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This analysis explores the geometric compositions in the works of renowned photographers such as Ansel Adams, Arnold Newman, Tina Modotti, Edward Weston, and Minor White. Each piece, including Adams' "Aspens in Northern New Mexico" (1958) and Newman's "Red Brick Wall" (1948), highlights intentional focus and the intricacies of image structure. Through a detailed examination of these works, the study emphasizes how geometry influences the viewer's perception and emotional response, encouraging a deeper understanding of visual storytelling in photography.
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Composition Seeing images in terms of the geometry of the image space
Emphasize-Deemphasize Portraits which express and intentional focus.