Patola Its Origin

1. PatolaItsOrigin Patola is typically made of silk and is produced in Patan, Gujarat, India. The singular term is patolu,whilethepluralispatola.Theyareextremelycostlyandwereoncereserved formembers of royal and aristocratic families. Those who can afford the exorbitant costs are drawn to these saris.InSurat,velvetpatolafashionsarealsoproduced.Atightlyguardedfamilycustomispatola weaving.Theseincrediblysought-aftertwinikatsarisarewovenby threegenerationsinPatan. It is rumored that only the boys are taught this skill among the family members. Due to the extensiveprocedureofindependentlycoloringeachstrandbeforeweavingthemtogether,making one sari can take anywhere between six months and a year. In Surat, Ahmedabad, and Patan, patola wasweaved. Althoughthepatolafabricissaid tohaveoriginated inGujarat,SouthIndianholyliteraturealso contains the first references to it. This cloth is described as being worn by ladies at rituals and specialoccasionsinthereligiousscriptureNarasimhaPurana.Pattakulla,itsGujaraticounterpart, did not occur until Pataskala the 11th century. Gujarat became a thriving market for the Salvis following the fall of the Solanki Empire. Patola saris swiftly rose to prominence among Gujarati womenasasymbolofsocialstanding,particularlywhenwornaspartoftheirwedding attire.In

2. ordertogainthepatronageoftheSolankiRajputs,whoweretherulingeliteofGujaratandsome ofRajasthan atthetime,700 silkweaversfromtheSalvicasteofKarnatakaandMaharashtraare thoughtto have relocatedtoGujaratinthe 12thcentury. According to a different legend, patola was created 900 years ago thanks to the support of King Kumarpala, whoturned itinto astatussymbol.Hisinitialsourceof patolawas Jalnain Maharashtra.Hetransported700patola artisans andtheirfamilies from Maharashtraand Karnataka to Patan in Gujarat, however, after discovering that the king of Jalna had used the patola as bedsheets before selling or giving them to other nobility. He allegedly staggered production after that, and despite the seven-month production period, he allegedly got at least onenew patolaeachdaytoweartothetemple. The warp and weft method are used to create patolas during the resist-dying process. A patola is often expensiveandtime-consumingtoweave,takingthreeindividualsfourtosevenmonths. Vi, arosewood stickintheshapeofasword,isusedtoadjustthestrands.Theyarnistiedwithcotton threads in accordance with the pattern as the first stage. The smallest possiblemeasurement is one hundredth of an inch. The yarn goes through several cycles of tying and dying in a certain arrangement of colors. The arrangement of the design can be thrown off by the displacement of just one yarn, rendering the entire set unnecessary. Each color occupies a certain location in the pattern,whichmustbepreciselyalignedwhenweaving.Extremecareandprecisionarenecessary for work this complex. The patola loom is special because it is inclined to one side and requires two persons to work together on a single sari. These items can also take up to a year to produce, dependingonhow longand intricate thedesignis. The reason patola is so important is because it is complicated and time-consuming. Geometric patterns and abstract shapes are frequently used to symbolize patolas. Popular patterns include those with elephants, human figures, kalash, flowers, shikhar, paan, and parrots as well as those that drew inspiration from Gujarati architecture. They are made with natural colors including catechu, cochineal, indigo, marigold, turmeric, natural lakh, madder roots, manjistha, ratnajyot, katha,andkesudo. Modern-day Andhra Pradesh and Telangana create ikat, a form of cloth. It serves as a common term for the fabric, knitting method, and yarn. In general, it is a process that uses resist-dying. Theyarnistightlytwistedintobundles,whicharethencoloredasmanytimesasnecessaryto get the desired design. Double ikat, in which both the warp and the weft threads are resist-dyed before weaving, is the most challenging style of weaving. It is the weft threads of single ikat that are resist-dyed. Only when the weaving goes farther will the pattern emerge. As a result, the weaver mustcontinuouslycenter andrepositionthestrands toguaranteethedesign is appropriatelymade.