INTRODUCTION TO THE HSC SYLLABUS CONCEPTS. We hope you enjoy your trip. Jeff Soto (U.S . b 1975) The Last Voyage , acrylic on wood, 180 x 150cm, 2010. Some key Visual Arts Syllabus concepts we wil l look at are : Practice; The Conceptual Framework; The Frames.
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Jeff Soto (U.S. b 1975) The Last Voyage, acrylic on wood, 180 x 150cm, 2010.
You will become more familiar with them as we travel on…
JMW Turner (U.K., 1775-1851) Rain, steam and speed, oil on canvas, 91 x 121cm, 1844.
Laura Moncur (U.S. b. 1969), Practice, drawing, 2005
One side of the Practice triangle. We’ll spend time looking at the historical background to contemporary art. All art looks back to what has gone before. You will often find references to historical artworks and compositions in contemporary work.
The more aware of art history you are, the more you can understand and enjoy any art. An important Art history keyword for the HSC is APPROPRIATION.
<<<Jack Duncan, The transition of human experience, (Body of Work, 2012 HSC Visual Arts.) Crayon and gouache on panel, 6 panels, each panel 20cm x 30cm.
Jack’s artwork is based on an appropriation of the album cover of ‘Dark Side of the Moon’ by Pink Floyd (1973.)The artwork is by English design group Hipgnosis.>>
The second side of ourPractice triangle. Art critics interpret and describe works for an audience.
Art critics have a (hopefully) good understanding of what the artist is trying to communicate with an artwork. They have often either spoken to the artist, or done research on them if the artist is dead etc. They tend to have a good knowledge of art history, because (as we know) this helps a viewer to understand art.
As part of Practice in this course, you will act as an art critic, which involves critiquing artworks, including your own. You will also look at some art critical writing, and critique that!!
Ron Mueck, (Aust.b. 1958)Boy, 1999. Mixed media including fibreglass,resin, silicone, 490 cm × 490 cm × 240 cm.
Part 1: http://www.youtube.com/watch?v=HYX_jV-lAfk&list=PL2D885F5ED630353D
CONCEPTUAL FRAMEWORK: one of the tools we use when dealing with Practice.
The Conceptual Framework looks at the relationships involved with art. David Beckham can help us with this...(who would have guessed?)
Brainstorm: think about a Soccer game….it’s much more than just one player and a ball.
The artworld is precisely the same. It’s not just an artist and an artwork. There are many other relationships and connections involved and each effects the other. We need to consider this. Each of these circles is an agency in the artworld.
The Conceptual Framework:
agencies in the artworld.
While we watch, please consider the Conceptual Framework and its agencies.
Brett Whiteley (Aust.1939-1992) Almost once, timber & fibreglass, 1968, approx. 14
metres high, outside Art
Gallery of NSW, Sydney