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Goya ’ s Fantastic Vision of Madness

Goya ’ s Fantastic Vision of Madness. Paige Prater College of Visual Arts and Design Department of Art History Dr. Mickey Abel College of Visual Arts and Design Department of Art History University Scholar ’ s Day 14 April 2011. Michel Foucault (1926-1984).

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Goya ’ s Fantastic Vision of Madness

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  1. Goya’s Fantastic Vision of Madness Paige Prater College of Visual Arts and Design Department of Art History Dr. Mickey Abel College of Visual Arts and Design Department of Art History University Scholar’s Day 14 April 2011

  2. Michel Foucault (1926-1984)

  3. Francisco de Goya, Citadel on a Rock, oil on canvas, unknown date.

  4. Romanticism vs. Classicism Madness vs. Reason Passion>>>Madness

  5. Goya. A Man Mocked, Disparates, etching, 1815-1817 Goya. Plague Hospital, oil on canvas, 1798-1800

  6. Henry Fuseli, Odysseus Between Scylla and Charybdis, oil on canvas, 1794-96 TheodoreGericault, Insane Woman, oil on canvas, 1822.

  7. Grotesque vs. Fantastical Goya, Saturn Devouring One of His Children, mural, 1819-1823

  8. Fantastical • Transcending nature • Conflating confinement • and refuge • 3. Blending imaginary • and real

  9. Goya. Fantastic Vision, mural, 1819-1823

  10. Goya, The St. Isidore Pilgrimage (Quinto del Sordo), mural, 1820-1823

  11. Layout of Black Paintings

  12. Goya, Half-Submerged Dog, mural, 1819-1823 (x-ray version on left.)

  13. Compare:

  14. Bibliography Athanassoglou-Kallmyer, Nina. "Romanticism: Breaking the Cannon." Art Journal 52, no. 2 (1993): 18-21. Bozal, Valeriano. Goya: Black Paintings. 2nd ed. Madrid: Fundación Amigos del Museo del Prado, 1999. Canton, Francisco Javier Sanchez. Goya and the Black Paintings. Paolo Lecaldano, 76-98. Milan: Faber & Faber, 1963. Ciofalo, John J. "Goya's Enlightenment Protagonist: A Quixotic Dreamer of Reason." Eighteenth-Century Studies 30, no. 4 (1997): 421-436. Doctor, Asunción Fernández, and Antonio Seva Díaz. Goya y la locura. Zaragosa, Spain: Janssen-Cilagn, 2000. Fingesten, Peter. "Delimitating the Concept of the Grotesque." The Journal of Aesthetics and Art Criticism 42, no. 4 (1984): 419-426. Foucault, Michel. Madness and Civilization: A History of Insanity in the Age of Reason. Translated by Richard Howard. New York: Vintage Books, 1988. Francisco, Samantha. Francisco Goya and the Economy of Madness. New York: State University of New York at Binghamton, 1998. Fullerton, Amy Katherine. Historical Representation in the Works of Francisco de Goya: Interpretations of the Black Paintings. Laramie, WY: University of Wyoming, 2009. Gaertner, Johannes A. "Myth and Pattern in the Lives of Artists." Art Journal 30, no. 1 (1970): 27-30. Ginger, Andrew. Painting and the Turn to Cultural Modernity in Spain--The Time of Eugenio Lucas Velázquez(1850-1870). Cranbury, N.J.: Selinsgrove: Susquehanna University Press, 2007. Glendinning, Nigel. Goya and His Critics. New Haven: Yale University Press, 1977. Glendinning, Nigel. The Interpretation of Goya's Black Paintings. London: Queen Mary College, University of London, 1977. Gudiol, Jose. "Paintings by Goya in the Buenos Aires Museum." The Burlington Magazine 107, no. 742 (1965): 10-16. Heckes, Frank Irving. Supernatural Themes in the Art of Francisco de Goya (Volumes I & II). Ann Arbor Michigan: University Microfilms International, 1985. Jensen, H. James. Signs and Meaning in Eighteenth Century Art: Epistemology, Rhetoric Painting, Poesy, Music, Dramatic Performance, and G.F. Handel. Vol. 33. New York: Peter Lang Publishing Inc., 1997. Klein, Peter K. "Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya's Yard with Lunatics and Related Works." Journal of the Warburg and Courtauld Institutes 61 (1991): 198-252. Krauss, Rosalind. "Antivision." October 36 (1986): 147-154. Miller, Margaret. "Gericault's Paintings of the Insane." Journal of the Warburg and Courtauld Institutes 4, no. 3/4 (1942): 151-163. Moffit, John F. The Arts in Spain. London: Thames & Hudson, Ltd, 1999. Muller, Priscilla E. "Discerning Goya." Metropolitan Museum Journal 31 (1996): 175-187. Neely, Carol Thomas. "'Documents in Madness': Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture." Shakespeare Quarterly 42, no. 3 (1991): 315-338. Park, M P and R H R Park. "The Fine Art of Patient-Doctor Relationships." BMJ: British Medical Journal 329, no. 7480 (2004): 1475-1480. Powell, Jeffrey L. "An Enlightened Madness." Human Studies 25, no. 3 (2002): 311-316. Sánchez, Alfonso E. Pérez, and Eleanor A. Sayre. Goya and the Spirit of Enlightenment. Boston: Bullfinch Press, 1989. Sandblom M.D., Ph.D.h.c., Philip. Creativity and Disease--How illness affects literature, art and music. 7th ed. New York: Marion Boyars Publishers, 1992. Stafford, Barbara Maria. "From 'Brilliant Ideas' to 'Fitful Thoughts': Conjecturing the Unseen in Late Eighteenth-Century Art." Zeitschrift für Kunstgeschichte 48, no. 3 (1985): 329-363. Tomlinson, Janis. "Evolving Concepts: Spain, Painting, and Authentic Goyas in Nineteenth-Century France." Metropolitan Museum Journal 31 (1996): 189-202.

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