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Update

Update . Sidney’s Defense: pp. 1044-1083. Focus on: The Poet as Prophet and Creator; Definition and Classification of Poetry; Poetry vs. Philosophy and History; Answers to the Charges against Poetry; Posted on syllabus on website. Book II . Guyon—Knight of Temperance

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Update

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  1. Update • Sidney’s Defense: pp. 1044-1083. • Focus on: The Poet as Prophet and Creator; Definition and Classification of Poetry; Poetry vs. Philosophy and History; Answers to the Charges against Poetry; • Posted on syllabus on website

  2. Book II • Guyon—Knight of Temperance • Temperance as Moderation • OED: “practice or habit of restraining oneself in provocation, passion, desire etc. Rational self-restraint • Accompanied by Palmer--Reason

  3. The Bower of Bliss • Location in an artificial Garden (st. 42) • Enclosed, but how: st. 43 • Genius and the Self (st. 47) • Sexual Temptation • Acrasia in the Bower

  4. Guyon • Reactions • St. 55 • St. 66 • Guidance from the Palmer (69)

  5. Acrasia • Her name means “intemperance”’ • Allegory: temperance conquers intemperance • Witch with her lover (st. 72) • Temptress who turns men into beasts (Circe) • Sensual temptation (st. 77) • Loss of masculine strength (st. 80)

  6. Bower destroyed • Guyon’s destruction of the Bower 83

  7. Possible contexts • New World • Ireland • The Elizabethan court itself

  8. English Drama • Medieval Drama Cycle plays/Mystery plays/Corpus Christi plays Morality plays

  9. English Drama • Sixteenth-Century Dramatic Forms • The Professional Stage (A-49) A-80 in 8thed

  10. Christopher Marlowe

  11. Dr. Faustus • Christopher Marlowe • The Overreacher • Marlowe’s Mighty Line • Blank verse= unrhymed iambic pentameter

  12. The Faustus Theme Set in Wittenberg Historie u. Geschichte DrJohannis Faustus Goethe Modern Adaptations….

  13. Dr. Faustus • Parodic Structure • Where else have we seen parodic inversion?

  14. Dr. Faustus • Prologue—Icarus • Prologue, line 15 ff. • Overreacher • Foreshadowing of Faustus story

  15. Act I • Faustus not content with his achievements • Lines 10-11; 20-24 • Drawn to black magic Line 49 ff

  16. Dr. Faustus • Faustus’ desires and expectations—turning things upside-down • Divinity should be highest Act I, line 37 ff • It becomes lowest Line 106 ff • Good Angel/Bad Angel—form of allegory • Line I.1.70 ff • Medieval influence 7 Deadly Sins Sc. 5.278

  17. Scene 1 • Faustus dreams of power • Colonizing the demon/spirit world Lines78-97 • Lines 119 ff

  18. Scene 3 • Faustus conjures • Anti-Catholic (line 25) Further example: Scene 7 (Pope) • He is curious • Mephastophilis tells him of the nature of hell: • Line 76 ff

  19. Scene 3 • Faustus expects great power for his bargain • Lines 102 ff.

  20. Faustus • What is the nature of hell? • What does he get—is he already there? • See Scene 5, line 115 ff; line 135

  21. Can Faustus be saved? Scene 5, line 194 ff. He believes he cannot repent

  22. Comic Scenes • Parodic • Carnival • What is the purpose of carnival? • “safety valve”? • Stressing an essential humanity? • Mixture of poetry and prose

  23. Parodic pairings/Downward Spiral • Scenes 3 and 4 (Faustus conjures/Wagner conjures) • Scenes 5 and 6 (Faustus pledges/Robin and Rafe conjure) • Scenes 7 and 8 (F tricks Pope/ Robin and Rafe call Mephastophilis) • Scenes 9 and 10 (Faustus is in both scenes!)

  24. Parodic Pairing • Some claim this is a later interpolation • But let’s compare to Simpson’s parody • It’s ridiculous to sell your soul for a donut, but what does Faustus really get for his bargain? • Scene 4, line 8—does Faustus really get more than these low characters?

  25. Faustus and Tragedy • Tragedy • Tragic Flaws • Christian or Subversive Tragedy?

  26. The Old Man (Sc. 12) • Who is he? • Can we relate him to the Pardoner’s Tale?

  27. The two versions of Faustus • Page 1164-65 (9th ed.) • Page 1056-7 (8th ed.)

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