1 / 11

Chapter 56

Chapter 56. Opera in Italy: Rossini and Verdi. Lecture Overview. Italian opera at the end of the 18th century Gioachino Rossini: life and works The Barber of Seville , Act 1, No. 1 ( Introduzione ) Italian opera after Rossini Giuseppe Verdi: life and works Otello , Act 4, scene 3

gemma-cantu
Download Presentation

Chapter 56

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Chapter 56 Opera in Italy: Rossini and Verdi

  2. Lecture Overview • Italian opera at the end of the 18th century • Gioachino Rossini: • life and works • The Barber of Seville, Act 1, No. 1 (Introduzione) • Italian opera after Rossini • Giuseppe Verdi: • life and works • Otello, Act 4, scene 3 • Review

  3. The Life of Gioachino Rossini (1792–1868) • 1792 born in Pesaro, Italy; attends conservatory in Bologna • 1815 begins career as opera composer • 1816 composes The Barber of Seville • 1824 moves to Paris • 1829 retires from the stage, travels between France and Italy • 1868 dies in a Paris suburb

  4. Principal Compositions by Gioachino Rossini • Operas (selected): • Tancredi • L’italiana in Algeri (The Italian in Algiers) • Il barbiere di Siviglia (The Barber of Seville) • La gazza ladra (The Thieving Magpie) • Semiramide • Le Comte Ory (Count Ory, French) • Guillaume Tell (William Tell, French) • Chorus: pieces include Masses, Stabat mater

  5. Principal Characters in Rossini’s The Barber of Seville • Count Almaviva (tenor) • the hero, a young count visiting Seville, smitten by Rosina • Rosina (soprano, originally mezzo-soprano) • a young woman living in Seville • Dr. Bartolo (bass) • a doctor, guardian of Rosina • Figaro (baritone) • a local barber • Basilio (bass) • Rosina’s music teacher

  6. Gioachino Rossini, The Barber of Seville, 1816, Act 1, No. 1 (Introduzione) 199 Ternary form

  7. The Life of Giuseppe Verdi (1813–1901) • 1813 born in village of Roncole in Italy, attends school in nearby Busseto • 1832 Milan to study, but soon returns to Busseto • 1839 moves again to Milan to advance operatic career; Oberto performed at La Scala • 1842 Nabucco scores first great success and begins period of travel • 1853 moves to Paris • 1887 comes out of retirement to compose Otello and Falstaff • 1901 dies in Milan

  8. Principal Compositions by Giuseppe Verdi • Operas include • Nabucco • Ernani • Luisa Miller • Rigoletto • Il trovatore • La traviata • Simon Boccanegra • Un ballo in maschera • La forza del destino • Don Carlos (versions in French and Italian) • Aida • Otello • Falstaff • Chorus: works include the Requiem and Four Sacred Pieces

  9. Principal Characters in Verdi’s Otello • Otello (Othello, tenor) • a Moorish general commanding troops in Cyprus • Iago (baritone) and Cassio (tenor) • Othello’s officers • Desdemona (soprano) • Othello’s wife • Emilia (mezzo-soprano) • Desdemona’s servant, wife of Iago

  10. Giuseppe Verdi, Otello, 1887, Act 4, scene 3 (Murder Scene) Through-composed form

  11. Review Key Terms • simple recitative • impresario • introduction (as an operatic number) • cavatina (in Rossini’s operas) • stretta • Rossini crescendo • Teatro alla Scala • Risorgimento • brindisi • scene • preghiera

More Related