History of Art(3)

1. History of Art(3) U41H3 Lecture 8 Week 10

2. History of Art(3) Course Lecturer : Prof. M.Helal Course assistant : Eng. YoumnaYakout

3. Course Objectives: • General view on causes that led to the development of art ,and the transition from modern classical to romance • Identifying the art movements artistic styles in modern art ,its important artists, cultural ,and scientific factors that contributed to its emergence • Developing the student ability to understand and analyze the artistic style and characteristics , its important artists for all art movements of modern art

4. Course Description: • Identify the art movements and styles , that helped in the emergence of modern art from the mid-eighteenth century and until the appearance of the Romantic movement in the nineteenth century • Studying modern art movements stylistic development that contributed to its emergence ,Also standing on the distinctive artistic style for each art movement, and its artists .

5. Way of evaluation The course grade is 100 in total in a final evaluation committee with three examiners Attendance: (10) Mid term and assignments: (30) Final evaluation: (60) Total = 100

6. Textbooks: • Jonathan Fineberg, Art Since 1940 ,3rd Edition • Alan Bowness ,Modern European Art,1995 Websites: • http://en.wikipedia.org/wiki/Modern_art • http://en.wikipedia.org/wiki/Art_movement • http://www.artmovements.co.uk/home.htm

7. التكعيبية Cubism

8. ما هو التكعيب • الأتجاه الذى يتخذ من أوضاع التكعيب أساسا له فى التكوين و البناء

9. أهم الأكتشافات خلال فترة التكعيبية "The view through the door of the railroad car at the automobile windshield, in combination with speed, has altered the habitual look of things. A modern man, registers a hundred times more sensory impressions than an eighteenth-century artist." Fernand Léger

10. العوامل التى مهدت لظهور التكعيبية

11. الأساليب التىكعيبية التى ظهرت فى أعمال سيزان • الفن المصرى و النـحـــــت البدائى و الفنون الأفريقية • ظهور نظرية التبلور (جميع العناصـــــر المعدنية تأخذ حبيباتها و دقائقها أشكــــال هندسية التكوين )

12. Fauvism Influences Henri Matisse, Blue Nude (1907)

13. Paul Cézanne Les GrandesBaianeuses (1906)

15. Faceting • Different perspectives on one surface. • Different ways of seeing the same subject matter. • Using light and dark tones to capture the effect.

16. Egyptian Art &Primitivism

17. Egyptian Art &Primitivism Paul Gauguin The Moon and the Earth (Hinatefatou), Paul Gauguin, Oviri

18. Analytical Cubism • From 1907 – 1912 • Colors very muted, using mostly tan, brown, gray, cream, and some greens and blues. • Analytical Cubism presented multiple views of an object, using overlapping planes.

19. مراحل التكعيبية • المرحلة الأولى (1907-1909) وهى التى تمثل الأسلوب التكعيبى المستمد من الأساليب الفنية لسيزان 0 • المرحلة الثانية (1910- 1912) وهى تقوم على الأسلوب التحليلى الذى يكشف عما فى أعماق الأشياء و كـــــــذا من جوانبه المختلفة0 • المرحلة الثالثة (1913-1914)وهى مرحلة الصـــــــــورة الموحدة التى تجمع بين التكعيبية و عناصر فنية أخـــــــرى أحدث بحيث تنصهر فى هذا الأتجاه و تصطبغ بطابعه 0

20. فنانى التكعيبية جورج براك بابلو بيكاسو جوان جرى وليجر

21. Girl With A Mandolin – Pablo Picasso – 1910

22. Accordionist – Pablo Picasso – 1911

23. Violin and Candlestick – Georges Braque – 1910

24. Bottles and Knife Juan Gris 1914

25. Still Life with Chair Caning – Pablo Picasso – 1912

26. Guitar, Sheet Music, And Wine Glass – Pablo Picasso – 1912

27. Fruit Dish And Glass – Georges Braque – 1912 Woman With A Guitar – Georges Braque –1913

28. Card Player – Pablo Picasso – 1914

29. Cubist Sculpture Woman’s Head – Pablo Picasso – 1909

30. Reclining Nude with Guitar – Jacques Lipchitz – 1928

31. Guitar – Pablo Picasso – 1914

32. Nude Descending A Staircase – Marcel Duchamp – 1912

33. المطلوب :- أعداد ورقة بحثية عن اتجاهات المراحل التكعيبية0