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Pertemuan 10 Huruf “Decorative/Digital 1”

Pertemuan 10 Huruf “Decorative/Digital 1”. Matakuliah : U0224/Tipografi I Tahun : 2005 Versi : 1/0. Learning Outcomes. Pada akhir pertemuan ini, diharapkan mahasiswa akan mampu : Mengidentifikasi huruf “Decorative/Digital” Menggambar huruf “Decorative/Digital”. Outline Material.

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Pertemuan 10 Huruf “Decorative/Digital 1”

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  1. Pertemuan 10Huruf “Decorative/Digital 1” Matakuliah : U0224/Tipografi I Tahun : 2005 Versi : 1/0

  2. Learning Outcomes Pada akhir pertemuan ini, diharapkan mahasiswa akan mampu : • Mengidentifikasi huruf “Decorative/Digital” • Menggambar huruf “Decorative/Digital”

  3. Outline Material • Caslon Openface • Serpentine • Insignia Alternate • Dead History

  4. Huruf “Decorative/Digital” Decorative fonts are easy to identify. Decorative fonts are attention getters used in advertising. Each typeface has individual and distintive characteristics. Decorative typefaces are meant to add punch to a publication, create a definite “look” or emphasize the content. These fonts are distinctive, easy to use and fun.

  5. “Decorative/Digital” Example of “Decorative/Digital” are: 1. Caslon Openface 2. Serpentine 3. Insignia Alternate 4. Dead History

  6. “Caslon Openface” 1. Barnhart Brothers & Spindler Opened in Chicago as the Great Western Type Foundry. It became Barnhart Brothers & Spindler in 1883, and was acquired by ATF in 1911; it closed in 1933. Caslon Openface is a font from Bitstream library. A small x-height typeface, originating with engravers near the start of the twentieth century, appearing in type in the 1923 ATF specimen.

  7. “Caslon Openface” Structure of Caslon Openface:

  8. “Serpentine” Designed by Dick Jensen for the Visual Graphics Corporation, Serpentine is a display typeface with slight, sharp serifs. The light weight has some of the feel of a computer screen, while the medium and bold weights can be more versatile. Serpentine is a contemporary-looking display font. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings – what might be called semi-serifs.This typeface has the uncommon ability to take on distinct personalities in its different weights, even though all three weights exhibit the same basic architecture. Comes complete with light, medium, bold and oblique versions. This typeface comes in both PostScript Type One & TrueType format. 2. The American designer Dick Jensen (born 1926 in St. Paul, Minnesota, died 2000 in Edina, Minnesota) created the font Serpentine™ in 1972.

  9. “Serpentine” Structure of Serpentine:

  10. Summary Display type includes letters that have been dimensionalized, inlined, shadowed, outlined, or optically distorted in order to engage & surprise the eye or the viewer.

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