modern form repetition and fragmentation andy warhol 32 soup cans 1961 62 donald judd untitled 1970 n.
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“Modern” Form: Repetition and Fragmentation Andy Warhol , 32 Soup Cans , 1961-62 Donald Judd , Untitled , 1970.

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Eadweard Muybridge , The Horse in Motion , 1878


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modern form repetition and fragmentation andy warhol 32 soup cans 1961 62 donald judd untitled 1970
“Modern” Form: Repetition and FragmentationAndy Warhol, 32 Soup Cans, 1961-62Donald Judd, Untitled, 1970
slide2

Edgar Degas (French Realist/Impressionist Painter and Sculptor, 1834-1917)Frieze of Dancers, 1895, oil on canvas, 27 3/4 x 79”Multiple views of a single figure, an approach that violated the traditional notion that a painting must represent a unity of time, place, and viewpoint

etienne jules marey photographic gun 1881 which took twelve consecutive pictures per second
Etienne-Jules Marey, 'photographic gun,‘ 1881, which took twelve consecutive pictures per second.
slide8

(left) Auguste Rodin (French Sculptor, 1840-1917) in studio with collection of antique sculptures: fragments with Balzac study (right) and his own “fragments”

rodin detail of gates of hell with the thinker
Rodin, Detail of Gates of Hell with The Thinker

Durer, Melancholia, etching, 1515

slide12
Rodin, Gates of Hell, Three Shades, with tourist photo (center) in Paris and single Shade at the Atlanta High Museum
slide13
Constantin Brancusi (Romania, 1876-1957) (left)Vitellius, 1898(right) Brancusi in Paris studio, 1933The Saint of Montparnasse

Brancusi was an admirer of 17th c.

Tibetan monk and poet, Milarepa

of the Himalayas

slide17
(left) Brancusi, Sleep, 1908(right) Medardo Rosso (Italian 1858-1917) Ecce Puer, 1896“We are nothing but a play of light” (Rosso)
slide18

Constantin Brancusi, The Kiss, 1907 version (left) and the Memorial park at Tîrgu Jiu, Romania showing the TheGate of the Kiss, 1937 and part of contemplation group

The Kiss, which symbolizes the marriage of the

material and the spiritual, life and death, and

in general the dialectical unification of the

dualities of human experience

slide21
Brancusi, Endless Column, (left) under reconstruction, 1999(center) Segments of Endless Column(right) Donald Judd, Untitled, 1970
slide22

Brancusi, Bird in Space, 1925, marble, stone, and wood Brancusi’s Paris studio 1927 – photographs by artist“All my life I have sought the essence of flight. Don’t look for mysteries. I give you pure joy. Look at the sculptures until you see them. Those closest to God have seen them”