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MEDIA Programma 2007 - 2013

MEDIA Programma 2007 - 2013 Infosessie laatstejaarsstudenten 100304 Programma Algemeen Opleidingen Steun aan ontwikkeling Steun aan TV producties I2I audiovisueel vragen Algemeen Ter versterking Europese audiovisuele bedrijven DG Information Society and Media & the Agency Sinds1991

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MEDIA Programma 2007 - 2013

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  1. MEDIA Programma2007 - 2013 Infosessie laatstejaarsstudenten 100304

  2. Programma • Algemeen • Opleidingen • Steun aan ontwikkeling • Steun aan TV producties • I2I audiovisueel • vragen

  3. Algemeen • Ter versterking Europese audiovisuele bedrijven • DG Information Society and Media & the Agency • Sinds1991 • 4de versie • Nieuw programma, 2007 – 2013 • 755 miljoen € • MEDIA Desk België Vlaamse Gemeenshap = lokale vertegenwoordiging vh programma

  4. Objectieven MEDIA 2007 • Culturele diversiteit • Cinematografisch/audiovisueel erfgoed & toegang bevorderen • Interculturele dialoog • Vergroten van de circulatie van Europese audiovisuele werken • Versterken van de Europese audiovisuele industrie

  5. MEDIA steunt • Opleidingsinitiatieven • Ontwikkeling van projecten • Distributie van projecten • Promotie (market access) • Festivals • Nieuwe technologieën • Financieringsinstrumenten

  6. Opleidingen • Continue opleiding voor professionals • Initiële opleiding voor studenten en trainers • Ter versterking van de competitiviteit van de Europese audiovisuele industrie • Focus: Scenario schrijven, projectontwikkeling, economisch & financieel management, nieuwe technologieën

  7. Initiële opleidingen • SWIM • SWIM in the Digital World is an 18 days training program which focuses on the applications of digital technologies for contributing to the development of new ways of creation, production and distribution. Its pedagogical process is based on the case study method and the inter-cultural approach. Around 40 participants, mainly students from film or management schools are expected to attend the SWIM seminar which will take place in Cluj-Napoca, Romania, in June 2009. The first edition of this project was held in Nantes, in July 2008 (information on www.swimdigital.eu). The project organisation is operated by the SWIM Consortium which gathers representatives of Sciencescom school (FR) Audencia Nantes School of Management (FR), the Norwich School of Art and Design (UK), the Babes-Bolyai University of Cluj-Napoca (RO) and the Berlin University of the Arts (DE).  • ENGAGE II is a trans-national collaboration between the Screen Academy Scotland (UK), the Baltic Film and Media School (EE), the University of Art and Design of Helsinki (FI) and the National Film School at IADT (IE) which, through a series of intensive project development workshops and online forums, aims to grow a new generation of European filmmakers with the knowledge, skills and understanding required to work collaboratively across national cultures and industries. • The first edition of this project was held in 2008 (information on www.screenacademyscotland.ac.uk).  • The Budapest Cinematography Masterclass is a biannual workshop that has been running since 1991 under the auspices of the Hungarian University of Drama, Film and Television and the Hungarian Society of Cinematographers (HSC). During the two-week hand-on schedule, postgraduate film school students and young professionals film collaborate in film short exercises on a sound stage under the supervision of the world¹s greatest living cinematographers (Heads of the 2007 Masterclass were Vilmos Zsigmond ASC and Elemér Ragályi HSC.) • The next edition will be held from August 23 to September 6, 2009, in collaboration with the Film School Konrad Wolf (DE), the NFTS (UK), the University of Art and Design of Helsinki (FI) and the Westminster Film School (UK). Further information on website www.bpmasterclass.hu.

  8. Initiële opleidingen • This training for trainers has been organized for several years by the European Association of Animation Film Cartoon (BE) and is designed for European animation schools and universities. This annual seminar has three main objectives : strengthen the network between European animation schools, allow them to share their knowledge and experience for the benefit of their students and training curricula, and make the schools better understand the evolution of the animation market. • Main partners of the January 2009 edition are the VIA University College (DK), the Moholy-Nagy University of Art and Design in Budapest (HU), the school Albert Jacquard (BE) and the University College of Gent (BE). Further information on www.cartoon-media.be.  • The European Film School Network project is designed to enhance a common reflection on pedagogical issues, to improve the mutual knowledge of the European film schools and set up exchanges. La fémis (FR), the London International Film School (UK) and the VSMU (SK) will elaborate a "training for trainers" programme, taking into account the issues and challenges that they, and the other European film schools, face. Furthermore, in parallel, a dedicated European film school website will also be set up in order to allow European film schools to network and share their experience. • These meetings have been organized by La fémis since 2002 (information on www.lafemis.fr). • Four Corners central idea is to identify and nurture the most talented European film students (and eligible postgraduates) who can demonstrate the potential to create economically viable new films and programs that will find audiences beyond their own cultures. To achieve that, the ESCAC (ES), in collaboration with its partners the Bournemouth Screen Academy (UK), the Thessaloniki Film school (GR) and the NAFTA (BG), has developed a four-part project dealing with development, co-production, finance and marketing & distribution. • The first edition of this project was held in 2008 (information on www.four4corners.com). 

