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Women at work provided inspiration for many artists but sure you will be surprised how many artists had painted woman ironing and how they depicted them more than once
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Ironing 9
Pehr Hilleström (Swedish, 1733-1816) Interior from Näs estate
Spain Spain Antonio Mesa Alguacil (Spanish, 1930-) Paño plancha y nueces
The cluster of ancient irons (being heated from the same source) G.g. Kopilak (American, 1942) Self-Portrait in Iron
Bernard Buffet (French, 1928-1999) Les fers a repasser, 1955
Bernard Buffet (French, 1928-1999) Kunstmuseum Basel Bernard Buffet Nature morte a la bouteille et au fer a repasser
Ciprian Costaș Old pressing iron
Dan Marian Rădulea Călcătoreasa Manolo Ruiz Pipo (Spanish, 1929-1998) Larepasseuse
Călcătoreasă 1969 Colecțiaartistului Călcătoreasă Corneliu Baba (Romanian, 1906 - 1997) Călcătoreasă Muzeul de Arta Craiova
Corneliu Baba (Romanian, 1906 - 1997) Călcătoreasă Corneliu Baba Călcătoreasă 1982
Dmitry Krasnopevtsev (Russian, 1925 – 1995) Leferàrepasser 1969
Frank Innocent (French, 1912-1983) Nature morte au fer à repasser, 1965 Marcel Bénaïs (France, 1957)
JeanViollier (Swiss, 1896 – 1924)Nature morte au fer à repasser Nature morte au masque
Europa, Spain Decorative art, any of those arts that are concerned with the design and decoration of objects that are chiefly prized for their utility, rather than for their purely aesthetic qualities. Many decorative arts, such as basketry or pottery, are also commonly considered to be craft, but the definitions of both terms are arbitrary. It should also be noted that the separation of decorative arts from art forms such aspaintingand sculpture is a modern distinction
Collection d'outils de repassage - Gouesnach-village Flutingmachine and pressing iron Austria
Marius Bartholoty Sewing, 1906 Maximilien Luce (French, 1858 -1941) La repasseuse 1895-1900
John Myers (British, 1944) Planche a Repasser Beast at the window John Myers (British, 1944) Planche a Repasser
John Myers (British, 1944) Planche a Repasser Femme en rouge John Myers (British, 1944) Planche a Repasser Femme designant 2012
Femme lisant 2014 John Myers (British, 1944) Planche a Repasser Femme lisant 2016
John Myers (British, 1944) Planche a Repasser Julia Lisant 2017 Vase Jeune 2012
19th Century Scottish Box Pressing Irons Hand drawn sketch vector art illustration
Swiss Meruzhan Khachatryan (Armenian, 1980) Still life Russia
Meruzhan Khachatryan (Armenian, 1980) Still life
Meruzhan Khachatryan (Armenian, 1980) Still life
Meruzhan Khachatryan (Armenian, 1980) Still life
Meruzhan Khachatryan (Armenian, 1980) Still life
Meruzhan Khachatryan (Armenian, 1980) Still life
In Provence the holiday season belongs to the colorful world of santons“little saints” to the rest of us. Figurines have been part of the human experience since time immemorial, often as effigies of the gods. The santons of Provence stem from the first living Nativity scene, said to have been created in 1223 by St. Francis, in Greccio, near Assisi. When these evolved into Nativity crèches (manger scenes), they were made of painted and gilded wood and set up inside churches. In time they became luxury artifacts, adorned with Venetian glass and fine porcelain, acquired by wealthy families as status symbols. The first clay santons were created by Marseillais artisan Lagnel (1761-1822) during the French Revolution when churches were forcibly closed and their large nativity scenes prohibited. In Marseille, Jean-Louis Lagnel started a different kind of revolution in 1797, when he molded the small figures out of clay, making them affordable for ordinary people
The Provençal crèche is the mirror in miniature of a 19th-century Provençal village. The world of santons is a fascinating blend of fantasy and realism.
Benjamin Shine creates fabric art using an iron to layer and pleat intricate, colorful portraits. His secret is the diaphanous fabric: tulle. Benjamin Shine is an artist who was born in London. He split his time in London and Sydney. And he has become a pioneer in “painting fabric”. Using an iron, Benjamin Shine sculpts, presses and pleats the huge single piece of tulle, whose transparent qualities give the portrait more texture and depth Benjamin Shine (British, 1977) Hands of Time
Bergdorf-Goodman Shine collaborated with John Galliano for Maison Margiela's Spring 2017 collection, adding a face made of tulle to a white trench coat Benjamin Shine (British, 1977) Bergdorf-Goodman
Works have been exhibited by arts institutions including the Metropolitan Museum of Art, The Museum of Arts and Design New York, The Crafts Council UK and The London Design Museum. Clients and collaborations include The MET, Givenchy, Maison Margiela, Bergdorf Goodman, Beyonce, Barclays Wealth, Vogue and Google. He has also won a number of awards including the Red Dot Design Award, The Enterprising Young Brit Award and the Arts Export Award in Australia. Videos of his work have amassed over 250 million views via publications including New York Magazine and The Huffington Post
The Canberra Centre commissioned Benjamin to unleash his wildest and most stunning dreams to create a sculpture showcase titled ‘The Dance’ that sees tulle artwork pushed to a new limit
Benjamin Shine "The Dance" collaboration with Canberra Centre, created by using over 2000 meters of tulle
Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda 2019 Sound: Leonard Cohen - The Guests