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Demetre Chiparus (1886-1947) was a Romanian Art Deco era sculptor who lived and worked in Paris, France. Chiparus is remembered as one of the most important artists of the Art Deco era. He employed the combination of bronze and ivory, called chryselephantine, to great effect.
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The sculptures of Chiparus (Romanian, 1886-1947), reflect his time and 1920-1930s sentiment of “folle”. Coming from the oldest French tradition of high-quality and extra-artistic decorative arts, the sculptures of Demétre Chiparus combine elegance and luxury, embodying the spirit of the Art Deco epoch. Considered one of the brightest representatives of Art Deco, collector interest in his work appeared in the 1970s and has flourished since the 1990s
Çiva, Siva ou Shiva est un des principaux dieux de l'hindouisme et l'un des plus vénérés. Il est également le roi de la danse dont chaque pas a une signification bien particulière. Chiparus a choisi de représenter Shiva avec des traits féminins et en position du lotus. La sensualité des courbes qui rythment la composition, la beauté du visage et la patine polychrome de la surface du corps de Çiva font que ce modèle soit un des plus recherchés par les collectionneurs. On ressent l'inspiration omniprésente dans l'oeuvre de Chiparus des danseuses des Ballets Russes: Shayo observes that Chiparus was clearly influenced by dances of the Ballets Russes. Notably, he illustrates a period photograph of the gipsy Rhouma-je holding the same pose as this sculpture
Exhibit of Art Deco Sculpture at the 8th World Congress of Art Deco in Cape Town
Demétre H. Chiparus – Civa – from Sir Elton John collection Demétre H. Chiparus (Romanian, 1886-1947) Civa
Demétre H. Chiparus (Romanian, 1886-1947) Civa - Art Deco museum (Moscow) Civa - Art Deco museum (Moscow)
Demétre H. Chiparus (Romanian, 1886-1947) Civa - Price realised 468,000 USD Civa - Price realised GBP 134,500
The gilt and cold painted bronze and ivory figure of "Civa" (Shiva) by Demeter Chiparus. The use of ivory is naturally controversial these days and does make these works hard to import and export. The statue is being offered by the regional French auction house Cortot-Vregille-Bizouard based in Dijon (sold netting $140,122)
Demétre H. Chiparus (Romanian, 1886-1947) Civa - Price realised 127 000 EUR
Demétre H. Chiparus (Romanian, 1886-1947) Civa - Price realised 127 000 EUR
Demétre H. Chiparus (Romanian, 1886-1947) Civa - Price realised 127 000 EUR
Demétre H. Chiparus (Romanian, 1886-1947) Shimmer Collezione di Franco Maria Ricci
Demétre H. Chiparus (Romanian, 1886-1947) Shimmer (Paillettes) Collezione di Franco Maria Ricci
Demétre H. Chiparus (Romanian, 1886-1947) Shimmer
Demétre H. Chiparus (Romanian, 1886-1947) Leotard The Art Deco Museum Moscow
Demétre H. Chiparus (Romanian, 1886-1947) Leotard (Price realisedUSD 290,500)
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer (Price realised GBP 39,650)
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer
Demétre H. Chiparus (Romanian, 1886-1947) Vested dancer (Price realised 24 500 EUR)
Demétre H. Chiparus (Romanian, 1886-1947) Dancer of the Ganges, circa 1925 also known as 'Chain Dancer' (Price realised 19 000 €)
Text & Pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda 2020 Sound: Shivkumar Sharma & Zakir Hussain - Raga Purya Kalyan
Art Deco originated as a style in 1908 — 1912, and reached its peak between 1925 and 1935 years. The term itself comes from the name of the International Exhibition of Decorative Arts and Crafts of 1925 year (Exposition Internationale des Art Decoratifs et Industriels Modernes). But, as a term of artistic style, it was mentioned in 1966 year, after the Exhibition revival in Paris. Art Deco is appeared by the influence of Art Nouveau, Cubism and Bauhaus on the one hand, and, the Ancient Art of Egypt, East, Africa and America on the other hand. Art Deco combined the neoclassical style and smoothness, gracefulness and playfulness, monumentality and elegance at the same time. The representatives of this style ignored the mass industrial production of goods, they stood for the exclusive manufacture of objects. In the manufacture of products they used valuable and expensive materials such as snakeskin, ivory, bronze, crystals, exotic wood. The favorite forms were geometric patterns of six-, eight-squares, ovals and circles, triangles and rhombuses. They also widely used plant forms of recently distributed Art Nouveau, various quotes from classicism, but also borrowings from Egyptian, African and other Exotic cultures. Thus, Art Deco can distinguish many styles: elegant, classic, expressive, exotic, and various modernist versions. The cultural movement based on Egyptian themes is often referred to as Orientalism. The terms covers a great deal, from the 'Japonisme' that provided motifs and colour schemes for Art Nouveau designs to the vivid colours and exotic form adopted by Parisian fashion designers like Poiret. A great measure of the Ballets Russes's success is attributed to its 'Orientalist' colours, costumes and even story lines. Diaghilev, ever the shrewd businessman, recognised the force of this appeal. In his early Paris seasons, he had offered ballets from the classic repertoire, such as 'Gaselle' and 'Les Sylphised', but soon abandoned these in favour of works with a clearly Orientalist theme. Many of the Chiparus bronze figures show the influence of Orientalism, whether it be in their costumes and jewellery, their headgear, or their poses. Often the titles of his pieces bear witness to a direct Oriental influence.