1 / 14

Base-40 arithmetic for music apps

Base-40 arithmetic for music apps. Music 253/CS 275A Stanford University. Where did Base-40 come from?. Conceived by Walter Hewlett (1986 ); first pub 1992 Goals: enharmonic spelling preservation, correct analysis, correct transposition

Download Presentation

Base-40 arithmetic for music apps

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Base-40 arithmetic for music apps Music 253/CS 275A Stanford University

  2. Where did Base-40 come from? • Conceived by Walter Hewlett (1986); first pub 1992 • Goals: enharmonic spelling preservation, correct analysis, correct transposition • Reproduced at http://www.ccarh.org/publications/reprints/ • Further elaborated in U.S. Patent 5,675,100 (7 October 1997) http://www.google.com/patents/US5675100 2013 Eleanor Selfridge-Field

  3. Why Base-40? • Musical literacy • Tonal legibility (common-practice era) • Musical computation in integer arithmetic • Intervallic complementarity Base-10 complementarity: If interval = 3, complement = 7 If interval = 6, complement = 4 2013 Eleanor Selfridge-Field

  4. Review: Interval sizes and qualities 2013 Eleanor Selfridge-Field

  5. Review: Intervallic complementarity 2013 Eleanor Selfridge-Field

  6. Review: Intervallic complementarity in chords 2013 Eleanor Selfridge-Field

  7. Need for integer arithmetic • Binomial solutions: Brinkman, Böker-Heil • Required 3 params (pitch name, octave number, inflection) • Arbitrary mappings: C=10, D=20, E=30…. • Same intervals do not always produced same numbers (depends on endpoints: F-E = 10, Eb-D = 9) • Base-40 produces consistent arithmetical results (irrespective of endpoints and without binomials) 2013 Eleanor Selfridge-Field

  8. Physical instrument Cultural apparatus Letter names Base-7 (0 #s/bs) Octave numbers Base-12 (1#/b) Inflection names Base-21 (1#/b) Inflection names Base-40 (2#/b) Enharmonic-notation tiers 2013 Eleanor Selfridge-Field

  9. Third tier ## # - b bb Fourth tier ### ## # - b bb bbb Wider system: Enharmonic-notation tiers (7 x 5) + 5 C## / D / Ebb A# / Bb / Cbb D## / E / Fb 2013 Eleanor Selfridge-Field

  10. Base-40 Rule Simple rule: Where a whole step exists between two key names, a null token is used. 2013 Eleanor Selfridge-Field

  11. From Base-40 for enharmonic preservation MIDI to base-7 MIDI to base-12 MIDI to base-21 MIDI to base-40 Solution: Translate from symbolic code to MIDIPlus 2013 Eleanor Selfridge-Field

  12. What is MIDIPlus? • In MIDI file format, a binary implementation of base-40 • Replaces last 3 bits of velocity byte • Used to interpret key number 2013 Eleanor Selfridge-Field

  13. MIDIPlus in Printing Raw MIDI to Notation (Bach Prelude in E Minor, BWV 855 Translation from symbolic code (MuseData) to MIDIPlus to notation 2013 Eleanor Selfridge-Field

  14. Chords (interval complementarity) • Intervallic complementarity • Chord definitions 2013 Eleanor Selfridge-Field

More Related