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When the Lord had left his mortal body and returned to his divine abode, the devotees were in a state of mourning. Both Acharyas went to seek solace in the elder saints and asked them to give courage to the devotees.

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slide2

When the Lord had left his mortal body and returned to his divine abode, the devotees were in a state of mourning.

Both Acharyas went to seek solace in the elder saints and asked them to give courage to the devotees.

Gopalanand Swami (whom Maharaj had entrusted the Acharyas to) instructed Premanand Swami to create a Kirtan through which devotees could remember the Lord by.

Premanand Swami then wrote the Lords daily activities/habits and condensed them into these 10 verses.

The devotees would then sing these verses and it was as if the Lord had never left, as Swami’s eloquent words reminded all devotees of the Lord’s minute activities/details.

We sing these verses on a daily basis to remember and meditate upon the Lord’s activities in order to grow spiritually on daily basis.

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Pad - 1

Pratham Shree Harine Re, CharneShisNamaavu;

First and foremostly I bow my head at the feet of Shree Hari

NautamLilaa Re, NaarayanniGaavu ... 1

and sing Narayan’s (the Lord) ever new divine activities,

MotaMunivar Re, Ekaagra Kari Manane;

Great saints fixate (one point) their minds on him

JeneKaaje Re, SeveJaayeeVanane ... 2

For whom they go to the forest in order to serve him.

AasanSaadhi Re, DhyaanDharineDhaare;

In the forest they adopt a suitable ‘aasan’ (yoga position) and uptake

meditation by focusing on him.

slide4

JeniChestaa Re, Sneh Kari Sambhaare ... 3

and his chesta (leelas – divine activities) are remembered with affection.

SahajSwabhaavik Re, PrakrutiPurshottamni;

Purushottam’s (greatest human) instinctive nature is casual

SuntaSajni Re, Bik MataadeJamni ... 4

and oh my friend, listening about his nature removes the fear of Yamdoots

(torturing staff in hell)

GaavuHete Re, HarinaCharitraSambhaari;

I remember all Shree Hari’scharitras (leelas – divine activities) and sing

with love and affection

slide5

PaavanKarjo Re, PrabhujiBuddhiMaari ... 5

and pray to him to (do) purify my ‘budhhi’ (faculty of knowledge and understanding)

SahajSwabhaave Re, Bethaa Hoi HariJyaare;

Whenever Hari(the lord) is sitting in his usual casual manner

TulsiniMaalaa Re, Kar Lai FerveTyaare ... 6

and then using his hand a ‘tulsi mala’ is being revolved

RamujKartaa Re, RaajivNenRupaalaa;

The beautiful one with lotus like eyes is performing humourous acts

KoiHarijannire, MaangiLaineMaalaa ... 7

and sometimes asks and borrows a mala (rosary) from any Harijan (devotees)

BevdiRaakhe Re, Babe MankaaJode;

He doubles up the mala (rosary) by and keeps it folded, and then turns two

beads at a time (together).

slide6

FerveTaani Re, KaikMaalaaTode ... 8

and whilst revolving, he pulls the mala (rosary) so hard that sometimes it breaks.

VaatoKare Re, RamujKarineHastaa;

Whilst talking, he jokes and laughs thereafter

(Another explanation for the above could be that the mala is stopped in its

process, [broken] as he starts talking – Vaatokare re)

Bheri Kari Re, MaalaaKarmaaGhastaa ... 9

and at times after gathering up the mala (rosary) he rubs it between his

hands.

KyareyMeechi Re, NetraKamalneSwaami;

Sometimes the lord closes his eyes that are as beautiful as the lotus flower

slide7

PremanandKahe Re, DhyaanDhareBahunaami ... 10

and Premanand Swami says that he, who has many names, focuses and meditates.

Pad – 2

SaambharSahiyar Re, Lilaa Nat Naagarni;

My friend, listen to the leelas (divine activities) of a skilled actor/performer

SuntaSukhdu Re, AapeSukhsaagarni ... 1

and he is an ocean of happiness and some of that happiness would come

your way (be given) by listening to the divine activities.

