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後現代主義與文藝創作

後現代主義與文藝創作. 陳吉斯 淡江大學專任助理教授. My Diagram. Perception ( 如何去感知、經驗 ). Reception ( 接受某種論述之後而採取的行為 ). Spiritual need. Physical need. Conception ( 如何去理解所經驗的客體 ). Spiritual need: 生成於形而上，落實於形而下 ( 生活，物質 ) Physical need: 生成於形而下，結果於形而上 ( 文化、政治、社會、宗教，精神 ). [ 美 ] 丹尼爾 ‧ 貝爾， 〈 文化：現代與後現代 〉 .

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後現代主義與文藝創作

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  1. 後現代主義與文藝創作 陳吉斯 淡江大學專任助理教授

  2. My Diagram Perception (如何去感知、經驗) Reception (接受某種論述之後而採取的行為) Spiritual need Physical need Conception (如何去理解所經驗的客體) Spiritual need: 生成於形而上，落實於形而下(生活，物質) Physical need: 生成於形而下，結果於形而上(文化、政治、社會、宗教，精神)

  3. [美] 丹尼爾‧貝爾，〈文化：現代與後現代〉 • [美] 丹尼爾‧貝爾，〈文化：現代與後現代〉， 《後現代主義文化與美學》，王岳川 尚水編[北京大學，1992]， 1-8。 • 轉向現代主義 • 現代主義:結構與形式 • 現代主義:虛無與自我 • 走向後現代主義

  4. 轉向現代主義

  5. Expressionism 柯克西卡﹝Oskar Kokoschka 1886-1980﹞風的新娘Die Windsbraut (The tempest)）1914 年, 181 x 220 cm

  6. Cubism • “難以理解”是現代主義的標誌。 格爾尼卡（Guernica）, Paris, 1 May to 4 June 1937年Oil on canvas，349.3 x 776.6 cmZervos IX, 65Museo de la Reina Sofia, Madrid

  7. Surrealism 「要為現代主義下定義，必須用否定性的術語」歐文‧豪 （The Persistence of Memory）,1931 年Oil on canvas, 24.1 x 33 cm, The Museum of Modern Art, New York

  8. Abstractism • 在風格上設法抹煞「距離」(心理、社會、審美) • 主題上主張追求「超越」(transcendence)，堅持自我的絕對專斷 Mondrian,Piet ) (1872-1944) Broadway Boogie Woogie）1942-1943 年油畫，27 x 127 cm

  9. 社會環境的變化運動、速度空間感、時間感的錯亂社會環境的變化運動、速度空間感、時間感的錯亂 • 自我意識的變化破碎化的意識以新方法整合這些碎片 (Nietzsche上帝已死、Marx: 經濟決定一切、Frued: 意識)

  10. Dada 「對正統秩序永不減退的憤怒攻擊！」 「現代主義一定要不斷抗爭，但絕不能完全獲勝」 Marcel Duchamp 1887-1968 泉（Fountain）1917 年Readymade: porcelain urinal，高 60 cm Bicycle Wheel）1913 年Readymade: bicycle wheel, diameter 64.8 cm, mounted on a stool, 60.2 cm high Collection Arturo Schwarz, Mila0

  11. James Joyce, Ulysses, 1922

  12. Historical Overview of the Turns of Theories • Ontological Turn: Plato vs. Aristotle • Epistemological Turn: Idealist vs. Empiricist Kant’s three critiques • Archeological Turn: Hegel’s journey/dialectics of idea • Linguistic (structuralist) Turn: • Saussure: signifier/signified, arbitariety • Darwin’s evolution theory: apehuman • Freud’s phychological theory: unconsciousconscious • Marx’s material determinism • Postmodern Turn: Derrida’s deconstruction subverts the Western metaphysical biases (binary oppositions) • Cultural Studies Turn: culture > humanities • Visual Studies Turn: visual > textual

  13. The origin of knowledge Idealists (Rationalism): Plato, Leibniz “a priori” Empiricists: Hume, Locke “a posteriori”

  14. POP! 安迪沃霍爾﹝Andy Warhol﹞Marilyn）1964 年Silkscreen and oil on canvas, 40 x 40 inLeo Castelli Gallery, New York Goethe）1982Portfolio of four screenprints, 96.5 x 96.5 cmprinted on Lenox Museum Board

  15. Barbara Kruger

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