A nton W ebern

1. Anton AntonWebern Click to continue Webern

2. MUSICWORKS Please Note You can also move forwards and backwardsthrough the slides by using the arrow keyson your keyboard.

3. AntonWebern 1883 - 1945

4. Anton Webern 1883 – 1945 Anton Webern is an Austriancomposer and conductor. He was a member of a group of composers that became known as the Second Viennese School. This group developed a brand new style of composition and created music that was completely different from anything that had been heard previously. Rather than use formal scales and harmonies, Webern and his contemporaries wrote music that was atonal.

5. Atonal - music that is not in any particular key.

6. Webern was an incredibly strict composer, organising every element of his music with absolute precision. He often used sparse textures so that every note can be clearly heard. Most of Webern’s compositions are incredibly short; however, they were written with the most obsessive attention to detail. If you played a piece of Mozart without any dynamics or articulations it wouldn’t sound great – but it’d still be music. If you did the same to a piece of Webern it would sound like you were playing a random selection of notes – all the musical meaning would be lost. Webern

7. Variationsfor Piano Webern’s Variations for Piano were written in 1936 (round about the same time as Rachmaninov’s Rhapsody on a Theme of Paganini). Listen to a few seconds of each composer. You will instantly hear how radical Webern’s approach was.

8. Sergei Rachmaninov You can hear music by Rachmaninov on Track 5 of the MUSICWORKS CD. 1873 - 1943

9. AntonWebern You can hear music by Webern on Track 6 of the MUSICWORKS CD. 1883 - 1945

10. Variationsfor Piano This presentation will explore the 2nd movement. It is entitled Sehr schnell – which is German for very fast. The music lasts less than 40 seconds!

11. This is the main ‘theme’.

12. You can hear this excerpt in the first 5 seconds of Track 6 of the MUSICWORKS CD.

13. Notice the notes are grouped in pairs,

14. each with its own dynamic.

15. Dynamics - instructions forhow loud or soft to play.An indication of volume.

16. Webern’s style of composition is called Serialism – which is a very specific way of ordering musical elements. For instance, in this piece Webern strictly organises the pitches of the music. He does this by taking the 12 different notes within an octave (all the white and black notes) and intricately arranging them into a special order. Serialism

17. 10 11 12 1 2 3 4 5 6 7 8 9 Here are the 12 differenttones (within an octave) markedon a keyboard.

18. 10 11 12 1 2 3 4 5 6 7 8 9 Webern reordered the pitches. This new order is called a Tone row.

19. Tone row - a system of organisingall 12 pitches within an octave. Tone row used in the 2nd movementof Variations for Piano

20. Look at the main Theme again.

21. Theme Tone row The Theme was created by using the notes of the Tone row.

22. Theme Tone row Notice how the notes in the theme relate to the order set by the row.

23. Symmetry On the next slide you will see how Webern also used symmetry to construct this piece. If you placed a mirror along the pitch of A on the score, you will see how the note from the tone row (marked red) has a symmetrical opposite (marked in blue). Click to see this in action. Symmetry

24. Row note Line of Symmetry Reflection

25. Anton Webern 1883 – 1945 Because of the incredible speed and complexity of this music, it can be challenging to get into Webern’s soundworld. However, the closer you examine the music, the more amazing it becomes. Igor Stravinsky described Webern’s music as being built of ‘dazzling diamonds’.

26. Anton Webern