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CULTURAL INSTITUTIONALISM and the ECONOMY

CULTURAL INSTITUTIONALISM and the ECONOMY. Economic sociologists have long recognized that various cultural institutions shape forms and processes of markets & organizations. Why is giving gifts to children acceptable, but buying automobiles for college athletes forbidden?

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CULTURAL INSTITUTIONALISM and the ECONOMY

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  1. CULTURAL INSTITUTIONALISM and the ECONOMY Economic sociologists have long recognized that various cultural institutions shape forms and processes of markets & organizations Why is giving gifts to children acceptable, but buying automobiles for college athletes forbidden? What if a surrogate mother decides instead to keep her baby? When should blood be donated or sold? Should housewives/husbands be paid? Can children divorce their parents? Why can you legally buy a massage, but not the sexual services of a prostitute? Do you agree that “He who steals my purse steal trash…/But he that filches from me my good name/Robs me of that which not enriches him/And makes me poor indeed”? How much would you pay to restore a tarnished reputation?

  2. Culture Club Culture is the central theoretical concept of anthropology • “A system of shared beliefs, values, customs, behaviours, and artifacts that the members of society use to cope with their world and with one another, and that are transmitted from generation to generation through learning.” • Franz Boas. 1911. The Mind of Primitive Man. NY: Macmillan. The symbols-and-meanings approach to culture examines the “system of such publicly and collectively accepted meanings operating for a given group at a given time” (Andrew M. Pettigrew 1979:574). Participants within a culture use its symbols and communication processes to produce and reproduce shared values, attitudes, beliefs, customs, and patterns of language & thought that are transmitted in their symbolic forms.

  3. Economic Anthropology Economic anthropologists study pre-industrial societies, where kinship institutions dominate & production is for use, not a market. Stephen Gudeman sees livelihoods as culturally constructed. He tries to represent the “people’s own economic construction,” their mental maps of such concepts as exchange, property, and profit. Panamanian peasants don’t exchange to make profits but for an “exchange of equivalents,” where a good’s value is defined by expenses to produce it. Only outside merchants make profits in from the community, a mystery to the peasants how they did so. Economic values and normative practices of nonmarket societies are constrained by customs, habits, traditions and are often closely tied to religious rituals; e.g., planting and harvesting ceremonies. In non-monetized social systems, barter is the primary form of exchange. Gift transactions acquire symbolic meanings for communal integration, as in the Northwest Kwakiutl Indians’ potlatch feasts & the Kula Ring.

  4. The Kula Ring Kula Ringis a network of visits and gift exchanges that foster life-long social solidarity among the Trobriand Islanders (Malinowski (1922). Participants travel hundreds of miles over sea in open canoes to exchange two Kula valuables: red shell-disc necklaces (veigun) circle the ring in clockwise and white shell armbands (mwali) trade counter-clockwise. If an opening gift is armband, then closing gift must be necklace and vice versa. Gifts don’t stay permanently, but pass continuously among thousands of partners. Kula valuables are non-use items traded purely to enhance one’s social status, honor & nobility. Marcel Mauss (1922) described the giver’s act as a “display of greatness,” in which the giver must show an exaggerated modesty by down-playing the gift’s value. Kula partnerships forge strong obligations of hospitality, protection, and mutual assistance. The Kula is a solemn exchange ceremony, not to be conducted like the hard bartering that accompanies Kula journeys and serves purely economic purposes.

  5. The Philosophy of Money As money replaced barter, it transformed other forms of social relations. Apart from its economic exchange functions, money symbolizes and embodies the modern spirit of rationality, calculability, and impersonality. In The Philosophy of Money, George Simmel (1858-1918) analyzed how the cash nexus dissolves bonds of blood and loyalty. Money gives people the freedom to exercise an individualized control that is impossible in the traditional societies – ascribed identities are discarded. While individual freedom greatly increases, it also creates new social problems such as alienation, fragmentation, and identity formation. • Money ultimately determines the worth of all cultural objects. Simmel saw a “tragedy of culture” where social forms inevitably oppose the energies and interests of life. Metropolitan life is nervous, over-refined, blasé, the source of a • “typically problematical predicament of modern man: the feeling of being oppressed by an infinity of elements of culture because he can neither incorporate them into his own personal culture nor - because they are potential objects of his subjective culture - can he simply ignore or reject them.”

