Lygia clark brazil 1920 1988 in 1958 rio de janeiro
This presentation is the property of its rightful owner.
Sponsored Links
1 / 23

Lygia Clark (Brazil, 1920-1988), in 1958, Rio de Janeiro PowerPoint PPT Presentation


  • 40 Views
  • Uploaded on
  • Presentation posted in: General

Lygia Clark (Brazil, 1920-1988), in 1958, Rio de Janeiro. Lucio Fontana (Argentine-born Italian, 1899-1968), (right) Spatial Construction (slit canvas), late 1940s. See Ades, “White Manifesto,” 1946 Painting / Sculpture – late modern, early post-modern.

Download Presentation

Lygia Clark (Brazil, 1920-1988), in 1958, Rio de Janeiro

An Image/Link below is provided (as is) to download presentation

Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author.While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server.


- - - - - - - - - - - - - - - - - - - - - - - - - - E N D - - - - - - - - - - - - - - - - - - - - - - - - - -

Presentation Transcript


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lygia Clark (Brazil, 1920-1988), in 1958, Rio de Janeiro


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lucio Fontana (Argentine-born Italian, 1899-1968), (right) Spatial Construction (slit canvas), late 1940s. See Ades, “White Manifesto,” 1946Painting / Sculpture – late modern, early post-modern


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

(left) Lygia Clark, Relief Painting with Yellow Square, oil, 1957, 30 in. HBrazilian Neoconcretism compare: Kasimir Malevich, Suprematism, White on White, 1918


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lygia Clark, (left) Analyise, 1956, one of series of Neo-Concrete paintings of “planes.”compare Russian constructivism, (right) Lyubov Popova, Painterly Architectonics, 1912


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lygia Clark, Sundial, 1960, 3 views, Neoconcretism compare with (LR) Max Bill, 1947-8 Tripartite Unity, Concretism


Lygia clark machine animal bicho 1962 hinged aluminum 55x65 sao paulo

Lygia Clark, Machine Animal (Bicho), 1962, hinged aluminum, 55x65, Sao Paulo


Lygia clark rubber grub 1964 1986 rubber 56 in h museo de arte moderna do rio de janeiro

Lygia Clark, Rubber Grub, 1964 (1986), rubber, 56 in.H Museo de Arte Moderna do Rio de Janeiro


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lygia Clark, Mandala, from the series, Collective Body, 1959, Elastic bands linking people at their writsts or ankles


Lygia clark air stone multiple 1966 inflated plastic bag and stone

Lygia Clark, Air & Stone (Multiple) 1966, inflated plastic bag and stone


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

(left) Lygia Clark, (top) Mask with Mirrors, 1967; (below) Dialogue, 1968The mask holds small movable mirrors in front of the eyes, juxtaposing and fracturing reflections of the self and the surrounding world. (right) Clark, Sensorial Gloves, 1968. Part of Nostalgia of the Body series.Gloves are made of various materials, sizes and textures. Participants use the many combinations of gloves and balls of different sizes, textures and weights, and then hold the balls again with bare hands. Purpose is to rediscover touch.


Lygia clark individual therapy with relational objects rio de janeiro 1975

Lygia Clark, Individual Therapy with Relational Objects, Rio de Janeiro, 1975


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Lygia Clark and Helio Oiticica, Dialogue for Hands, 1966 elastic Möbius band Elastic Möbius band“Helio and I are like a glove. He is the outside of the glove, very much linked to the exterior world. I am the inside. And the two of us exist from the moment there is a hand which puts on the glove” Clark http://www.cut-the-knot.org/do_you_know/moebius.avi


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

(left) Hélio Oiticica (Brazil, 1937-1980), White Crossing Red – Metaschema1958, oil, 21 in. H; compare Piet Mondrian, Tableau, 1921, Neoplasticism


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Hélio Oiticica, Spatial Relief, 1959, synthetic polymer paint on wood, 38x48x8”compare (right) AlexanderRodchenko 1891-1956,Spatial Relief, 1920, Russian Constructivism


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Helio Oiticica, Glass BolidePortuguese word for fireball or flaming meteor 4 Earth, 1964, Glass, earth, and painted gauze


Helio oiticica box bolide 1964 painted wood and glass 20 in h rio de janeiro

Helio Oiticica, Box Bolide, 1964, painted wood and glass, 20 in H, Rio de Janeiro


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Hélio Oiticica, Tropicalia, 1967, an installation originally exhibited in the New Brazilian Objectivity exhibition at the Museu de Arte Moderna in Rio de Janeiro. Origin of Tropicália (orTropicalismo), the Brazilian art movement in theater, poetry, music, and visual art.


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Hélio Oiticica.Tropicália, 1967. Mixed media. Purchased with the assistance of the American Fund for the Tate Gallery, the Latin American Acquisitions Committee, Tate Members, and The Art Fund, 2007.


H lio oiticica outside the whitechapel art gallery london 1969

Hélio Oiticica outside The Whitechapel Art Gallery, London, 1969


Helio oiticica nildo of the mangueira samba group wearing parangol s 1964

Helio Oiticica, Nildo, of the Mangueira samba group, wearing Parangolés, 1964


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

This entire experience into which art flows, the issue of liberty

itself, of the expansion of the individual's consciousness, of the

return to myth, the rediscovery of rhythm, dance, the body, the

senses, which finally are what we have as weapons of direct,

perceptual, participatory knowledge . . . is revolutionary in the total sense of behavior.(Oiticica)


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Hélio Oiticica, Mosquito of Mangueira wearing Cape 6 (Paragole 10), 1965, and dancing with Glass Bolide 5 (Homage to Mondrian), 1964


Lygia clark brazil 1920 1988 in 1958 rio de janeiro

Gego (Gertrude Goldschmidt (German-Venezuelan,1912-1994) Reticularea (Ambientacion), wire, 1969 installation in Germany


  • Login