NetraKamalne Re, RaakhiUghaadaKyaare;

Sometimes he keeps his lotus flower shaped eyes open

slide8

DhyaanDharine Re, BeseJeevanBaare ... 2

and the Lord (my life) is sitting outside and uptakes meditation

KyarekChamki Re, DhyaanKartaaJaage;

Sometimes he is startled whilst meditating and awakens

JotaaJeevan Re, JanamMaranDukhBhaage ... 3

and by seeing the Lord (my life) in such a way the fear/pain of the cycle of

birth and death is allayed

PotaaAagar Re, SabhaaBharaiBese;

In front of Shree Hari (himself) a gathered assembly is seated

SantHarijan Re, SamuJoiRaheChe ... 4

and saints and devotees who stay constantly fixated towards him

DhyaanDharine Re, Bethaa Hoi HariPote;

At times Shree Hari (himself) uptakes a meditative pose whilst (is) seated

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Sant Harijan Re, Trupt Na ThaayeJote ... 5

and the saints, devotees thirst for his vision does not become quenched even whilst viewing him.

SadhuKirtan Re, GaayeVajaadiVaaja;

Saints sing kirtans (devotional songs) whilst playing the musical instruments

TemneJoine Re, MaganThaayeMaaharaja ... 6

and watching them the great king (Shree Hari) becomes excited

TemniBheraa Re, ChaptiVajaadiGaaye;

Clicking his fingers (playing) he sings with the sadhus (them)

SantHarijan Re, NirkhiRaajiThaaye ... 7

and becomes very happy at seeing the saints and devotees sing the kirtans.

KyaarekSadhu Re, GaayeVajaadiTaali;

Sometimes saints sing accompanied by clapping

slide10

BheraaGaaye Re, Taali Dai Vanmaali ... 8

and Vanamali (one who adorns the forest type rosary of wild flowers) also (gives) claps and sings along with the saints.

AagarSadhu Re, KirtanGaayeJyaare;

When the saints are in front of him singing devotional songs

PotaaAagar Re, KathaaVanchaayTyaare ... 9

and when in front of him scriptures are being read then

PoteVaarta Re, Karta Hoi Bahunaami;

He, who has many names, is having a discussion

KhastaaAave Re, Premanandna Swami ... 10

and The lord of Premamnand always tries to come/move closer to the

action

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Right Foot

Swastik

Ashtakon

Ankush

Kamal

Dvaj

Urdvarekha

Vraj

Jambu

Jav

Left Foot

Matysa

Trikon

Gopad

Dhanush

Vyom

Ardha-Chandra

Kalash

slide13

2cheens where His dhoti is tied

1cheen on the outer side of His left Knee

1 cheen on His right thigh

2cheens on the outer side of the left foot

10cheens on His toes – Roam-nacheen

1cheen on His right big toe under His nail

2cheens on both His outer ankles

2cheens from His chaakadi

slide14

2cheens on either side of His chest

2cheens on His upper arms - Chaap

1 cheen in the middle of His chest - Shreevatsalcheen

1 cheen on the left side of His chest – Ardha Chandra cheen

1 cheen across His bellybutton – trivaricheen (3 creases)

2cheens on His forearms - Chaap

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1 cheen from His TilakChandlo

1 cheen on the right side of His forehead – paag/saalcheen

1 cheen above His nose (roam -nacheen)

1 cheen on the right side of His gum

1 cheen inside His left ear

1 cheen on His tongue

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Name TWO types of Dharma

  • Krodhnukaaranshuche?
  • Which are the TWO places where anger is justified?
  • Which FOUR things need to be present for listening to Katha effectively?
  • Which kind of vaktas are NOT appropriate to listen to?
  • What FIVE things are important in our life to obtain ultimate salvation (AtyaanticKalyaan)?
  • KonoPakshkhenchvo?
slide17

How many Maalas should we do during morning NityaPooja?

  • Name the Lord’s SIX kamals?
  • How many ShikshapatriShloks should we read daily?
slide18

Maare Mole Aavo, HasineBolaavo,

Re Ranghabhina, ChellaNandaji Na, ChojiRaaj...

  • PaagaladiPecchari, BandhiCheRupaali, Re Latakada,

Motidavada, ChojiRaaj... Maare Mole...

  • KaanaGiradhari, MurtiTaari, Re Mana Maani,

ChellaGumani, ChojiRaaj... Maare Mole...

BrahmanandanaPyaara, ShobhoChooSaara, Re Kesariya,

Ranga Na Bhariya,ChojiRaaj... Maare Mole...