1 / 17

Religious education

Religious education. for gifted and talented pupils. Identifying pupils gifted in RE. 1: Academic achievement—majority expectations. Identifying pupils gifted in RE. 2a: Level descriptors used to assess attainment. Identifying pupils gifted in RE. 2b: Gifted and talented at key stage 1.

azure
Download Presentation

Religious education

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Religious education for gifted and talented pupils

  2. Identifying pupils gifted in RE 1: Academic achievement—majority expectations

  3. Identifying pupils gifted in RE 2a: Level descriptors used to assess attainment

  4. Identifying pupils gifted in RE 2b: Gifted and talented at key stage 1

  5. Identifying pupils gifted in RE 2b: Gifted and talented at key stage 2

  6. The lost sheep—I've brought him home. The artist Emily Groome (aged 8) comments: “I knew this story very well from my literacy and RE lessons. My picture shows the Good Shepherd bringing home the lost sheep. It’s a turning point for the story because now the Sheep is safe and free from danger. I’ve made a collage from torn paper. We had been talking about the custom of well dressings* that are a tradition in Derbyshire where I live. I decided to make a collage to represent the well dressing, using torn paper instead of flower petals. It’s a good picture to make anyone feel safe.” Prize winning entry in Spirited Arts 2004 competition. Theme: the turning point of the story *Well dressing is a custom practised in rural England in which wells, springs or other water sources are decorated with designs created from flower petals. Identifying pupils gifted in RE 2d: Examples How would you assess this piece of work?

  7. Identifying pupils gifted in RE 2b: Examples The Next Step Consumed by fear, standing before the blazing red bush in the desert, Moses would never have believed he would soon lead an entire race to the salvation they had so long awaited. No—he had to concentrate on the present, on his mission. The burning tree flows into the manna, on which the Israelites were nourished: physically and spiritually, they depended on this strange dew from Adonai. The Israelites would feed on this as they skimmed the waves of sand to the Promised Land…but we aren’t up to that yet: Moses still needs to find the strength to follow Adonai’s will. As ever, in the midst of every step of the way to safety and sanctification, Adonai is ‘the one who is always there’. The words are engraved in Hebrew in the never-ending sky… and in the hearts of millions as they make their own steps in life. This piece of work was assessed at level 6 for interpretation and insight, level 7 for coherence, analysis and evaluation.

  8. Identifying pupils gifted in RE 3: Practical tips • Talent in religious education is not quite the same as general talent: it may be specific to RE. • Gifts and talents in RE come in a variety of shapes, from logical to spiritual, critical to creative. All deserve to be noticed and nurtured. • Showing an RE talent is often—but not always—congruent with language skills. • Evidence of achievement may be spoken, creative, dramatic, or written, and overall a balance is desirable.

  9. Based on ideas from “Able Pupils in Kirklees’, LEA 1999

  10. Christ disputing with the scribes (detail)Duccio di Buoninsegna, 1308-11 Christianity’s first gifted and talented pupil? “When he was twelve years old, [Jesus and his parents] went up to [Jerusalem for the Passover]. After the feast was over, while his parents were returning home, the boy Jesus stayed behind … Thinking he was in their company, they travelled on for a day. Then they began looking for him among their relatives and friends. When they did not find him, they went back to Jerusalem to look for him. After three days they found him in the temple courts, sitting among the teachers, listening to them and asking them questions. Everyone who heard him was amazed at his understanding and his answers.” (Luke 2: 42-47)

  11. Guru Nanak’s father takes him to school, From an illustrated Janamsakhi (‘birth story’), 1733 Sikhism’s first gifted and talented pupil? “Nanak appears to have continued to attend school for some time. One day he was observed to remain silent, and not apply himself to his books. The schoolmaster asked him why he was not reading. Nanak inquired, ‘Art thou sufficiently learned to teach me?’ The schoolmaster replied that he had read everything. He knew the Vedas and Shastars, and he had learned to cast up accounts, post ledgers and daybooks, and strike balances. Upon this Nanak said, ‘To your accomplishments I prefer the study of divine knowledge.’” (From The Life of Guru Nanak, Max Arthur MacAuliffe, Oxford University Press [1909].)

  12. A spectrum of gifts Gifts and talents in RE come in a variety of shapes, from logical to spiritual, critical to creative. All deserve to be noticed and nurtured. • Imaginative use of symbols: e.g. Jesus speaking in parables • Empathic understanding of religious experience: the ability to go into that quiet inner space and ponder, e.g. Muhammad meditating on Mt Hira • Development of critical thinking: e.g. the long history of Jewish exegesis (“explanation of scripture”) found in the Rabbinic literature • Logical insight: e.g. the Buddha’s exposition of the four noble truths • Creative expression: all of the above

  13. Gifted and talented responses to a specific task Where is God?

  14. Task: “Where is God?” Response: “God as Colour” Sophie Ward, age 10, was in year 5 when she completed this task. In response to the assignment she wrote: “This picture shows God as colour. It means each different colour means a different feeling or mood. I liked this idea because if you group all the moods together it makes God. I used bright colours because they mean happiness, joy and fun.”

  15. Task: “Where is God?” Response: “Where indeed?” Meredith, age 12, created a 3-D corridor in which, at the far end, a hunched figure sits. The words on the floor tell the story: “There was a man who suffered every day and night. His sadness radiated from him and his anger burned like fire. He sat in the dark at the end of the corridor. He asked: ‘Is there a God? If there is, why does he let me suffer?’ No answer came, only silence. He curled up and cried..”

  16. Task: “Where is God?” Response: “Seek and you will find” Dannielle, Olivia and Katie (all aged 15)who submitted the above to the 2006 Spirited Arts competition commented: “We have not answered the question. But we have suggested how to go about answering it. Seek and you will find…”

  17. Workshop task Brainstorm ideas for a 4-day RE summer school for G&T pupils Heaven: How we talk to God The artist, Lewis (age 7), comments: “Talking to God is like talking to a friend. Sometimes God sends angels to speak to people like in the Christmas Story. And sometimes God sends the ladder so people can go up to Heaven. The angels help Him a lot.” Lewis was one of the winners of the 2005 Spirited Arts competition, theme “Where is God?” (http://www.natre.org.uk/spiritedarts/)

More Related