1 / 18

Northwest Sinfonietta Music Off the Record

Northwest Sinfonietta Music Off the Record. The music of Mozart, Mozart, and Chagnard -Dr. Ken Owen. Mozart. Most beloved composer Start of NWS! Many stories – favorites?. Child-prodigy. Symphony at 8 Oratorio at 11 Opera at 12 Toured Europe as a child Played for highest royalty

purity
Download Presentation

Northwest Sinfonietta Music Off the Record

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Northwest SinfoniettaMusic Off the Record The music of Mozart, Mozart, and Chagnard -Dr. Ken Owen

  2. Mozart • Most beloved composer • Start of NWS! • Many stories – favorites?

  3. Child-prodigy • Symphony at 8 • Oratorio at 11 • Opera at 12 • Toured Europe as a child • Played for highest royalty • Played for pope • Absorbed styles – shaped his own • Cosmopolitan composer

  4. Mozart

  5. Mozart • What happens to child stars when they grow up? • Court of Archbishop of Salzburg w/Dad • Hated it – not famous • Tour as adult • Couldn’t get a good job • Mom Died while in Paris

  6. Mozart • Back to Salzburg • Trip to Vienna w/Archbishop’s orchestra • Stay as freelance composer • Started well • Ended bad – fickle public

  7. Piano concerto 23 in A • Composed in 1786 – Vienna • While working on “Marriage of Figaro” • Financial stress – becoming passé in Vienna. • 3rd baby born – lived 1 month • Little performing • Figaro popular in Prague, so he goes there

  8. Piano concerto 23 • One of most popular today • Perhaps Mozart’s own favorite • Took it on travels and performed it a lot • Wrote out the cadenza • C major, but full of depth • 2nd movement in a rare key for Mozart • F# minor • 3rd movement lively and cheerful

  9. Symphony 39 • One of last 3 – composed together in 1788 • Composed at a stone table in garden • Bad year • Figaro and Don Giovanni alienated the aristocracy ($) and fed into spirit of revolution • Had to move because no money • Poor health for he and Constanza

  10. Symphony 39 • Warm and optimistic sounding despite circumstances • No concept of composer writing to express own emotions of time • A job, composed what would bring in $ • Commission for Symphony 39? • Ahead of his time in concept of artist and in expression.

  11. Chagnard • Born in France • Parents listen to many types of music, including classical. No other music training. • Pianist in High school • Started guitar to play with • Rock n’ Roll – Pink Floyd • All by hear

  12. Chagnard • Visited Father in NY in 1982 • Getting into jazz, more serious about music • Visited Berkley School of Music • Huge impact • Stayed and studied for 1 year • Back to France to work and save • Back to Boston to finish education • Composition/film scoring focus • Led to conducting

  13. Chagnard • Frenchman writing Cuban music? • Precedent • De Falla, Albeniz, and Goyesca all learned to compose “Spanish” music from Ravel. • Exoticism Nationalism • Recent experiences in Cuba • Description of hearing bands from room • Natural dance and rhythms of the people

  14. Cuban music • Many influences over the centuries • West African slaves – rhythm • Natural rhythms – clave rather than 4/4 • Natural ease of dance.

  15. Embargo • 6 movements – each a specific dance • Specific rhythms • Researched and worked w/Cuban musicians

  16. Embargo • I Guaguanco • Fast, clave rhythms, hand claps, guitar • II Son • Slow fanfare – faster, clave, no strings • III Danzon • Slow relaxed tempo. Eerie start w/harmonics and “sound effects?” • IV Cha-cha-cha • Slide, moderate tempo, solo clarinet melody • 2nd section – gaps of scilence • 3rd section – 1st tempo, “as if nothing happened”

  17. Embargo • V Bolero • Minor, sultry and swaggering Spanish, trumpet solo w/guitar strumming • VI Mambo • Full orch. Clave, • Complex layers, using families • Similar to Rouse’s bump, but not so twisted

  18. Enjoy the concert! • Questions or comments on lecture? • kowen@pierce.ctc.edu • Powerpoint on web • Choralconductor.org

More Related