Outreach to artists
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Outreach to artists. “ Our students engage a broad spectrum of creative methodologies and intellectual frameworks. …are taught to balance ‘making’ with the production of ideas.” – Patricia Olynyk , Director of Graduate Studies. Orientation. Methods. Research 101. Bibliography.

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Outreach to artists

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Outreach to artists

Outreach to artists


Outreach to artists

“Our students engage a broad spectrum of creative methodologies and intellectual frameworks...


Outreach to artists

…are taught to balance ‘making’ with the production of ideas.”

–Patricia Olynyk,

Director of Graduate Studies


Outreach to artists

Orientation

Methods

Research 101

Bibliography


Outreach to artists

Workshops

Field trips


Outreach to artists

In the studios


Outreach to artists

Thesis defense


Outreach to artists developing a research culture for the mfa program

Outreach to Artists: Developing a Research Culture for the MFA Program

Kasia Leousis, M.A., M.L.S.

Art History & School of Art Librarian

Washington University in Saint Louis

[email protected]


Readings

Readings

  • Bartnik, Linda. “The Embedded Academic Librarian: The Subject Specialist Moves into the Discipline College.” Kentucky Libraries 71.3 (Summer 2007): 4-9.

  • Haines, Annette. “Out in Left Field: The Benefits of Field Librarianship for Studio Arts Programs.” Art Documentation 23:1 (2004): 18-20.

  • Stoddart, Richard A., Thedis W. Bryant and Amia L. Baker. “Going Boldly Beyond the Reference Desk: Practical Advice and Learning Plans for New Reference Librarians Performing Liaison Work.” The Journal of Academic Librarianship32.4 (2006): 419-427.

  • Sullivan, Graeme. Art Practice as Research: Inquiry in Visual Arts. London: Sage, 2010.

  • Vetruba, Brian. “Eingebettet in the German Department.” WESSWebWESS Newsletter(Fall 2008). http://wess.lib.byu.edu/index.php/Eingebettet_in_the_German_Department


Images by permission

Images by permission

Andrea Degener. From Object Series (1) Frog, Turtle. Digital C-prints, 30x31” each. 2011

Meghan Bean. Absent Referent. Oil on canvas, 2010.

Nicholas Kania. Southern Praise no. 1, trundle bed frame, duct tape, glitter, plastic flowers, Christmas lights, mud, glue, 2011.

-----------. Southern Praise no. 2, wood paneling, Christmas lights, duct tape, metal folding chairs, 2011.


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