IV THREE COLLABORATIVE PILLARS V.11 (We Apr 9) Gesture Theory (4). Proposition (Escher Theorem) Given a topological space X, a sequence of gesture skeleta 1 , 2 , ... n and a permutation of 1, 2,... n. Then there is a topological isomorphism
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V.11 (We Apr 9) Gesture Theory (4)
Proposition (Escher Theorem)
Given a topological space X, a sequence of gesture skeleta
1 , 2, ...n
and a permutation of 1, 2,... n.
Then there is a topological isomorphism
1@ ...n@X (1)@ ...(n)@X
„The skeleta of hypergestures can be exchanged“
„a loop of lines = a line of loops“
repetition Here! of halting gesture
halting ofrepetition gesture
Solution: Complexification + Deformation
David Lewin’scharacteristic gesture
Complexification exchanges duration/onset ~ repetition/halting!
attraper le geste et
gesture morphisms: throwing gestures around
Rebecca Lazier Here!
Heinz Spoerli‘sZurich OperaBallet 2006
Rebecca Lazier: Vanish choreography Here!(7 dancers) New York City 2002
for Arnold Schönberg‘s String Trio op. 45 (1946 after heart attack)
Paper: Making Schoenberg Dance
In: Sound MovesProceedings of the Int. Conf. on Music and Dance, Roehampton Univ.
Memory and Rhetorical Trope inSchoenberg‘s String Trio(J. Amer. Musicol. Soc. 1998, vol. 51, no. 3)
Schoenberg explained the many juxtapositions of unlike material within the Trio as reflections of the delirium which the composer suffered during parts of his illness. Thus, the seemingly fragmentary nature of the Trio‘s material represents the experience of time and events as perceived from a semiconscious or highly sedated state. These unusal juxtapositions also represent ... the alternate phases of „pain and suffering“ and „peace and repose“ that Schoenberg experienced.
(Schoenberg shared his illness experience with friends and students.)
memory ~ gestural movement
Teil 2 networksdoze off