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Hieroglyphs

Hieroglyphs. The word hieroglyph literally means "sacred carvings". The Egyptians first used hieroglyphs exclusively for inscriptions carved or painted on temple walls.

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Hieroglyphs

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  1. Hieroglyphs

  2. The word hieroglyph literally means "sacred carvings". • The Egyptians first used hieroglyphs exclusively for inscriptions carved or painted on temple walls. • This form of pictorial writing was also used on tombs, sheets of papyrus , wooden boards covered with a stucco wash, potsherds and fragments of limestone.

  3. Hieroglyphics are an original form of writing out of which all other forms have evolved. Two of the newer forms were called hieratic and demotic. • Hieratic was a simplified form of hieroglyphics used for administrative and business purposes, as well as for literary, scientific and religious texts.

  4. Demotic , a Greek word meaning "popular script", was in general use for the daily requirements of the society. • In the third century A.D., hieroglyphic writing began to be replaced byCoptic , a form of Greek writing. • The last hieroglyphic text was written at the Temple of Philae • The spoken Egyptian language was superseded by Arabic in the Middle Ages.

  5. It was not until the nineteenth century that Egyptian hieroglyphs were deciphered. • Several people had been trying to crack the code when the brilliant young Frenchman, Jean-Francois Champolion discovered the secret to this ancient writing. • A decree issued at Memphis, Egypt, on March 27, 196 B.C. was inscribed on the Rosetta Stone in three scripts: hieroglyphics, demotic and Greek. • After Thomas Young deciphered the demotic text, Champollion used the information to break the code of the hieroglyphic text in 1822. • In 1828, he published the famous "Précis" that marked the first real breakthrough in reading hieroglyphs.

  6. HIEROGLYPH MEANING • Hieroglyphs are written in columns or in horizontal lines. • They are generally read from right to left and from top to bottom. • Sometimes, the script is read from left to right. • The reader can determine the orientation by looking at the animal and human figures -- they face towards the beginning of the text. • For example: if a figure faces right, the text should be read from right to left.

  7. Words and names written in hieroglyphs were believed to have magical powers. • For this reason, funeral texts and the names of the deceased were written on coffins and tomb walls.

  8. This meant that the gods would hear the prayers and the individuals would be protected from harm. • A name written in hieroglyphs embodied a person's identity. • If it was obliterated, the person's identity was lost, along with his or her means to continue living in the after world. • The names of pharaohs such as Tut and Queen Hatshepsut , for example, were removed from temple walls by their successors.

  9. Scribes • Be a scribe. It will save you from toil and protect you from every kind of work. It will spare you from bearing hoe and mattock, so that you will not have to carry a basket. It will keep you from plying the oar and spare you all manner of hardships." • Excerpt from a text used in the New Kingdom for the instruction of scribes. Cited in The Egyptians, edited by Sergio Donadoni.

  10. Hierogliphycs for scribe

  11. Equipment • A scribe's equipment consisted of a stone or wooden palette containing two cakes of ink, usually red and black, a leather bag or pot filled with water, and a set of reed brushes (pens). • Pigments were produced from mineral compounds. Red and yellow were obtained from iron oxide or ochre, black from carbon, and white from calcium carbonate or calcium sulphate. • Blue and green were produced from a compound of silica, copper and calcium. • The compounds were mixed with a variety of binders, including water, gum, gelatin, wax and egg whites. Paint was applied with brushes, and fine lines were often drawn with wooden sticks.

  12. Papyrus • To make the paper-like writing material, the exterior of the papyrus stems was discarded and the interior was cut into thin strips. • The strips were soaked in water and beaten to break down and flatten the fibres. • They were then layered crosswise and lengthwise to produce a sheet, which was beaten again to mesh the strips together. • Weights were placed on the sheets while they dried. Once dry, the sheets were rolled up and stored until needed.

  13. Draftsmen • Draftsmen were scribes who specialized in drawing. • Some tombs contain unfinished paintings illustrating the stages involved in producing tomb paintings. • Junior draftsmen drew the scenes in red ochre directly on the walls and senior draftsmen made corrections in black. • Depending on the project, the figures were sculpted in relief and painted.

  14. Draftsmen followed a formula that makes standing and sitting figures look stiff. Using a traditional grid of 18 squares, they sketched figures according to a predetermined pattern, making no attempt to show perspective . The eyes and shoulders are drawn from the front and the face, torso, arms and legs are drawn in profil

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