  6. The Social Meaning of Money Viviana Zelizer analyzed money as a social medium shaped by personal networks. Money lies at the intersection of the sacred and the profane: charity, sexual intimacies, life insurance settlements (e.g., 9/11) ... “Value” depends on how money is exchanged – as compensation for services, entitlement, or gift. She contrasts opposing perspectives “Nothing-But” (rational exchange), “Hostile Worlds” (moral indignation), with “Crossroads” (multiple ties between social processes & economic components). Zelizer used archival records from 1870-1930 – court cases, immigrant memoirs, etiquette books, vaudevilles, women's magazine ads, popular household manuals – to uncover a fundamental transformation in "domestic, gift and charitable monies.” Families, individuals, businesses, and governments reshaped money into a personalized vehicle by earmarking specific funds and inventing myriad new currencies ranging from housekeeping allowances, "pin money,” and gift certificates to tips, bonuses, Christmas club savings accounts, food stamps.

  7. Corporate Culture Dynamics Edgar Schein developed a Assumptions-Values-Artifacts model of corporate culture, a variable internal to an organization that explains its work-related structures, practices, outcomes. Mary Jo Hatch added Symbols and specified that four bi-directional influence processes link the four elements in the AVAS model. Organizational cultures change thru interplay of four clockwise & counter-clockwise influences, evolving over time and generating a spiraling double-helix: VALUES Manifestation Realization ASSUMPTIONS ARTIFACTS Interpretation Symbolization SYMBOLS

  8. Values & Assumptions Assumptions and Values are deep-structure elements Assumptions:taken-for-granted beliefs about reality & human nature Values:social principles, philosophies, goals, and standards considered to have intrinsic worth Manifestationoccurs when specific values, behavioral norms are evoked perceptually, cognitively, or emotionally Realizationoccurs when values are expressed in outcomes or acts • 3M Corp describes itself as a “Culture of Innovation” • What underlying assumptions does 3M make regarding human creativity and learning capabilities? • How are those assumptions manifested as values of employees in R&D dept, product marketing, human resource management? • Which org’l artifacts express 3M’s values (e.g., award ceremonies)?

  9. Artifacts & Symbols Artifacts and Symbols are surface components of org’l culture Artifacts:the visible, tangible and audible results of activity that are grounded in values and assumptions Symbols:anything that represents a conscious or unconscious association with some wider, usually more abstract, concept or meanings Symbolization translates artifacts into symbols, linking an artifact’s literal meaning to its subjective meanings Interpretationlinks previous assumptions to possibilities for new symbolic understandings What symbolic meanings do you attach to these artifacts? Have their meanings changed as result of recent events?

  10. Strong Culture  Performance + Control • “Strong” Corp Cultureenthusiasm emerged in 1980s academic & practitioner writings (e.g., Peters & Waterman In Search of Excellence) • General org’l mission statement sustains high member commitments • Strong culture provides guidelines for effective actions • Source of meanings & member identity (1950s IBM “organization men”) • Strong cultures produce superior individual & collective performances? • Exemplars: 3M, IBM, Kodak, HP; Nonexemplars: Enron, K-Mart, etc • Strong culture is difficult to imitate/transplant; the competitive advantage lies in the rarity of reproducing strong cultures inside most orgs • Strong culture is a social control mechanism for reducing supervision • Origins in an entrepreneurial leader’s values, norms, vision • Learning an org culture: Recruiting & socializing newcomers to inculcate commitment (Military boot camp; cult indoctrination; monastic rituals) • Validation, reinforcement through folklore, stories, legends, interpreting org’l history as consistent with its cultural values

  11. Organizational Subcultures • Subcultures: Given evident ambiguities held by many organizational participants, assuming a unitary corporate culture is questionable • Org’l subcultures arise and persist, especially among diverse occupational communities that make differing, conflicting assumptions about the most important values to uphold • Alternative values, interests, and competing occupational commitments overwhelm participants’ conformity to a single corporate culture • Many participants resist the culture & identity imposed by the org’s dominant coalition (the owners and top managers) • Schein identified three conflicting subcultures inside many companies, whose integration requires orgs to understand better how these occupational communities learn and interact. • What incompatible assumptions and values are held by: • Executives– in charge of overall corporate strategy • Engineers– professionals engaged in research & design • Operators– direct production & service activities

  12. References Gudeman, Stephen. 1986. Economics as Culture: Models and Metaphors of Livelihood. London: Routledge. Hatch, Mary Jo. 1993. “The Dynamics of Organizational Culture.” Academy of Management Review 18:657-693. Malinowski, Bronislaw. 1920. “Kula: the Circulating Exchange of Valuables in the Archipelagoes of Eastern New Guinea.” Man 20: 97-105. Malinowski, Bronislaw. 1922. Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea. London: Routledge. Mauss, M.arcel. 1922. The Gift: Forms and Functions of Exchange in Archaic Societies, London: Routledge. Pettigrew, Andrew M. 1979. “On Studying Organizational Cultures.” Administrative Science Quarterly 24:570-581. Schein, Edgar H. . 1990. “Organizational Culture.” American Psychologist 45(2):109-119.

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