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THE RENAISSANCE

THE RENAISSANCE. THE EARLY RENAISSANCE. EXTERIOR OF BAPTISTRY. D U O M O. THE BAPTISTRY DOORS. LORENZO GHIBERTI 1435 EACH PANEL 21 X 17 NATIONAL MUSEUM, FLORENCE. DETAIL OF BAPTISTRY DOOR. THE MADONNA IN MAJESTY. CIMABUE 1285 – 1286 UFFIZI GALLERY, FLORENCE.

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THE RENAISSANCE

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  1. THE RENAISSANCE

  2. THE EARLY RENAISSANCE

  3. EXTERIOR OF BAPTISTRY

  4. D U O M O

  5. THE BAPTISTRY DOORS • LORENZO GHIBERTI • 1435 • EACH PANEL • 21 X 17 • NATIONAL MUSEUM, FLORENCE

  6. DETAIL OF BAPTISTRY DOOR

  7. THE MADONNA IN MAJESTY • CIMABUE • 1285 – 1286 • UFFIZI GALLERY, FLORENCE

  8. MADONNA & CHILD ENTHRONED • GIOTTO • 1305 – 1310 • UFFIZI GALLERY, FLORENCE

  9. THE MADONNA AND CHILD • Masaccio • 1426 • Tempera on panel • 24.5 x 18 cm • Uffizi, Florence

  10. THE EXPULSION OF ADAM AND EVE • Masaccio • 1426-1428 • Fresco • 208 x 88 cm • Brancacci Chapel, Florence

  11. DAVID • DONATELLO • 1430-1432 • 62 1/4” • NATIONAL MUSEUM, FLORENCE

  12. DETAIL OF DAVID

  13. MAGDALEN • DONATELLO • 1454-1455 • 6’2” • BAPTISTRY, FLORENCE

  14. MAGDALEN-DETAIL

  15. RESURRECTION • Piero della Francesca • 1463-1465 • Mural in fresco • 225 x 200 cm • Pinacoteca Comunale, Sansepolcro

  16. THE FLAGELLATION • Piero della Francesca • 1455 • Oil and tempera on panel • 58.4 x 81.5 cm • Galleria Nazionale delle Marche, Urbino

  17. Geometry of The Flagellation The diagonal AE of that square passes through the V, vanishing point of perspective. Further, in square ATVK we see that arc KT from A cuts the diagonal at Christ's head, F, halfway up the painting. Thus Christ's head is at the center of the original square ASED.

  18. THE LATE RENAISSANCE

  19. Annunciation • Da Vinci Uffizi Gallery • 1472-1475 98 x 217 cm

  20. Perspective • Da Vinci: Annunciation

  21. THE LAST SUPPER • LEONARDO DA VINCI • FLORENTINE • 1495-1498 • 181 X 346 1/2” • MILAN

  22. LAST SUPPER-RESTORED

  23. First to depict acting as real people Greatest ex. Of one point perspective – all lines to Jesus head Looking across the picture from left to right: • Bartholomew, James Minor and Andrew form a group of three. All are aghast, Andrew to the point of holding his hands up in a "stop!" gesture. • Judas, Peter and John form the next group of three. Judas, you will note, has his face in shadow and is clutching a small bag (of silver?). Peter is visibly angry and a feminine-looking John seems about to swoon. • Christ is the calm in the midst of the storm. • Thomas, James Major and Philip are next. Thomas is clearly agitated, James Major stunned and Philip seems to be seeking clarification. • Matthew, Thaddeus and Simon comprise the last group of three figures. It appears that, when a situation turns ugly, Simon is the "go to" guy for explanations.

  24. Castagno 1445-50 Architecture has a strangely oppressive effect on the figures B/c perspective was devised before diners painted

  25. MONA LISA • LEONARDO DA VINCI • FLORENTINE • 1503-1505 • 30 1/4 X 21” • THE LOUVRE, PARIS http://library.thinkquest.org/13681/data/link2.htm

  26. THE VIRGIN OF THE ROCKS • Leonardo Da Vinci • 1503-1506 • 6 x 4 ft • National Gallery, London The sfumato (haze) creates a sense of peculiar warmth and intimacy-more of a poetic vision

  27. THE VIRGIN OF THE ROCKS • Leonardo Da Vinci • 1483-1486 • Oil on panel • 199 x 122 cm • Louvre, Paris

  28. London Paris

  29. Vitruvian Man(Man of Perfect Proportions) • Leonardo Da Vinci • 1492 • Pen and Ink • Accademia, Venice • 13 ½ x 9 ½

  30. Other Example of Da Vinci’s Notebook Flying Machine Walk on Water

  31. THE ASSUMPTION OF THE VIRGIN • Correggio • 1525 • Fresco • Parma Cathedral, Parma, Italy

  32. SISTINE CHAPEL

  33. CEILING OF THE SISTINE CHAPEL • MICHELANGELO • FLORENTINE • 1508-1512 • THE VATICAN, ROME

  34. Ancestors Prophets Genesis Scenes Prophets Ancestors Death of Haman Jonah and the Whale Moses & Brass Serpeant Jeremiah Separation of light from darkness Libica Solomon Creation of Sun, Moon, and Planets Jesse Persica Separation of Land from Water Daniel Roboam Creation of Adam Asa Ezekiel Creation of Eve Cumaea Ozias Temptation and Expulsion Ezekias Erythraea Sacrifice of Noah Isaih Zorobabel The Flood Josiah Joel Drunkeness of Noah Delphic Sibyl David & Goliath Zachariah Juidith & HoloPhernes

  35. THE CREATION OF ADAM

  36. EXPULSION

  37. DELPHIC SIBYL

  38. THE LAST JUDGMENT • MICHELANGELO • 1535-1544 • ALTAR WALL, SISTINE CHAPEL, VATICAN CITY

  39. THE LAST JUDGMENT DETAIL-CHRIST

  40. THE LAST JUDGMENT-DETAILS

  41. THE LAST JUDGMENT-FLAYED SKIN DETAIL

  42. DAVID • MICHELANGELO • 1501-1504 • 161” • ACCADEMIA, FLORENCE

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