1 / 17

Group Members

Group Members. Emme Toombs Jabriah Stevens Mikey Atkinson Aidan Ryan. Passage Chapter: 11 Page: 135-137.

graybillj
Download Presentation

Group Members

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Group Members • Emme Toombs • Jabriah Stevens • Mikey Atkinson • Aidan Ryan

  2. Passage Chapter: 11 Page: 135-137 I have been frequently asked how I felt when I found myself in a free State. I have never been able to answer the question with any satisfaction to myself. It was a moment of the highest excitement I ever experienced. I suppose I felt as one may imagine the unarmed mariner to feel when he is rescued by a friendly man-of-war from the pursuit of a pirate. In writing to a dear friend, immediately after my arrival at New York, I said I felt like one who had escaped a den of hungry lions.[1] This state of mind, however, very soon subsided; and I was again seized with a feeling of great insecurity and loneliness. I was yet liable to be taken back, and subjected to all the tortures of slavery. This in itself was enough to damp the ardor of my enthusiasm. But the loneliness overcame me. There I was in the midst of thousands, and yet a perfect stranger; without home and without friends, in the midst of thousands of my own brethren—children of a common Father, and yet I dared not to unfold to any one of them my sad condition.[2] I was afraid to speak to any one for fear of speaking to the wrong one[3], and thereby falling into the hands of money-loving kidnappers, whose business it was to lie in wait for the panting fugitive, as the ferocious beasts of the forest lie in wait for their prey.[4] The motto which I adopted when I started from slavery was this—"Trust no man!" I saw in every white man an enemy, and in almost every colored man cause for distrust. It was a most painful situation; and, to understand it, one must needs experience it, or imagine himself in similar circumstances. Let him be a fugitive slave in a strange land—a land given up to be the hunting-ground for slaveholders—whose inhabitants are legalized kidnappers—where he is every moment subjected to the terrible liability of being seized upon by his fellowmen, as the hideous crocodile seizes upon his prey!—I say, let him place himself in my situation—without home or friends—without money or credit—wanting shelter, and no one to give it—wanting bread, and no money to buy it,—and at the same time let him feel that he is pursued by men-hunters, and in total darkness as to what to do, where to go, or where to stay,—perfectly helpless both as to the means of defence and means of escape[5],—in the midst of plenty, yet suffering the terrible gnawings of hunger,—in the midst of houses, yet having no home,—among fellow-men, yet feeling as if in the midst of wild beasts, whose greediness to swallow up the trembling and half-famished fugitive is only equalled by that with which the monsters of the deep swallow up the helpless fish upon which they subsist[6],—I say, let him be placed in this most trying situation,—the situation in which I was placed,—then, and not till then, will he fully appreciate the hardships of, and know how to sympathize with, the toil-worn and whip-scarred fugitive slave. [7]

  3. Annotation 1 I suppose I felt as one may imagine the unarmed mariner to feel when he is rescued by a friendly man-of-war from the pursuit of a pirate. In writing to a dear friend, immediately after my arrival at New York, I said I felt like one who had escaped a den of hungry lions. In this passage, the multiple similes used by Frederick Douglass helps emphasize the emotions he felt when he was freed from the chains of slavery. “I felt like one who had escaped a den of hungry lions,” is a very powerful simile used to describe how he felt after being free and the true horror of slavery. By comparing slavery and his slavers to lions clearly shows the utter horror one feels as a slave. Return to passage

  4. Annotation 2 This in itself was enough to damp the ardor of my enthusiasm. But the loneliness overcame me. There I was in the midst of thousands, and yet a perfect stranger; without home and without friends, in the midst of thousands of my own brethren—children of a common Father, and yet I dared not to unfold to any one of them my sad condition. The use of irony in this passage truly helps show how Frederick is feeling even after he has escaped slavery. He is still lonely even when he is surrounded by thousands of people. And that irony truly lets you understand how alone he truly is. He has no friends and no family and even when he surrounded by many people he still feels an emptiness; loneliness. Return to passage

