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Digital Image processing

Digital Image processing. CMSC 150: Lecture 14. Conventional Cameras. Entirely chemical and mechanical processes Film: records a chemical record of light pattern Light-sensitive grains in chemical suspension on plastic Upon light exposure, grains undergo reaction

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Digital Image processing

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  1. Digital Image processing CMSC 150: Lecture 14

  2. Conventional Cameras • Entirely chemical and mechanical processes • Film: records a chemical record of light pattern • Light-sensitive grains in chemical suspension on plastic • Upon light exposure, grains undergo reaction • Development: expose film to other chemicals • Chemicals dye the layers of red, green, blue • Overlay to get full-color negative

  3. Conventional Cameras

  4. Digital Cameras • Sensor converts light to electrical charges • 2D array of many tiny cells • Light hits, converted into electrons • Charge is converted into binary form CCD: Charge Coupled Device

  5. Analog to Digital Conversion: Sampling

  6. Analog to Digital Conversion: Sampling

  7. Analog to Digital Conversion: Sampling

  8. Analog to Digital Conversion: Sampling

  9. Analog to Digital Conversion: Sampling

  10. Digital Image • Sensor: 2D array of values • Image: "value" stored for cell in the sensor • Pixel: picture element • One pixel per sensor cell

  11. Capturing Color • Color filter placed over sensor • Color at each cell determined as "average of neighbor cells" (How Stuff Works animation)

  12. Grayscale vs. Color • Grayscale: pixel corresponds to shade of gray • Highest value: white • Lowest value: black

  13. Grayscale Images: Example • PGM: Portable Graymap • Use 8-bits per pixel • 256 total graylevels, 0-255 • Each pixel represented by an integer • 0: black • 255: white • Let's play around with a few, using IrfanView

  14. Grayscale vs. Color • Color: pixel corresponds to three color intensities • Red, Green, Blue • In general, color image at least 3X footprint of grayscale

  15. RGB: Additive Color Model • Start from no color present (black background) • Add (emit) amounts of each primary • Full intensity of each R,G,B: white • Full intensity of R,G: yellow

  16. Resolution • Image quality vs. number of pixels • Each image below stretched to 200x200 pixels • Fewer pixels less information stored 25x25 original 625 pixels 50x50 original 2500 pixels 100x100 original 10000 pixels

  17. Image Quality Vs. Color Levels • Clockwise on right: • 2 levels per R,G,B • 4 levels per R,G,B • 10 levels per R,G,B • 40 levels per R,G,B • More bits per pixel •  more colors •  larger footprint •  better quality

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