The Language of Film

1. The Language of Film Framing: Day 1 Film 1 Mrs. Kelly Brown Rio Seco

2. Framing is how you first design a shot. A shot refers to one, uninterrupted image that is seen onscreen. • When you look at a frame, one of the first things to consider is distance. • How much do you see of the character(s)? • Is it a close up? • Is it a full or long shot (wide)? • Is it a medium shot? • Can you see the whole body or a part of the body? A Place in the Sun 1951-close up

3. In general the closer the camera gets to the characters, the closer the viewer feels towards the characters. • This is why close ups are often used in: • romantic scenes • scenes where the character is suffering or fearful • any other scene where the viewer is supposed to understand what the character is feeling.

4. CLOSE-UP • A framing in which the scale of the object shown is relatively large. • In a close-up a person's head, or some other similarly sized object, would fill the frame.

5. Close-up or Close Shot • The object or subject takes up 80% of the screen space. • Appears very large. • Also, “what is not in the picture” is important too.

7. EXTREME CLOSE-UP • A framing in which the scale of the object shown is very large; most commonly, a small object or a part of the body usually shot with a zoom lens. • Again, faces are the most recurrent images in extreme close-ups

8. Close Ups

9. The Two-Shot Close Up Avatar 2009 Makes two characters the subject of the frame. It allows you to understand how the characters interact and react to each other.

10. MEDIUM SHOT • Framing such that an object four or five feet high would fill most of the screen vertically. • Also called plain américain, given its recurrence in the Western genre, where it was important to keep a cowboy's weapon in the image.

11. Medium Shot • Between a long and close-up. • Lacks much cinematic effect. • Most TV shows are filmed at this distance. • Can show more context and setting.

13. As the camera moves further away from the character(s), the viewer is provided more information about them or about their situation. The shot on the right is a medium shot, but the one on the left is a close up. From Babel 2006 From Rosemary’s Baby 1968

14. Medium Shots

15. LONG SHOT • A framing in which the scale of the object shown is small; a standing human figure would appear nearly the height of the screen. • It makes for a relatively stable shot that can accommodate movement without reframing

16. Long Shot • Shot showing their entire body. • Establishes the scene (like skyline) • Show separation or distance between characters

17. The further the camera is from the subject, the more distant you will feel from what is happening in the scene or to the character(s) this lets the audience have a look at the subject in relation to its surrounding. (A Long Shot shown here)

18. Long Shots

20. EXTREME LONG SHOT • A framing in which the scale of the object shown is very small; a building, landscape, or crowd of people will fill the screen. • Usually the first or last shots of a sequence, that can also function as establishing shots..

21. The Establishing Shot The Illusionist 2006 It lets the audience have a look at the subject in relation to its surroundings. It usually appears at the beginning of a film or scene to establish the setting or to introduce a film.