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The Light of Christmas23 Carlo Crivelli

Christmas is not a time nor a season, but a state of mind. To cherish peace and goodwill, to be plenteous in mercy, is to have the real spirit of Christmas (Calvin Coolidge)

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The Light of Christmas23 Carlo Crivelli

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  1. 23 Maria The light of Christmas

  2. Carlo Crivelli (Italian, c.1435 - c. 1495) Madonna della Candeletta Pinacoteca di Brera, Milan

  3. Carlo Crivelli - Madonna della Candeletta Pinacoteca di Brera, Milan

  4. Carlo Crivelli (Italian, c.1435 - c. 1495) Montefiore Madonna and Child; St Francis of Assisi 1471-72 Musées Royaux des Beaux-Arts, Brussels

  5. Carlo Crivelli - Madonna Cook 1470 Pannello centrale Polittico di Porto San Giorgio National Gallery of Art, Washington, D. C

  6. Carlo Crivelli (Italian, c.1435- c.1495) Madonna and Child, circa 1470 Pinacoteca de Macerata, Italy Carlo Crivelli – Madonna and Child - Walters Art Museum

  7. Carlo Crivelli (Italian, c.1435- c.1495) Madonna and Child, circa 1470 Pinacoteca de Macerata, Italy

  8. Carlo Crivelli - The Madonna and Child at a Marble Parapet

  9. Carlo Crivelli - The Madonna and Child at a Marble Parapet The apple is symbol of sin and is opposed to the cucumber symbol of redemption 

  10. Carlo Crivelli – Madonna and Child 1480-1486 Pinacoteca Civica, Ancona

  11. Carlo Crivelli - The Jones Madonna - Victoria and Albert Museum London

  12. Carlo Crivelli - The Jones Madonna, ca. 1480 (details)

  13. Carlo Crivelli - The Jones Madonna, ca. 1480 - Victoria and Albert Museum London

  14. Carlo Crivelli - Madona & Child 1490 National Gallery of Art - Washington DC

  15. Carlo Crivelli Madona di Ascoli Piceno Cattedrale di Sant' Emidio, Cappella del Sacramento Polittico di Sant'Emidio

  16. Carlo Crivelli - Madona di Ascoli Piceno

  17. Carlo Crivelli Madona di Ascoli Piceno (detail)

  18. Carlo Crivelli (Italian, c.1435- c.1495) Madona di Ascoli Piceno (detail) Cattedrale di Sant' Emidio - Cappella del Sacramento - Polittico di Sant'Emidio Carlo Crivelli - Madona di Ascoli Piceno (detail)

  19. Carlo Crivelli (Italian, c.1435- c.1495) Madona di Ascoli Piceno (detail) Cattedrale di Sant' Emidio - Cappella del Sacramento - Polittico di Sant'Emidio

  20. Carlo Crivelli (Italian, c.1435 - c. 1495) Virgin and Child Enthroned c. 1476 Museum of Fine Arts, Budapest

  21. Carlo Crivelli - Virgin and Child Enthroned with Saints Gemäldegalerie der Staatlichen Museen zu Berlin

  22. Carlo Crivelli - Virgin and Child Enthroned with Saints - Gemäldegalerie der Staatlichen Museen zu Berlin

  23. Carlo Crivelli - Virgin and Child Enthroned (Madonna Linsky) Chiesa di San Domenico a Fermo) 1472 Metropolitan Museum of Art

  24. Carlo Crivelli - Madonna Linsky 1472 (details)

  25. Carlo Crivelli - Virgin and Child Enthroned (detail) (Madonna Linsky) Chiesa di San Domenico a Fermo) 1472 Metropolitan Museum of Art

  26. Carlo Crivelli (Italian, c.1435 - c. 1495) & Vittore Crivelli Polittico di Monte San Martino 1480 Santa Caterina d Alessandria

  27. Carlo (c.1435 - c. 1495) & Vittore (c.1430-1502) Crivelli Polittico di Monte San Martino 1480

  28. Carlo & Vittore Crivelli - Polittico di Monte San Martino – San Martino, Santa Caterina

  29. Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu www.slideshare.net/michaelasanda http://ma-planete.com/michaelasanda 2019 Sound: Corelli Christmas Concerto; Op.68 - I. Vivace – Grace II.Allegro III.Adagio - Allegro - Adagio

  30. Carlo Crivelli (Venice c. 1430 – Ascoli Piceno 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione and Mantegna. Crivelli was born around 1430–35 in Venice to a family of painters and received his artistic formation there and in Padua. He was master of his own shop when sent to prison for adultery in 1457. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanni Bellini. His works can be identified by his characteristic use of fruits and flowers as decorative motifs, often depicted in pendant festoons, which are also a hallmark of the Paduan studio of Francesco Squarcione, where Crivelli may have worked. Commissioned by the Franciscans and Dominicans of Ascoli, Crivelli's work is exclusively religious in nature. His paintings consist largely of Madonna and Child images, Pietà, and the altarpieces known as polyptychs that were increasingly unfashionable. His work fell out of favor following his death and Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects, which is notably Florentine in its outlook, does not mention him. He had something of a revival, especially in the UK, during the time of the pre-Raphaelite painters, several of whom, including Edward Burne-Jones, admired his work

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