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Expressionism Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus

Expressionism Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus. Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus. Luxe, calme et volupte Henri Matisse 1904-05. The Open Window Henri Matisse 1905. Portrait of Mme. Matisse / The Green Line Henri Matisse

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Expressionism Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus

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  1. Expressionism Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus

  2. Symbolism Fauvism Cubism The Blue Rider Die Brucke Bauhaus

  3. Luxe, calme et volupte Henri Matisse 1904-05

  4. The Open Window Henri Matisse 1905

  5. Portrait of Mme. Matisse / The Green Line Henri Matisse 1905

  6. Woman with the Hat Henri Matisse 1905

  7. Le Bonheur de vivre Henri Matisse 1905

  8. Blue Nude: Memory of Biskra Henri Matisse 1907

  9. Reclining Nude Henri Matisse 1906

  10. Le Luxe II Henri Matisse 1907

  11. London Bridge Andre Derain 1906

  12. Prostitute Before a Mirror Georges Rouault 1906

  13. The Old King Georges Rouault 1916

  14. Young Lady with an Umbrella Lumiere brothers 1906

  15. In My Room: A Collection of My Racing Cars Jaques-Henri Lartigue 1906

  16. Harmony in Red Henri Matisse 1908

  17. Dance II Henri Matisse 1909

  18. Music Henri Matisse 1909

  19. Music Henri Matisse 1909

  20. The Red Studio Henri Matisse 1911

  21. On one hand, he wants to bring you into this painting: to make you fall into it, like walking through the looking-glass. Thus the box of crayons is put, like a bait, Just under your hand, as it was under his. But it is not a real space, and because it is all soaked in flat, subtly modulated red, a red beyond ordinary experience, dyeing the whole room, it describes itself aggressively as fiction. It is all inlaid pattern, full of possible "windows," but these openings are more flat surfaces. They are Matisse's own pictures. Everything else is a work of art or craft as well: the furniture, the dresser, the clock and the sculptures, which are also recognizably Matisses. The only hint of nature in all this is the trained houseplant, which obediently emulates the curve of the wicker chair on the right and the nude's body on the left. The Red Studio is a poem about how painting refers to itself: how art nourishes itself from other art and how, with enough conviction, art can form its own republic of pleasure, a parenthesis within the real world - a paradise. – Robert Hughes

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