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\nVisit Below Link, To Download This Course:\n\nhttps://www.tutorialsservice.net/product/ltre-421-final-exam-week-8-latest-devry/\n\nOr \nEmail us on\nSUPPORT@TUTORIALSSERVICE.NET\n\nLTRE 421 Final Exam Week 8 Latest-DeVry\nLTRE421\nLTRE 421 Final Exam Week 8 Latest-DeVry\nWeek 8 Final Exam\nQuestion 1\n5 pts\n(TCO 3) The character against whom the protagonist’s struggle is directed is called what?\n

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ltre 421 final exam week 8 latest devry

LTRE 421 FINAL EXAM WEEK 8 LATEST-DEVRY

Visit Below Link, To Download This Course:

https://www.tutorialsservice.net/product/ltre-421-final-exam-week-8-latest-devry/

Or

Email us on

SUPPORT@TUTORIALSSERVICE.NET

LTRE 421 Final Exam Week 8 Latest-DeVry

LTRE421

LTRE 421 Final Exam Week 8 Latest-DeVry

Week 8 Final Exam

Question 1

5 pts

(TCO 3)The character against whom the protagonist’s struggle is directed is called what?

Conflict

Antagonist

Structure

Organic unity

Question 2

5 pts

(TCO 3) Free verse is defined as

poetry with no regular meter or rhyme scheme.

poetry in heightened language.

poetry with a regular meter and rhyme scheme.

poetry written for specific occasions.

question 3

Question 3

5 pts

(TCO 1) Which of the following is not a major genre of literature?

Technical and scientific articles

Drama

Poetry

Prose fiction

Question 4

5 pts

(TCO 2) Situations in a play in which characters have only partial, misguided, or incorrect understanding

of what is happening are called

contextual symbols.

themes.

complications.

dramatic ironies.

Question 5

5 pts

(TCO 1) When one thing is described with the properties of another thing that it is not, this is a

theme.

metaphor.

symbol.

figure of speech.

Question 6

5 pts

(TCOs 3 and 5)In Freytag’s Pyramid of dramatic structure, exposition refers to

the part of a drama that introduces a play’s background, characters, and situations.

the point of view that the play expresses.

the end of the play’s central conflict.

the circumstances that force a play’s protagonist to recognize what needs to be done to resolve

the conflict.

Question 7

5 pts

5 pts

(TCO 5) Which of the following is not a feature of blank verse as used in Hamlet?

Iambic, using two syllables vocalized in the pattern unstressed, stressed

Ends up to be 10 syllable lines

Rhymed verse

Each unstressed-stressed syllabic pair makes a foot pentameter (5 feet to a line)

Question 8

5 pts

(TCO 6) A literary critic using the structuralist

critical approach would look for which of the following features of a literary work?

The ways that content and form in a literary work provide insights for evaluating the quality of the

work

The potential message or lesson the work has about leading a better life

The relationships and connections among elements that otherwise appear separate and unique

The historical circumstances in which the literary work was created

Question 9

5 pts

(TCO 6) The critical approach that focuses on the patterns in a story that are similar throughout various

cultures and historical times would be

structuralist.

psychological and psychoanalytic.

archetypal and symbolic and mythic.

feminist criticism and gender studies and queer theory.

Question 10

5 pts

(TCO 6) The focus on the social classes of characters in a literary work is an example of

psychological and psychoanalytic critical approach.

topical and historical critical approach.

economic determinist and Marxist critical approach.

moral and intellectual critical approach.

Question 11

50 pts

50 pts

(TCO 4) What were the characteristics of Renaissance theater? How does Hamlet reveal that it was

written specifically for Renaissance theater? Use specific examples from the play to show how the play

would be performed.

Question 12

50 pts

(TCO 7)Compare the families in Sandra Cisneros’ Mericansand August Wilson’s Fences. Describe the

concept of family that each work presents. What good and bad effects are produced within the families?

What are the internal struggles of the families? Are these struggles resolved?

Question 13

50 pts

(TCO 8) Modern literature will often indirectly lead a reader to seeing the subject or main idea of the

literary work. Consider Seamus Heaney’s Mid-Term Break and Flannery O’Connor’s A Good Man is Hard

to Find and how the authors delay the punch until the very end. Discuss the clues the authors give early

in the works that lead to the conclusions or foreshadow the endings. What are the advantages of this

delaying tactic in literature?

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