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Post Impressionism

Post Impressionism. Many Small Movements, 1880-1920. Post Impressionism. Post Impressionism c. 1880-1920. Influence on Modern Art. Artists associated to movements:. Paul C é zanne ‘House of the Hanged Man’ 1873. Paul C é zanne ‘ Landscape, Auvers’, 1873. Pissarro ‘ Gelée blanche’, 1873.

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Post Impressionism

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  1. Post Impressionism Many Small Movements, 1880-1920

  2. Post Impressionism

  3. Post Impressionism c. 1880-1920

  4. Influence on Modern Art

  5. Artists associated to movements:

  6. Paul Cézanne‘House of the Hanged Man’ 1873

  7. Paul Cézanne‘Landscape, Auvers’, 1873

  8. Pissarro‘Gelée blanche’, 1873

  9. Paul Cézanne ‘The Bathers Resting’, 1875-76

  10. Paul Cézanne ‘The Bathers’, 1900-5

  11. Adolphe-WilliamBouguereau, ‘The Bathers’, 1884

  12. Comparison…

  13. Paul Cézanne‘Still Life with Compotier’ 1879-1882

  14. Cézanne’s Still Lives • He was fascinated by the relation of colour to modelling - Brightly coloured, round solids (e.g. Apple) was ideal • He was interested in achieving a balanced design, therefore he stretched the bowl to the left to fill a void. • As he wanted to study all the shapes on the table and their relationship, he simply tilted it forward to make them come into view. • Everything (apart from the bowl & glass) has been reduced to its essential form – either spherical or rectangular – enforcing a great sense of weight and mass. • Curves echo round the canvas. • To achieve a sense of depth without sacrificing the brightness of colours. • To achieve an orderly arrangement without sacrificing the sense of depth – all sacrifices EXCEPT for maintaining the conventional ‘correctness’ of outline. • He was not out to distort nature; but he did not mind much if it became distorted in some minor detail if it helped obtain the desired effect.

  15. Paul Cézanne‘Still Life with Plaster Cupid’ c.1895

  16. Paul Cézanne ‘Table, Napkin, and Fruit’,1895-1900

  17. Paul Cézanne ‘Apples and Oranges’, c. 1899

  18. Paul Cézanne'Mont Sainte-Victoire seen from Bellvue‘, c. 1882-1885

  19. Paul Cézanne ‘Mont Sainte-Victoire’, 1902-4

  20. Georges Seurat‘The Bathers, Asnières’, 1883-4

  21. ‘Student’s text book of Colour: or, Modern Chromatics with Applications to Art & Industry’, 1881 by Ogden Rood, American Physicist • ‘Principle of Harmony & Contrast of Colours and their application to the Arts’, 1839 – by Michel-Eugène Cheureul

  22. George Seurat‘Sunday Afternoon on the Island of La Grande Jatte’, 1883-1886

  23. Georges Seurat‘The Lighthouse at Honfleur’, 1886

  24. Paul Signac‘Breakfast (The Dining Room)’c. 1886/87

  25. Paul Signac‘Portrait of Félix Fénéon’, 1890

  26. George Seurat‘Circus’, 1890-91

  27. Paul Signac‘Red Buoy, Saint Tropez’, 1895

  28. Paul Gauguin‘La Bergère bretonne’, 1886

  29. Louis Anquetin‘Evening: Avenue de Clichy’ 1887

  30. Emile Bernard‘View from the Bridge at Asnières’, 1887

  31. Louis Anquetin‘Girl Reading a Newspaper’, 1890

  32. Emile Bernard‘Buckwheat Harvesters at Pont-Aven’, 1888

  33. Emile Bernard‘Women on a Prairie’, 1888

  34. Paul Gauguin‘The Vision after the Sermon (Jacob and the Angel)’, 1888

  35. Emile Bernard‘Self-Portrait with Portrait of Gauguin’, 1888

  36. Paul Gauguin‘Self Portrait: Les Misérables’, 1888

  37. Vincent Van Gogh‘The Bridge in the Rain (After Hiroshige)’, 1887

  38. Hokusai

  39. Paul Gauguin‘Portrait of Van Gogh painting’, 1888

  40. Vincent Van Gogh‘Sunflowers’, 1888

  41. Paul Gauguin‘Le Christ jaune (The Yellow Christ)’ 1889

  42. Emile Bernard‘Paysannes Bretonnes’, c1889

  43. Vincent Van Gogh‘The Bridge in the Rain (After Hiroshige)’, 1887

  44. Hokusai

  45. Paul Gauguin‘Portrait of Van Gogh painting’, 1888

  46. Vincent Van Gogh‘Sunflowers’, 1888

  47. Vincent van Gogh‘Vincent’s Chair with his Pipe’, 1888-9

  48. Vincent Van Gogh‘Room at Arles’, 1889

  49. Vincent Van Gogh‘Self Portrait’, 1889

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