the same principle as the ASA (3 degrees) • DIN 12, 15, 18, 21, 24, 27 30, 33 • ISO (International Standards Organization) • Expressed in combination of ASA and DIN ratings

  6. Photographic Paper • Sensitized material that will record the visible image in the final development and become the photograph

  7. Types of Photographic Paper(According to Emulsion Used) • Silver chloride paper • Used for contact printing • Size of the positive print is the same as the size of the negative used. • Sensitivity to light is low and gives blue-black tones when properly developed • Silver bromide paper • Used in projection, printing and enlarging process. • Most ideal paper used in police photography. • Will give black tones when properly developed

  8. Silver Chlorobromide Paper • Used for both projection and contact printing • Slow emulsion • Variable contract paper • Combines the contrast range in one paper • Uses a special chlorobromide emulsion that produces varying contrast responses upon exposure to different colors of light

  9. Types of Photographic Paper(According to Physical Characteristics) • Weight • Light Weight • Designed for high flexibility and when paper thickness is not of consideration • Intended for purposes which involved folding • Single Weight • Used for small prints or which are needed to be mounted on solid fine details necessary in the production • Used in ordinary photographic purposes • Double Weight • Generally used for large prints because they stand up under rough treatment

  10. Surface Texture • Glossy Paper • Designed for fine details and brilliant image formation • Semi-matte Paper • Obscure fine details • Rough Paper • Used for large prints or where breath rather than detail is necessary

  11. Color • White Paper • Better used in police photography • Cream Paper • Preferred for pictorial effect, portraits, landscapes or where warmth effect is desired • Buff Paper • Paper for tone prints

  12. Types of Photographic Paper(According to Contrast) • Velox No. 0 • Used for printing extremely contrast negative or expremely exposed film • Velox No. 1 • Used for high contrast negative or over exposed film • Velox No. 2 • Used for normal exposed film • Velox No. 3 • Used for negative with weak contrast or underexposed film

  13. Velox No. 4 • Used to provide sufficient contrast to compensate for very thin or weak negatives • Useful imprinting if high contrast is desired • Velox No. 5 • For flat negatives that are unprintable

  14. Chemical Process • Process of making the latent image visible and permanent

  15. Development • The process necessary for reducing the silver halides to form the image • Use either D-76, Dektol or Universal Solution • Elon Hydroquenone • Used as the main developing agent • Stop Bath • Normally composed of water with a little amount dilute acetic acid that serves as a means to prevent contamination between the developer and the acid fixer • Fixation • Process by which al unexposed silver halides are dissolved or removed from the emulsion surface and making the image more permanent • Sodium Thiosulfate (Hypo) • Main fixing agent that dissolves unexposed silver halides

  16. Other Chemicals Used • Acetic Acid and Boric Acid • Serves as neutralizer • Sodium Sulfate • Serves as the preservative • Potassium Bromide (ALUM) • Restrainer or Hardener • Sodium Bicarbonate and Borax Powder • Serves as accelerator

  17. Dark Room Techniques • Dodging • Process of eliminating unwanted portion of the negative during enlarging • Cropping • Process of omitting an object during the process of enlarging and printing • Vignetting • Gradual fading of the image towards the side through skillful adjustment on the dodging board

  18. Dye Toning • Process designed in changing the color of the photograph • Burning-In • Refers to the additional exposure on a desired portion of the negative used for purposes of making a balanced exposure

More Related