  5. Annotation 3 I was afraid to speak to any one for fear of speaking to the wrong one, Parallel structure is used to create emphasis on how Frederick Is afraid to speak to anyone because he is in fear of being forced back into slavery. The double use of the word “speak” and “one” is the parallel aspect of this quote. Return to passage

  6. Annotation 4 and thereby falling into the hands of money-loving kidnappers, whose business it was to lie in wait for the panting fugitive, as the ferocious beasts of the forest lie in wait for their prey. The use of metaphor in this passage helps the reader to understand Frederick’s fear and paranoia even after he was technically freed from slavery. Because he escaped he could still be recaptured. By referring to the kidnappers as “ferocious beasts” and him as “prey” its understandable why Douglass felt terrified and hopeless. Return to passage

  7. Annotation 5 I say, let him place himself in my situation—without home or friends—without money or credit—wanting shelter, and no one to give it—wanting bread, and no money to buy it,—and at the same time let him feel that he is pursued by merciless men-hunters, and in total darkness as to what to do, where to go, or where to stay,—perfectly helpless both as to the means of defence and means of escape. The choppy syntax and usage of hyphens helps create a panic sounding tone, showing how paranoid he is over possibly being captured and put back into slavery. Return to passage

  8. Annotation 6 in the midst of plenty, yet suffering the terrible gnawings of hunger,—in the midst of houses, yet having no home,—among fellow-men, yet feeling as if in the midst of wild beasts, whose greediness to swallow up the trembling and half-famished fugitive is only equalled by that with which the monsters of the deep swallow up the helpless fish upon which they subsist, This is a metaphor for the people that will recapture him possibly. He refers to them as wild beasts and monsters of the deep, that will swallow up helpless fish which he refers to as himself. Return to passage

  9. Annotation 7 I say, let him be placed in this most trying situation,—the situation in which I was placed,—then, and not till then, will he fully appreciate the hardships of, and know how to sympathize with, the toil-worn and whip-scarred fugitive slave. The use of imagery in this passage helps create a sense of sympathy and helps the reader be empathetic towards Frederick during the novel. Return to passage

  10. Rhetorical term A simile (/ˈsɪməli/) is a figure of speech that directly compares two things through the explicit use of connecting words (such as like, as, so, than, or various verbs such as resemble). Return to passage

  11. Rhetorical Term Irony: Irony (from Ancient Greek εἰρωνεία (eirōneía), meaning "dissimulation, feigned ignorance"[1]), in its broadest sense, is a rhetorical device, literary technique, or event characterized by an incongruity, or contrast, between what the expectations of a situation are and what is really the case, with a third element, that defines that what is really the case is ironic because of the situation that led to it. Irony may be divided into categories such as: verbal, dramatic, and situational. Return to passage

  12. Rhetorical Term Metaphor: A metaphor is a figure of speech that identifies one thing as being the same as some unrelated other thing, thus strongly implying the similarities between the two. It is therefore considered more rhetorically powerful than a simile. Return to passage

  13. Rhetorical Term Parallel Structure: In grammar, parallelism, also known as parallel structure or parallel construction, is a balance within one or more sentences of similar phrases or clauses that have the same grammatical structure Return to passage

  14. Rhetorical Term Syntax- studies of the rules for forming admissible sentences the grammatical arrangement of words in sentences Return to passage

  15. Vocabulary Mariner- A sailor, seaman, mariner, or seafarer is a person who navigates waterborne vessels or assists as a crewmember in their operation and maintenance. Return to passage

  16. Vocabulary Brethren: Brethren is a name adopted by a wide range of mainly Christian religious groups throughout history which do not necessarily share historical roots, including some of the earliest primitive churches Return to passage

  17. Vocabulary Merciless- without mercy; having or showing no mercy; pitiless; cruel Return to passage

More Related