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Opening Sequence 00:00- 06.15

Opening Sequence 00:00- 06.15. Point of view shot: effect of this angle on the entrance to Ashecliffe. Opening Sequence 00:00- 06.15. Mise-en-scene that echoes each other in the opening sequence: ‘gateways of hell’. Opening Sequence. 00:00- 06.15.

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Opening Sequence 00:00- 06.15

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  1. Opening Sequence 00:00- 06.15 Point of view shot: effect of this angle on the entrance to Ashecliffe

  2. Opening Sequence 00:00- 06.15 Mise-en-scene that echoes each other in the opening sequence: ‘gateways of hell’

  3. Opening Sequence 00:00- 06.15 Robertson’s music reaches a crescendo of drama but the buildings behind the gate and the gardens are a contrast to this dramatic buildup of music. Ashecliffe does not look so frightening.

  4. Opening Sequence 00:00- 06.15 The suspenseful music ends abruptly: Aule and Daniels (and the audience ) have arrived at Ashecliffe. (diegetic sound ensues) Mc Pherson: “All right you gentlemen will be accorded all the help we can give”

  5. Dialogue examples from Opening Screenplay: Laeta Kalogridis first line of dialogue: Daniels: Get it together Teddy. It’s just fucking water. Daniels: Not the best way to meet your new partner, with my head halfway down the toilet... Aule: Doesn’t exactly square with Teddy Daniels: the man, the legend. I’ll give you that. Teddy: I’ve seen something like it before. Captain: The dock, it’s the only way on. Or off. Captain: Storm’s commin’

  6. Closing Sequence 2: 00:00 - 2:07:47 Andrew shoots his wife.

  7. Closing Sequence 2: 00:00 - 2:07:47 Visual composition and use of colour to create meaning

  8. Closing Sequence 2: 00:00 - 2:07:47

  9. Closing Sequence 2: 00:00 - 2:07:47

  10. 2: 00:00 - 2:07:47 How do the choices Scorcese has made with production elements intensify this moment for the audience as they watch Daniels/Andrews confess to his delusions?

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