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William Shakespeare: The Greatest Figure in English Literature

William Shakespeare: The Greatest Figure in English Literature. Background. 1564: Shakespeare born on April 23, at Stratford Upon Avon, England Baptized on April 26 Parents, John and Mary; father was butcher and glover maker. Education:

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William Shakespeare: The Greatest Figure in English Literature

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  1. William Shakespeare: The Greatest Figure in English Literature

  2. Background • 1564: • Shakespeare born on April 23, at Stratford Upon Avon, England • Baptized on April 26 • Parents, John and Mary; father was butcher and glover maker. • Education: • Stratford Grammar School, a local free public school in Stratford • Never attended a university

  3. 1582: • married Anne Hathaway, the daughter of a farmer in Shottery (only a mile from Stratford), she was 26 or 27; he was only 18. • 1583: • First child Susanna was born May 26, six months after the wedding. • 1585: • Anne gave birth to twins, Judith and Hamnet; Hamnet died Aug. 11, 1596 at age 11. • Both girls grew up and were married.

  4. Seven Dark Years • 1585-1592: • No more information about his life until 1592 when he is working as an actor and playwright in London. • jail for poaching • headmaster at a private school • military service

  5. London Years • 1593-1594: • The London plague forced the theaters to close. • Wrote no plays • Patron: the Earl of Southhampton • wrote two long poems: “Venus and Adonis” and “The Rape of Lucrece.” • 1598: • Theater work confined to district northeast of London—The Theatre and The Curtain

  6. 1599: • Lord Chamberlain’s Men built and owned The Globe Theater in Southwark, across the Thames in London, Julius Caesar first performed • 1603: • Queen Elizabeth died; James I becomes King of England and James VI of Scotland; Shakespeare wrote Macbeth. • The Lord’s Chamberlain’s Men become the King’s Men. • Performed at court 11 times, 7 plays by Shakespeare • 1613: • During the first performance of Henry VIII, a stagehand lit the fuse of a cannon, and the theater was burnt to the ground. • Retired and moved back to Stratford wealthy and respected. • 1616: • Died April 23, on his fifty-second birthday, buried at Stratford’s Holy Trinity Church; Anne died Aug. 6, 1623 and is buried next to her husband.

  7. His Epitaph Good Friend, for Jesus’ sake forbearTo dig the dust enclosed here:Blessed be the man that spares these stones,And curst be he that moves my bones.

  8. Works and Reputation • Plays • 37 plays: comedies, histories, and tragedies

  9. Works and Reputation Cont. • Sonnets • 154 • speaker is male • chief subject is love

  10. Anti-Stratfordians • Sigmund Freud • Samuel Clemens (Mark Twain) • Charlie Chaplin • Ralph Waldo Emerson • Walt Whitman • Supreme Court justices: • John Paul Stevens • Sandra Day O'Conner • Possible Authors: • Francis Bacon • Christopher Marlow

  11. Language • About 20,000 different words in his works • Added 1700 words unknown to Medieval England • Average vocabulary usage • Elizabethan: 500 words • John Milton: 8000 words • Shakespeare: plays-15,000 + sonnets-6000=21,000 • Average 16 year old today: 10,000-12,000 • Contributions to the English language New Words

  12. Tragedy • A drama in which the central character(s) suffer(s) disaster or great misfortune • The central character’s downfall is usually the result of: • fate • a serious character flaw • a combination of the two • A great tragedy is not depressing; rather it uplifts the audience by showing what greatness of spirit human beings are capable.

  13. Though the tragic hero has a flaw, he/she is usually noble and good; therefore, the downfall always seems worse than the character deserves. “A tragic situation exists precisely when virtue does not triumph but when it is still felt that a man is nobler than the forces which destroy him.”—George Orwell

  14. Plot Structure for a Shakespearean Tragedy • Exposition: general setting, atmosphere, time, place, main characters, and conflict • Exciting Force: something happens that starts the real action of the play • Rising Action: series of events usually covering more than one act (The protagonist encounters the antagonist.) • Climax: turning point, protagonist reaches height of his/her power; from that point things start turning against him/her.

  15. Plot Structure for a Shakespearean Tragedy Cont. • Falling action: covers several scenes, shows all the ways things are going against the protagonist/rise of antagonist • Moment of Final Suspense: Act IV usually, a moment when things seem to be going the protagonist’s way and he/she believes momentarily the tragedy must be averted. • Catastrophe: complete downfall of the protagonist • Resolution: conflict ends and outcome of the play is known (Usually everyone dies.)

  16. Plot Diagram Act III Turning Point Act II Rising Action Act IV Falling Action Moment of Final Suspense Exciting Force Catastrophe Act I Exposition Act V Resolution/Denouement

  17. Types of Speeches • Soliloquy: a speech delivered alone on stage expressing his/her thoughts directly to the audience • lengthy • spoken while alone • Aside: a brief remark, unheard by most of the other characters on stage, from a character to the audience or to another character • short • spoken with others on stage • Monologue: a lengthy speech addressed to other characters not the audience

  18. Globe Theater

  19. Globe Theater

  20. Globe Theater

  21. Globe Theater

  22. The Globe Theater Cont.

  23. Does Shakespeare still matter? Consider the following statement regarding Shakespeare's impact on every day English speech by journalist Bernard Levin:

  24. If you cannot understand my argument, and declare ``It's Greek to me'', you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.

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