  9. Initiele opleidingen • "Summer Media Studio” (SMS) is an annual intensive international three-week workshop, which brings together advanced film students and top-level professionals from different film schools and audiovisual industry for an intensive work at a theoretical and practical level (a short film is produced during the programme). The project has existed since 2003, and is coordinated by the Lithuanian Academy of Music and Theatre (LT), with the Helsinki Polytechnic STADIA (FI), the NAFTA (BG) and the Latvian Academy of Culture (LV) as main partners. • SMS 2009 is entitled “Vilnius: alive documentaries for professional screening” and will take place in the context of the event “Vilnius – European Capital of Culture 2009”. The SMS 2009 will focus on searching new cinematographic expressions of documentary film. The project aims to help students to find film forms for their ideas and to find their way to film industry. Further information on www.summermediastudio.com.   • Passion To Market • Passion To Market is a bridge into industry programme for eighteen (in six teams of three) of recent writing, directing and producing graduates from the NFTS (UK), La Fémis (FR) and the Polish National film and television schools. Through it they will become better established sooner as real participants in the global film market. Passion To Market will achieve this by supporting the development, production and marketing of a feature length script, full promotional package, budget, marketing plan, and teaser film for the selected team's project. • The first edition of this project was held in 2008 (information on www.nftsfilm-tv.ac.uk).   • A Fistful of Euros • “A Fistful of Euros” is led by London Film School (UK), in collaboration with University of Drama and Film Budapest (HU), La fémis (FR) and National Film School of Denmark. The project will create good practice models through a pan-European exchange on low-budget films (< 3M€) and is aimed at film school students and graduates, new entrants to the industry, and more established film professionals. • The first edition of this project was held in 2008 (information on www.lfs.org.uk).   

  10. Initiele opleidingen • Animation Sans Frontières • Animation Sans Frontières is a project based training course in 4 parts, designed to train animation bachelor-level students from a consortium of 4 European animation film schools. Each partner school will cover one part of an animated product’s development and production process, while also presenting its country-specific production styles, schemes and methods. • The project is led by The Animation Workshop (www.animwork.dk) and developed in partnership with the MOME in Hungary (http://w2.mome.hu), the Filmakademie Baden-Württemberg in Germany (http://www.animationsinstitut.de) and the Gobelins in France (http://www.gobelins.fr/index-flash.htm). • The first two modules in Germany and Hungary will concentrate on the development of the project idea while the third and fourth modules in Denmark and France will centre on production methods.

  11. Opleidingen • 10tal opleidingen voor studenten • Tussenkomst VAF / beurzen opleidingen zelf

  12. Ontwikkelingssteun? • 2 categorieën: • grote bedrijven  slate projects • kleine en middelgrote bedrijven  single projects

  13. Steun aan ontwikkeling • 1 jaar bestaan (bv.VZW) • Productie van één langspeelfilm/ creatieve docu/animatiefilm van min 13 min of van 2 kortfilms (drama of animatie) van min 5 minuten; • Distributie in de laatste 2 jaar

  14. Welke genres? • drama (min. 50 minuten), • animatie (min. 13 minuten), • creatieve documentaire (min. 25 minuten) • interactieve projecten (waaronder ook games)

  15. Basisprincipe van de steun? • match funding, cofinanciering (nationale fondsen, regionale fondsen, eigen centen…) • Maximum 50 % MEDIA steun • Maximum 60.000 € (80.000 € igv animatie langspeelfilm)

  16. Welke kosten kunnen worden opgenomen? • het verwerven van rechten; • onderzoek; • archief of ‘stock footage’-onderzoek (voor producties die gebruik maken van het televisie, film en digitale erfgoed van Europa); • alle activiteiten met betrekking tot het schrijven van het scenario, inclusief het treatment tot en met het finale concept; • storyboards; • onderzoeken en bepalen van de sleutelposities in cast en crew; • productiebudgetten; • ontwikkelen van een financieringsplan; • onderzoeken en bepalen van partners uit de industrie, coproducenten en financiers; • productieschema en –planning tot de uiteindelijke oplevering; • eerste marketing en verkoopplannen (deelname aan markten en aantrekken van kopers, voorkeuren met betrekking tot de eerste releases, festivals en markten die in aanmerking moeten worden genomen, etc.).

  17. Periode van ontvankelijke kosten? • vanaf de indiening van het project • Kosten mbt de auteursrechten kunnen teruggaan tot 12 maanden voor de indieningdatum

  18. Steun aan ontwikkeling: single project • Kleine bedrijven • Drama, animatie, creatieve docu & interactieve • Max 60.000 €, met uitz. Animatie langspeel, 80.000 € • Ervaring: 1 productie gedistribueerd hebben binnen de laatste 24 maanden

  19. Steun aan ontwikkeling: slate funding • Middelgrote & grote bedrijven • Drama, animatie, creatieve docu, interactieve • 70.000 tot 190.000 € • Ervaring: 1 internationale distributie

  20. Steun aan TV producties • Drama, animatie, series, documentaire • Bedrijf hoeft geen 1 jaar te bestaan • Max.500.000 €, 12.5 % (20% docu’s) • Presales aan en/of coprod met min 3 omroepen (in realiteit 5) • Mbt docu, bioskooprelease is toegelaten

  21. Financieringssubsidie: I2I audiovisueel • Initiatief van de EIB • Doel: toegang tot financiering van banken en financiële instellingen te vergemakkelijken • 3 modules: verzekeringen, completion bond en financiële kosten • MEDIA subsidie: 60% van de kosten, min 10.000 €,max. 50.000 €, max 2 projecten, max.100.000 € per bedrijf

  22. Vragen? • MEDIA Desk België – Vlaamse Gemeenschap (Nathalie Goethals) Bischoffsheimlaan 38 1000 Brussel tel: 02/226 06 52 nathalie@mediadesk-vlaanderen.eu www.mediadesk-vlaanderen.eu

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